Posts Tagged ‘Carignane’

The Old School Is New Again …

January 26, 2012

You know it’s coming, yet somehow you won’t admit it to yourself. It’s inevitable, of course, but it’s impossible survive the days if you’re in conscious embracement of the facts. Somehow, we have to psychically suspend our realities in order to keep on keepin’ on. But all things must pass.

The news came yesterday. They’d pulled it.

The 2007 Ridge Vineyards Old School was removed from the website. It was over.

Fortunately, the 2009 Ridge Vineyards Old School ain’t too far down the road!

I’ll be sure to let you know when it’s released, but in the meantime, here are some tasting notes, just to keep you going through these tough times …

 

2009 Ridge Vineyards Old School

As you may or may not know, the Old School designation is actually part of our Geyserville estate, but as it’s a group of vines that traditionally provide fruit that ripens to a greater degree of intensity, the juice is traditionally bottled separately in small amounts under the Old School name, and released as a special winery-only offering.

Stylistically, because of the selection criteria, the Old School favors a flavor profile that can run the gamut from sweet in character (a ripe quality that presents the illusion of sweetness without any actual real and significant amount of residual sugar) to actual sweetness (featuring actual residual sugar).

The 2009 is definitely of the former ilk; while the wine is certainly rich and intensely flavored and fruit-driven, a combination of notable water-stress and early ripening during the growing season, and an aggressive and disciplined selection process at the winery (made possible courtesy of a new receiving and sorting system), have made for a wine of surprising integrity and balance.

In addition to the voluptuousness of the fruit and the generosity of the bouquet, there are strong hints of that classic Geyserville spiciness that creep into the flavor profile at just the right moments. These notes primarily come courtesy of the vineyard-blend model deployed for the assemblage of this wine; the zinfandel (at 78%) is structurally rounded out and enhanced by the inclusion of carignane and petit sirah, two classic “mixed blacks” that also form the architectural backbone of the Geyserville.  

The 2007 Old School was one of our top-selling winery-only wines last year, and while it was a sweeter, riper rendition than the 2009, I think the ’09 is poised to not only keep the ’07 fans very happy, but also accrue a whole new set of believers as well. It’s got the fruit for the ’07 set, but it’s also got the complexity, structure, and spice that should win over some converts who may not normally find themselves on the ripe side of life.

If I may say so, it’s a perfect February wine; it’s got Valentine’s Day written all over it …

Picking Lytton West: The Movie!

September 29, 2011

My time experiencing #Harvest2011 up at Lytton Springs this past weekend concluded with an extraordinary opportunity; the chance to tag along with the vineyard teams as they picked at Lytton West!

My phone started ringing at about 5:30am. It was Will Thomas, viticulturist at Lytton, rousting me out. In 15 minutes, I was outside the hotel, shrouded in the damp morning mist, coffee cup in hand, awaiting the arrival of his truck. He pulled up, and I got in. In the dim light, he pointed out on his vineyard map the blocks getting picked that morning: Block 33 (Carignane) and Block 45 (Zinfandel).

We drove past the Lytton Springs winery, turned off the main road, and began to wind through the vineyards. We pulled up and stopped at what I can best describe as a compound of sorts; the epicenter of the vineyard crew’s lives during the harvest, where they eat and sleep, and the jumping-off point for a new morning’s picking.

When we got to the blocks to be picked, Will hit the ground at a quick pace, prowling the rows like a hungrily alert panther, eyes darting this way and that, seeing all.

Acutely aware of my interloper/outside status, I went off on my own as soon as possible, in hopes of both observing unawares, and staying out of everyone’s way. Picking began in the Carignane block.

It was a  fantastically beautiful morning, and dewdrops shivered in anticipation of the sun’s light beginning to seep into the vinerows.

If you’ve never seen a vineyard crew at work, it’s quite remarkable. You’d be utterly and completely astonished at how rapidly they work. I’ve experienced it countless times, and I am still flabbergasted every time. Almost before it started, it was over. Block 33 was picked.

And the sun had barely crested the hills.

I got back into the truck with Will, and we drove to the next block; zinfandel.

And suddenly again, with a rapidity impossible to describe, it was over. Block 45 had been harvested.

For the crew, their day was over, but for David Gates (Vice President, Vineyard Operations) and Will Thomas, the day was only just beginning. The math, science, and technology of harvest is a whole other game altogether, and it begins with entering vital information into our systems; varietal, block, tonnage, etc. Without this info coming in on time, the winery can’t be prepared for the arrival of the fruit. David and Will put their heads together, and did the math.

