Posts Tagged ‘Sunset Magazine’

2009 Jimsomare Chardonnay: Tasting Notes!

March 28, 2011

If you’re not already a member of our ATP Program, now might just be a really good time to consider joining up. Why? Because we’ve just made available (exclusively to members of our ATP Program) the 2009 Jimsomare Chardonnay, and it’s utterly and completely delicious.

This might come off as a bit of a mash-note-to-self, but if you’re aware of our chardonnays, you’re probably aware of just how celebrated they are, and how accoladed they’ve been (#2 on Wine Spectator’s Top 100 List, 90+ point ratings from Robert Parker & Wine Enthusiast, Wine of the Year award from Sunset Magazine). The rarity-scarcity of the Jimsomare offering would certainly seem to enhance that cachet, but it’s the experience of tasting it that I want to share with you …

A beautiful straw yellow in the glass (hold it to the light and it will send wine fireflies sparking through your private atmospheres), it positively sparkles in the glass, and the clear and crisp highlights are counterweighted by elegantly slow-moving and gracefully viscous legs. The aromatics are pure mountain-fruit chardonnay; steely, mineral-laden, and warmly mid-to-high tone, with particularly expressive notes of pear, lemon, and honey.  Great acidity hits the palate at first sip, then spreads throughout, with notable points of vibrancy being tip of the tongue and, interestingly enough, the long finish. Mid-palate provides an emergence of discreet and mitigated oak influence; honey tones get warmer, citricity turns spicy, zest supines into subtle hints of beurre blanc. As noted above, the finish is stunningly long, and effectively sews all the components together in rather delightful fashion, while also adding in some mellow tropical fruit notes and layering on some wild yeast-derived brioche warmth. Add the faintest hint of caramel, and the journey from front to back of palate is complete. Simultaneously complex and elegant, this is a wine that wears its affability on its sleeve, yet holds within its cloaks a deeper, richer core. Drink in any season, alone, or with light-to-medium-bodied foods that favor mellow spicing and savory flavorings.

If you’re already in the ATP Program, you can click here to order this wine now, and if you’re interested in joining, please click here. Then, you can go back to the other link, and order this wine!

The Chardonnay Chronicles!

November 13, 2009

If you’re a reader of this blog, you may have noticed my penchant for utilizing chardonnay as a primary example of the “blaming the varietal for the method” syndrome. Basically, this is a situation in which a perfectly fine varietal gets unduly denigrated because of a preponderance of poorly crafted offerings.

Chardonnay was certainly getting the bum’s rush in Laurie Daniel’s article in the San Jose Mercury News yesterday; specifically, Californian chardonnay. Here is her opening stanza:

“SOMETHING NEEDS to be done about the sad state of California chardonnay. I sample several dozen of them every month, and I hardly ever find one that’s truly interesting or distinctive. A lot of the wines are downright undrinkable, with noticeable alcoholic “heat,” too much residual sugar and/or oak that’s way too aggressive.”

Certainly no mincing of words afoot here. “The sad state of California chardonnay.” Strong words, to say the least. My interest here, however, is not to lobby either for or against her opinion per se, rather, I’d like to (surprise, surprise) talk Ridge chardonnay for a moment, hopefully with the goal of showcasing how attention to site, and the methodologies that should accordingly and logically follow, are capable of producing everything Daniel says most Californian chardonnays do not exhibit; Daniel writes “that too many California Chardonnays are simply boring. In some cases, one bottle is virtually indistinguishable from the next.” What I hope to show here is that, if growers and producers adopt different methodologies both in the vineyard and in the winery, with primary emphasis being put on issues of site-specificity and micro-climatic sensitivity, the resulting wines can potentially show tremendous complexity and individuality. I believe this is what Ridge does, and I think the results speak for themselves.

As a quick aside, I would like to reference a post by Steve Heimoff, who was writing in response to the Daniels article, and who very astutely pointed out matters related to issues of location and methodology. He wrote,

“Someone or something has to take the blame, but who or what? Well, first of all, there are places Chardonnay simply shouldn’t be grown because it’s too hot. I’ve seldom encountered a great Chardonnay from Paso Robles or Lodi, although there are other factors in those places that limit the wine’s potential. Large tracts of central and northern Napa Valley also are unsuitable, as is Sonoma Valley as you move north from the Carneros.”

As with Daniels, I am not interested in arguing for or against his stand here, but I did appreciate Heimoff’s comments for two reasons; 1. He very quickly focuses in on the issue of location, and 2. Steve is actually a self-avowed chardonnay fan, and as such, I think his commentary is all the more poignant. (“I’ve said many times that I’m a Chardonnay lover. Never have been an ABC guy, never will be. And when I say Chardonnay, I mean Burgundian Chardonnay: barrel fermentation, new oak, sur lies and battonage, the whole works.” –Steve Heimoff)

And one last thing to note; Ridge was not mentioned in either the Daniels article or the Heimoff post. I am simply hoping to spin off their writings as a mechanism for discussing the singular hows and why of Ridge chardonnay, and why I think these methodologies, properly deployed, can potentially serve to avert in some fashion the downward reputational spiral that Californian chardonnay seems to be on.

