Posts Tagged ‘american oak’

10 Questions with Paul Draper: #4!

August 18, 2011

Interested in questions of oak, and wine? Want to know why Ridge still so heavily favors American Oak? Then read on, and enjoy Q&A #4 in our ongoing special  ten-question series with Paul Draper!

4-    You are one of the few remaining enthusiasts of American oak. Most people think of coconut and sweet vanilla notes when they think of American oak but your wines are very elegant. How is it possible to make such elegant wines using American oak and what is the advantage of using this kind of barrels?

In the 19th century the first growth Chateaux of Bordeaux participated in several lengthy experiments with oak from different regions.  The Chateaux at that time were using oak from the Baltic region. Their consistent results in these ten year experiments listed three Baltic areas in first, second and third place, Riga, Stettin and Lubeck, with American white oak in fourth place, Bosnian oak in fifth and French oak in sixth and the least favorite in all the Chateaux.  Only with the first World War and the poor relations with Germany did the Chateaux turn to French oak.  Most California producers who used or still use American oak did not insist that it be air-dried as in Europe rather than kiln dried quickly in a very hot enclosed building.  They typically did not select the regions or the coopering methods carefully and their wines gave American oak a bad reputation.  We believe after forty years of experience and comparing the wines each year against a small control of the best French oak barrels that American oak properly dried and coopered is as good or in our opinion finer than French oak.  Far more American oak is used today in California and in the world than was true twenty, thirty or forty years ago.  The cult and best known wineries in California pride themselves on imitating the French and using French oak unquestioningly without experimentation.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.
 
 
 

 

 

FANTASTIC Article on Ridge (& The Santa Cruz Mountains Region!) In The San Francisco Chronicle!

March 1, 2010

Jon Bonné has penned an absolutely wonderful article about Santa Cruz Mountains wines in the San Francisco Chronicle, with a hearty portion of the text devoted to Ridge Vineyards. Here’s how the article begins:

Next week, Paul Draper and his team at Ridge Vineyards will pause from their work at the legendary Monte Bello vineyard and raise a glass to 50 years of winemaking, high above the streets of Cupertino.

Ridge’s half-century history is a testament to the improbable. Neither Draper nor any of Ridge’s founders, all Stanford scientists, were wine people by training. And Monte Bello is the exception that proves the rules in California Cabernet: made in American oak and not French; rarely exceeding 13 percent alcohol.

This would be reactionary if not for the fact that its style (with the exception of more new oak) hasn’t wavered much in more than 40 vintages – a tribute to the old-fashioned techniques that Draper pioneered after arriving in 1969.

You can enjoy the full article here.
 

The Oak Wars: French vs. American -or- A Barrel Of Information About American and French Oak -or- More Fun Than A Barrel Full Of Grapes!

October 14, 2009

Barrel-Stack

It’s one of the more common questions we receive in the tasting room, and it’s certainly one of the most debated questions in the modern wine industry; French Oak vs. American Oak, what’s the story? Google “French Oak versus American Oak” and you’ll call up hundreds upon hundreds of listings.

Recently, we received an e-mail from a gentleman who works in the fine wine retail business, and who is an extraordinarily knowledgable wine connoisseur. He was seeking some clarification from Eric Baugher, our winemaker here at Monte Bello, about pore size in American oak barrels, and I was fortunate enough to be included in the exchange. While the initial query seemed to be about a relatively specific topic, I found Eric’s response to be very informative about the French vs. American oak debate in general, and I’d like to share some excerpts with you, in the hopes that his thoughts can help clarify some of the issues framing the debate, as well as impart a bit of information about our barrel program specifically:

“The key difference, as I’ve understood, French oak is considerably less dense. The porosity and void space in between cells is greater than American oak and thus the wine has greater extractive surface area.  The French oak specie also contains about 10 times the concentration of ellagotannin compared to American specie, thus providing a wine greater tannin structure.  American oak, by contrast, contains tylose within the cellular matrix.  This fills in the void space and decreases the extractive surface.  As a result, American oak has a higher density, slower extraction, and a clove/nutmeg type spiciness.   It’s also sweeter wood, containing about 5 times more complex 5-carbon carbohydrates  and therefore a sweetness can also develop within wine aged in American oak cooperage.

The variety of experiences you describe in tasting American oak has much to do with the coopering selection of fine grain versus coarse grain staves in assembling their barrels.  Another factor is the oak terroir, air-drying time and location, as well as coopering skills in bending staves and toasting.  All these factors can greatly affect the integration of American oak flavors into wine.   Poorly sourced wood, short drying time, and incorrect fire pot temperatures can make an American oak barrel taste planky, crude, and strong in dill and coconut shavings.   The reason our American oak barrels perform so well, is that we take the time to work hand-in-hand with the coopers to specify forest, seasoning time, selection of fine grain, and toast level.   We also carefully balance percentages of new oak and older cooperage, and match to the wine’s concentration.”

Thank you to Eric Baugher for sharing this information!

If anyone out there has questions about this subject, please feel free to send them across. I’ll be posting more information about our barrel program soon, but in the interim, please keep the queries coming!


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