When Will finally dropped me off back at my hotel, I was tired. Not physically tired (after all, I hadn’t actually been picking!), not sleep-deprived tired (5:30am isn’t all that bad after all!), but brain-tired; exhausted by all I’d witnessed, and weighted down by all I’d learned. I felt wonderful!

My challenge then was to try and assemble all the raw photographic material I’d collected into something that would do justice to the experience, but as I sifted through it all, I found it nearly impossible to fully create anything that could accurately express my admiration for our team’s performance in the vineyards; they work so extraordinarily hard, pick so masterfully clean, and consistently deliver such outstanding fruit. I was at a loss. So I did very little. I simply strung together my series of mini-vids, and let them speak for themselves. I hope you enjoy this!

To drink a Ridge wine has always been, for me, an intensely experiential event; my future experience of our wines has been immeasurably enhanced by my time in the vineyards. I offer my sincere gratitude for having been granted the opportunity. To all on the crews, to Will, and to David Gates, I say thank you!

Another Carignane Evangelical Goes On A Mission!

February 8, 2011

It is with great pleasure, pride, and excitement that I celebrate another voice in the great Carignane mission; enter Chiara Shannon, head sommelier at K&L Wine Merchants in Redwood City. Chiara has recently begun writing for the K&L blog, and with one fine missive, she has outed herself as a devout Carignane believer!

You can read her post here.

For those of you who would like to do a little digging into this blog’s own humble history of posts in defense of this oft-unjustly-maligned varietal whose star is in fact very much in the ascendancy (and some other contributions as well!), please feel free to enjoy the following links:

http://blog.ridgewine.com/2009/11/09/eric-asimov-the-pour-welcome-to-the-fight-or-carignane-wins-again/

http://blog.ridgewine.com/2009/07/13/a-carignane-confluence-or-a-conversion-conversation-or-monroe-on-carignane/

http://blog.ridgewine.com/2009/06/18/more-on-carignane-or-carignane-tom-hill-and-me-or-how-the-ridge-vineyards-1992-whitten-ranch-carignane-changed-everything-for-me/

http://blog.ridgewine.com/2009/06/16/carignane-redux-or-where-the-wild-thing-is-or-20000-leagues-under-the-carignane-or-dont-blame-the-varietal-for-the-method/

Eric Asimov & The Pour: Welcome To The Fight! -or- Carignane Wins Again!

November 9, 2009

“Welcome to the fight.” Do you recognize that quote? Actually, the real line was “Welcome back to the fight.” But I don’t know for sure if Asimov was in the fight to begin with, and if he was, I don’t know that he left. Which is all a little obtuse, I realize. Here’s a hint on the quote:

Paul_Henreid_and_Humphrey_Bogart_in_Casablanca_trailer

It’s from “Casablanca.” Unquestionably the best movie ever made.

But what about Carignane? Well, somehow this article slipped under my radar back in October, but Eric Asimov, that highly esteemed member of the wine intelligentsia who writes the wonderful blog The Pour for The New York Times, recently penned an article for his blog about the oft-maligned varietal that is Carignane. And he came out swinging in its defense which, if you’re a reader of this blog, you’ll know is the same side of the fence I plant my big black boots on. The article was titled “Give A Grape A Chance,” and that pretty clearly lays out his mission statement.

In the tasting room, when discussing this varietal, I always concede that Carignane does indeed get a bad rap. But my sense is that this disrespectful summation has long been a case of blaming the grape for the method. A parallel example would be, say, Chardonnay. It too has gotten a bad rap over the years, but again, it’s a case of blaming the grape for the method. Chardonnay didn’t ask to be flabby and over-oaked, and it wasn’t born that way. Flabbiness and over-oakedness get thrust upon it, and when that approach becomes the dominant paradigm, eventually the lines separating the grape and the method blur, and the recriminations begin.

The same can be said of Carignane. Here is the opening salvo fired by Asimov in his article:

To call the carignan grape much maligned doesn’t begin to capture the contempt many people in the wine trade have for this poor grape.

And for what? For centuries of overcropping? For being planted in the wrong places? For making thin, astringent, acidic wines that can vary from inconsequential to brutal? That’s supposed to be the grape’s fault?