Before putting my own two cents in, I’d like to begin with a little outside affirmation that what Ridge is doing with the Chardonnay program seems to be of some value in the wine world at large. Not that reviews from the wine media are necessarily any sort of be-all/end-all proof of quality, but again, I do think they constitute a certain degree of external confirmation, and are accordingly of a reasonable degree of merit. So, that said, I am very happy to note the following as regards recent vintages of our chardonnays:

–2007 Ridge Santa Cruz Mountains Estate Chardonnay:
93 points, Wine Spectator
Year’s Best, Wine & Spirits

–2006 Santa Cruz Mountains Estate Chardonnay:
90 points, Wine Spectator
90 points, Wine & Spirits

–2005 Santa Cruz Mountains Estate Chardonnay
#2 on Wine Spectator’s Top 100 of the year, 2007

–2006 Monte Bello Chardonnay
“Best of the West” Sunset Magazine

–2000 Monte Bello Chardonnay
90 points, Robert Parker

More than ratings and awards, however, I’d like to highlight the sorts of descriptors that are used in the tasting notes for all the above:

“…elegant, delicate mouthfeel, showing deep layers of ripe fig and green pear…”
“…balanced, focused, pure and lingering…”
“…a sleek, high-altitude white…”
“…layers of spice, fig, honeysuckle and honeydew melon. Clean and refreshing, with light oak shadings…”
“…plenty of rich, vibrant, smooth and concentrated pear, fig and melon flavors…”
“…pineapple notes intermixed with hazelnuts … with enough underlying acidity to provide delineation…”

And so on. Mainly, no sign of buttery popcorn and the like …

Anyhow, on to my two cents:

First, site-specificity. Our chardonnays are mountain fruit, grown in an ostensibly cool climate milieu, below a fog line. This singular combination of high heat in the days, but cool weather at night, makes for both substantive ripening AND natural retention of acidity. The result? A full-bodied, viscous mouthfeel that nonetheless manages to be vibrant, crisp, and expresses both lively citricity and weightily playful tropicality.

Next, as a sub-factor to site-specificity, soil type. Per winemaker Eric Baugher’s notes, what we have here is “Decomposing Franciscan green stone mixed with clay/loam over fractured limestone sub-soils.” Meaning, our chardonnays express a complex array of mineral components not normally seen in flatland/warm climate chardonnays.

Next again, yeast. Our chardonnays are wild-yeast fermented, relying entirely on natural yeasts present in the vineyards for both primary and secondary fermentation. The result, rather than the predictable mono-dimensionality that can often afflict inoculated chardonnay, is a veritably potpourri of yeast influences that add again to the overall complexity on offer.

And next again, yields. With a fully hand-harvested/primarily dry-farmed model in place, our vineyard yields are down around the 2.5 ton/acre realm; a model that consistently favors quality over quantity; concentration and character over dissipation and dilution.

And on to harvesting; in order to tap the full spectrum of singularities on offer in the peculiar topography of our vineyards, we sub-divide the property into much smaller parcels, each of which is harvested and fermented separately, allowing for the final assemblage of the wines to be a parcel-assemblage. Again, more complexity is the result.

And how about barrel program? All of our barrels are air-dried, with two goals in mind: elimination of the more aggressive tannins, and the absorption of site-specific microbial content. Add to this the deployment of a diverse selection of barrel ages (for example, the 2007 Santa Cruz Mountains Estate Chardonnay aged in the following: 29% new, 43% one and two years, 28% three, four and five years old barrels), and yet again, more opportunities to tap and exploit available complexities.

Lastly, filtration. Or, in the case of our chardonnays, the lack of it. The premise being, if I may be so blunt, is that if you take something OUT of the chardonnay, you’re taking something OUT of the chardonnay!

So there you have it, at least in brief. A short chronicle of site-specific and site-sensitive methodologies designed to naturally tap what is naturally on offer in a property that is a natural for producing complex and singular chardonnay.

Or so I think. One man’s semi-humble opinion, as it were.

And to close, a hearty cheers to chardonnay! I don’t know as I’d go so far as Heimoff does when he writes, “Chardonnay is the world’s greatest white grape …”, but it’s certainly one of the finest!

Oh, and just one last thing to note: as part of our Monte Bello flight, we regularly pour the Santa Cruz Mountains Estate Chardonnay in the Monte Bello Tasting Room, and currently, in honor of its astonishingly culinary companionability with the archetypal autumn table (think Thanksgiving Dinner; root vegetables, starches, poultry, gravy-based dishes, sage, rosemary, etc.) we are pouring the very new and very wonderful 2006 Monte Bello Chardonnay! So come up, come in, and let’s talk chardonnay!

07HSE1-L06HMBfr

Sunset Magazine Awards Monte Bello Chardonnay “Best In The West” Top Honors!

October 27, 2009

Fantastic news! Sunset Magazine has just awarded top honors to our 2006 Monte Bello Chardonnay in their Sunset Wine Awards 2009 issue!

 

 

wine-awards-winners-1109-m

Here is a snippet of what they wrote:

White:  Ridge Monte Bello Chardonnay 2006 (Santa Cruz Mountains; $60) Why we chose it: Lively citrus brightens classic golden apple. Runners up: Lynmar “La Sereinité” Chardonnay 2006 (Russian River Valley; $70) // Schramsberg “J. Schram” Brut Rosé 2000 (North Coast; $130)

And you can read the whole article here.

Thanks Sunset Magazine!


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