Not a dissimilar line of inquiry from a recent post (from June) on this blog, which carried the following title/mission statement:

Carignane Redux -or- Don’t Blame The Varietal For The Method? -or- Finding Time For An Oft-Maligned Vine

So as you can see, Asimov and I are on the same wavelength here. And I believe you should be too. Carignane is capable of producing wines of exquisite complexity, and it structure-forward presentation of vivacious acidity, crisp herbality, and savory fruit makes it an ideal wine for the table; any table, practically. I’ve tried our Carignanes with Indian curries, and come away dazzled. I’ve had them with Thai Green Curry, and loved the pairing. I’ve had our Carignanes with roasted tomatoes and fennel, and nearly fainted from an excess of pleasure. I’ve had our Carignanes with such a wide array of cuisines I’m tempted to go looking for an upscale version of the word “utilitarian” to describe it; upscale because utilitarian, while certainly indicating the wide array of culinary possibility this wine evidences, doesn’t seem to do justice to the grace with which it performs this service. Hmmmm…

Anyhow, the point is that Carignane, when given methodological respect, begets wines worthy of respect. I believe it, and it appears Eric Asimov believes it as well.

Do you? Come taste our 2007 Buchignani Ranch Carignane this weekend, so that I may welcome you to the fight!

RIDGE In The Round: The RIDGE Round Table Reviews The New 2007 Buchignani Ranch Carignane!

July 6, 2009

So, it’s time for another edition of RIDGE In The Round, and in keeping with my currently obsessive focus on Carignane, the RIDGE Round Table reviews the new 2007 RIDGE Vineyards Buchignani Ranch Carignane, which was the ATP Wine Program release for June. My compatriots for this tasting were Zani Nesvacil, Sam Howles-Banerji, Karen Cai, and Darren Gardner.

Before I commence with a round-up of our Round Table, I want to pass on a link to some backround information on the new Carignane. You can click here to read Winemaker John Olney’s notes.

Ok, on to the show!

Right out of the gate, everyone got very excited by the stunningly complex color of this wine. Oddly enough perhaps, one taster described it as being “light ruby in color” while another deemed it “crimson; deep & rich,” clearly indicating the degree of hue complexity this wine offers in  the glass. Still another described it as “blackberry purple,” and another as “ruby red with a hint of purple/blue.” Personally, I took a slightly different approach, describing it as being roughly the same shade as the stains on one’s fingers after going blackberry picking in Maine. But that’s just me … Mainly, it was really impressive to see this range of characterization regarding color; that’s not usually a realm of much debate! In addition to discussions of color two tasters commented on the relatively slender and rapidly-moving legs, which seemed to bespeak a reasonably less-than-weighty mouthfeel, which indeed proved to be the case.

Aromatics proved to be a very interesting set of discussions. Everybody got on the berry train, but there wasn’t a lot of agreement about just what sort of berry notes we were experiencing. Some felt a blackberry character, which I was in agreement with, though others got stronger notes of blueberry, which I didn’t so much experience. One taster chimed in with dried cranberry, and while no one else had noted that originally, all immediately agreed there was a strong showing of this in the bouquet. There was general agreement on a certain sweetness to the aromatics as well, probably most unifiedly described as a lightly oak-derived waft of caramel; interesting, given that the wine was only in barrel for 12 months, and with only 10% of those barrels being new oak. But it was there! I personally felt there was a certain herbality to the nose, almost but not quite eucalyptal, more of a grassier character, not dissimilar from chamomile tea leaves. I also got a tremendous amount of cherry strains, though apparently more so than the rest of the gang did. Two tasters felt there was some smoke to the aromatics, but only in minute strains. With that last disclaimer in place, I was inclined to agree, but only slightly!

Front-palate invited a near-universal response; what acidity! Tip of  the tongue, sides of the tongue, back of the tongue, inside the cheeks, on the roof of the mouth; we were all pretty much salivating right away; this wine redefines mouth-watering! In a good way certainly, which a slew of food pairing suggestions coming up immediately: lamb chops, traditional autumnal turkey and stuffing, grilled chicken, herbed alfredo sauce pasta, baked brie, grilled bacon-wrapped apples, etc. Color-as-metaphor-wise, the references were all red all the time: red plum, red raspberry, red cherry, red, red, red (but no strawberries!). Probably the most interesting facet, as we moved into the mid-palate discussions, was the interfacing of some unexpectedly sweet fruit notes juxtaposed up against the more expected tart characteristics (notably, some ever-so-slightly tart yellow plum flesh strains). One taster made the rather spot-on notation of dusty bay leaves, which all were pleased to discover upon having been alerted … The sweet/tart balance probably found its most effective reference in the yellow-flesh plum, in that the wine seemed to both evidence qualities of sweet plum skin and tart plum flesh …

To the collective RIDGE In The Round palate, the finish showed two key characteristics; a certain warmth (not alcohol heat, mind you, just warmth), and intensely mouth-watering tannins across the back of the tongue/taste buds; again, we were all salivating!

Overall, everyone appeared very positive about this wine, finding it to be both a classically lean, acidity-driven carignane with an unexpectedly supple mid-palate, and a surprisingly buoyant fruit offering; it’s every so slightly tart in a perfectly culinary companion sort of way, it’s bright with loads of red fruits, it’s mouth-watering and saliva-inducing, it’s warm but not hot, and its exceptionally approachable, particularly given that it’s a 100% solo varietal carignane.

Which is all well and good, but the real key, according to one taster, is that this wine is a “baby making wine!” Or, as the significant other of said taster has apparently put it, it’s “liquid excellence!”

A Musical Evening Of Wine, A Wine-Full Evening Of Music!

June 26, 2009

I had the great pleasure of spending Thursday evening at decarolis design & marketing in San Jose as “wine host” for a Wine & Jazz themed event, courtesy of an invitation from Vince DeCarolis, principal and founder of the company. RIDGE doesn’t actually do a lot of off-site events of this sort, but when Vince wrote to query as to whether we might be interested, I have to admit I was intrigued. Partly, they’re a local business, and it’s always a good feeling to reach out and share some good times with members of one’s immediate community. Plus, Vince is a big supporter and fan of RIDGE wines, and a long-time member of our ATP Wine Program. And lastly, well, he said there’d be a jazz band. So yeah, I was interested. Vince came up and met with me at the Monte Bello Tasting Room, and after he described the details, I was sold; it sounded lovely.

And lovely it was! The event was held in the little cobblestone tree-lined courtyard behind the decarolis offices, table’d and umbrella’d, with room enough for a fish pond, bar, and food table, plus the band. Very fine digs indeed. And a very fine and kind crowd as well, running the gamut from serious, serious wine enthusiasts and RIDGE fans to the previously uninitiated; I fielded lots of good questions, had a number of very engaging conversations, and altogether enjoyed the rapport.

The event was catered by a restaurant I was personally not familiar with, but judging by what was on offer this particular evening, I’d certainly say they merit a visit if you’ve not been already. The restaurant is Eulipia Restaurant, and they’re just down the street. One of the staff members who was on hand at the event described the cuisine to me as “New American comfort food!”

We had three wines on offer for the evening, the 2007 Santa Cruz Mountains Estate Chardonnay, the 2007 Geyserville, and the 2006 Santa Cruz Mountains Estate (CabernetSauvignon/Merlot/Petit Verdot), all of which I thought were showing quite well. The chardonnay is really flexing its minerality right now, and judging by the comments from tasters at the event, this is something that all levels of experience (as regards palate) seem to note with a good deal of pleasure. The ’07 Geyserville was by far and away the most familiar of the three offerings to the gang at hand, and although still utterly in its infancy at this point, it was very well received, and a couple of very serious RIDGE-o-philes waxed notably rhapsodic about this vintage. Personally, I’m a big fan of the ’07; my preferences as regards the Geyerville are for the years when the zin percentage comes down slightly, and the complementary rhones, particularly the carignane, come up, and the ’07 is a great example of this; I think this model really allows for a lot of the second and third tier layers of spice and herbality to express themselves, and I think those components are at the heart of what make the Geyserville such a singular offering. The ’06 Cab Santa Cruz was easily the dark horse success of the evening, being seemingly less familiar, but eliciting the most appreciative of responses. Altogether, I think it was quite a nice trio.

The band, it turns out, is not actually a “straight ahead” jazz band per se, rather, they effect a suprisingly seamless series of moves between solidly approachable “soft bop” and a somewhat tropical and reggae-infused world vibe; appropriately enough, the band is named the “Altered Roots Quartet.” Their chops are rock solid, they’re in full command of touch and dynamic, and, courtesy of guitarist and luthier Andrew Sacco, they’ve got some beautiful instruments as well. Both Andrew and bassist Chris Wilder play custom-made guitars, and their sounds were remarkable; warm, round, crisp without being biting, fleshy without losing clarity. One visit to their website this morning pretty much confirmed what I already had felt the night before; anyone who name-checks both John Coltrane and Burning Spear in their list of influences is way alright by me …

Anyhow, that’s my scoop on the evening, thanks to all for inviting me, and here are a trio of photos to give a little more visual sense of how it all played out (please click to see full-size)…

More On Carignane -or- Carignane, Tom Hill, And Me -or- How The Ridge Vineyards 1992 Whitten Ranch Carignane Changed Everything For Me

June 18, 2009

Tom Hill has very kindly allowed me to post some excerpts from his recent tasting of the 2007 Ridge Vineyards Buchignani Ranch Carignane, so I thought I’d share, so it isn’t always me up on the pulpit (My bit comes at the end of the post)!

 Fresh off the boat, I cracked last night:

“Very dark/black color; very strong dusty/old vines black cherry/plummy/blackberry/Carignane bit herbal light toasty/oak/DraperPerfume quite spicy nose; bit hard/tannic/acid rich/black cherry/black berry/Carignane slight herbal/dusty/old vines light smokey/toasty/oak flavor; very long bit hard/tannic/bitey plummy/black cherry/Carignane rather dusty/old vines finish w/ fair tannins; much more fruit than previous Buchignani Carignanes; still a bit hard on palate. $28.00 (ATP)”

And this …

“And a wee BloodyPulpit:

1. Carignane: Another grape I have trouble getting my arms around.

There’s a lot of old Carignane vnyds in Calif and that’s what attracts PaulDraper to the variety. He is, without doubt, the most skilled winemaker in Calif w/ the variety.

   I like the aromatics of Carignane, which reminds me of black cherry & blackberries, maybe a little Sangio-like. But they ofen have this rather mean acid/tannic/hard bite on the palate and seldom show the lushness you get out of Zinfandel. I must admit that I can’t ever recall a Carignane that I thought even remotely approached greatness.

   So….with that background…I was expecting to find little to like about this Carignane. Surprise/surprise….I liked this Carignane quite a lot. It had much more fruit than any Buchignani Carignanes I’ve yet had. The tannic bite was there, but the wine was not nearly as severe/hard on the palate as usual. Maybe the best young Ridge Carignane I’ve yet had.”

 Tom goes on to discuss some issues related to Carignane’s potential (or lack thereof) for aging, noting that historically, this varietal doesn’t appear to very effectively go the long haul very often. Which, prior to about a month ago, I think I might have agreed with, not having tasted many aged Carignanes. But then the 1992 Ridge Vineyards Whitten Ranch Carignane came across my bow, and changed everything for me.

92rwr1

When I tasted this wine, and when I wrote my original tasting notes, I had no idea I was going to be writing about it later, or defending it in any way; also, the wine was/is not commercially available, so my notes were written with no thought towards presenting the wine to the public. Essentially, the notes were completely innocent and neutral. Here is what I wrote (and mind you, we’re talking about a 17-year old solo varietal Carignane that Paul Draper originally estimated would be at its best no later than 1996!):

Appearance: Mid-tone ruby with a pale violet limn; somewhat granular and sedimented, and not particularly viscous in the bowl.

Aromatics: Surprisingly savory! Hits of jerkied beef & peppercorn. Also, some cocoa and bread crush notes … plus, strong hints of cherry fruit …

Front: Lots of cherry now, with a dusty-ish mouthfeel and a lean-ish body weight …

Mid-Palate: Some oak and cedar notes emerging, alongside some fascinating hints of both persimmon and pemmican.

Finish: Warm, ripe, with good controlled acidity.

Summary: Absolutely drinkable! Amazing to see the well-known Carignane acidity so tempered, without a parallel disappearance of everything else over such a long time. An eye-opener for sure …

So there you go! Who says Carignane can’t age …

And by the way, as recently as 2006, Carignane was referred to by none other than Steve De Long (author of De Long’s Wine Grape Varietal Table,  and founder of the Wine Century Club) as a “Hipster Wine!” Just a funny lil’ side note … You can find the article here on our Ridge website, or here on Steve De Long’s site, should you want to read it. It’s quite amusing, actually … the article begins with him comparing Carignane and blue jeans … I’d recommend reading it on Steve’s site actually; the comments from readers are quite good …

Carignane Redux -or- Don’t Blame The Varietal For The Method? -or- Finding Time For An Oft-Maligned Vine

June 16, 2009

I’ve been having some very interesting back and forth with Tom Hill lately about Carignane; it’s been on my mind certainly, what with the new 2007 Ridge Vineyards Buchignani Ranch Carignane just released, and Tom seems to be feeling the same way; he’s been posting notes on a few different vintages of late … (can be found here) … and I’ve been doing some “research” as well (it’s never “drinking,” it’s “learning!). Anyhow, I’ve got myself geared up to do a few pieces on this oft-misunderstood varietal, beginning, well, now!

As can be seen from the following quotes, Carignane has it kind of rough sometimes …

–”Carignane mostly produces wines that have high color, acidity, and tannin, without displaying much distinct flavor or personality and with very little appeal. Only a few growers carefully manage vine vigor and limit crop size to produce interesting, distinctive wines from this grape. As with many other varietals, older carignane vines seem to produce wines with generally more character and less brutality.” (from winepros.org)

–”Despite its commercial success, the Carignane is considered a ‘workhorse’ grape rather than a noble variety such as Pinot Noir or Cabernet Sauvignon. Wines made from Carignane can be good but are almost never excellent. As a result, Carignane is slowly diminishing in the number of acres planted to it. As consumers want better quality wines, the Carignane grape is being displaced by other varieties.” (from cellarnotes.net)

–”The Carignane grape suffers from the curse of high yields … These high yields mean that there’s plenty of wine to go around; often more than the market can handle. This lack of interest is exacerbated by the tendency of high-yielding vines to grow poorly concentrated fruit, especially in the absence of devoted efforts at pruning in the vineyard … Certainly, there is fine justification for the efforts, sponsored by the European Union, to pull Carignane vines from vineyards in France in the last decade. The surplus of wine was undeniable. Much of this wine had little to recommend it. But when produced from very old vines that are carefully tended, Carignane can help craft characterful and concentrated wines.” (from wineaccess.com)

But written into these quotes is some cause for hope; in that, running throughout these largely dismissive comments is an important truism; one should not fault the varietal for the method!

Meaning, don’t blame the grape for what the producer did to it. I give you another example; how many times have you heard people say, “I don’t like Chardonnay”? I’ve certainly heard this innumerable times in innumerable tasting rooms. I don’t like Chardonnay?!?! That’s like saying, “I don’t like blue”! Chardonnay is such a versatile varietal, almost a chameleon; how could one possibly claim to globally dislike chardonnay? Answer (more often than not, I wager): they don’t actually dislike it! What they probably, maybe even uniformly, seem to dislike (at least in my experience) are flabby, over-oaked, acid-less, “butter-bombs.” (for lack of a less cliche term …) But is that chardonnay’s fault? No! Again, don’t blame the varietal for the method!

So let’s look a little closer at those quotes above, and isolate a few key lines:

” …a few growers carefully manage vine vigor and limit crop size to produce interesting, distinctive wines from this grape…”

“…in the absence of devoted efforts at pruning in the vineyard…”

“…when produced from very old vines that are carefully tended, Carignane can help craft characterful and concentrated wines…”

In each case here, there is an implied acknowledgment of fault that has to do with methodology, not with the varietal itself. It’s my opinion that every varietal is its own little world; one that imposes its own set of terms and requirements that one can choose to honor or not, and I certainly think it’s incumbent upon a producer to do their best by the varietals they work with.

When I co-write with other songwriters, or produce albums for other musicians, I often tell them, during the compositional process, something along the lines of, “The song is the boss. It knows what it wants to be. Our job is to listen, and realize.” I think the same can be said for a varietal. It knows what it wants to be, our job is to listen, and realize. If it doesn’t come out right, is it the grape’s fault? No! Or, at least, not necessarily …

So, this is the beginning of my multi-part treatise on Carignane. The point here is that I don’t believe Carignane deserves to be maligned to the extent it often is, and I don’t believe it’s a “lesser” varietal per se; it may be a more demanding varietal, with an admittedly narrower spectrum of potential (hello Pinot Noir!), and I’ll concede it may be an acquired taste for most (hello solo-varietal Cabernet Franc!), but I don’t think it should be written off. And no, I’m not necessarily putting Carignane on the same level as the two afore-mentioned varietals, I’m just interested in giving Carignane a reputational chance …

More soon …


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