Posts Tagged ‘2007 Ridge Vineyards Lytton Estate Syrah’

Farm To Grill Is About To Kick-Off At Lytton Springs!

July 7, 2012

Behold the math of Farm to Grill at Lytton Springs.

Carry this:

BBQ Lamb Sliders

Braised Hanger Steak Spiedini

Slow Roasted Suckling Pig Pasta

Pacific Salmon & Corn Chowder

Grilled Mushroom Flatbreads

From these:

CK Lamb (Healdsburg, CA)

Marin Sun Farms (Point Reyes, CA)

Imwalle Farms & Gardens (Santa Rosa, CA)

Triple T Farms (Boyes Hot Springs, CA)

Gourmet Mushrooms (Sebastopol, CA)

And add it to these:

2011 Ridge Vineyards  Carignane Rose

2010 Ridge Vineyards Estate Chardonnay

2009 Ridge Vineyards Carmichael Zinfandel

2007 Ridge Vineyards Lytton Estate Syrah

2009 Ridge Vineyards Estate Merlot

2009 Ridge Vineyards Estate Cabernet Sauvignon

2004 Nervo Zinfandel

Multiplied by this:

Then factor this:

And you get this:

Ah, delicious, delicious math.

California Dreamin’: Rhone Rangers in LA!

May 31, 2012

If I might borrow a bit of press-speak-ease …

The Rhone Rangers ride into Los Angeles on Sunday, June 3, 2012, with over 45 wineries pouring their American-grown Rhone wines. All events take place this year at the recently renovated Vibiana, an historic site located in the vibrant downtown area of Los Angeles at 214 South Main Street, near the LA Times Building. TICKETS NOW ON SALE!

That’s right cowboys and cowgirls, the Rhone Rangers are ridin’ into the City of Angels, and they’re bringing wine!

Just a partial list of some of the great producers you might taste with, should you choose to attend this Smorgasborg of Syrah, this Sensorium of Cinsault, this Plethora of Petite Sirah, this Cornucopia of Counoise, this Gift of Grenache, this Multiplicity of Mataro, this Rush of Roussanne, this Vivacity of Viognier, this Prize of Picpoul:

Adelaida Cellars

Bonny Doon Vineyard

Curtis Winery

Fess Parker Winery & Vineyards

Frick Winery

Halter Ranch

Qupe

Tablas Creek Vineyard

and of course, yours truly, RIDGE VINEYARDS!

And speaking of Ridge Vineyards, did you know we have a special DOUBLE SECRET PROBATION Promotion, just for you?

Well, we do!

Just click the following link to purchase tickets:

http://www.rhonerangers.org/calendar/losangeles.php

and when prompted, enter the following code:

RR-Ridge

and then STAND BACK! Cuz this loco bronco is about to up and buck …

Ok, dig this. May I present, VIBIANA!

Yeah, that’ll do …

What’s that you say? What are WE pouring? Oooh, wouldn’t you like to know!

Riddle me this, my brother, can you handle it?
Your style to my style, you can’t hold a candle to it.

Ok, I’ll tell you …

2010 Ridge Vineyards Buchignani Ranch Carignane (100% solo varietal old-vine Sonoma Carignane)

2010 Ridge Vineyards Lytton Estate Petite Sirah (estate-grown Petite Sirah from our Healdsburg vineyards)

2007 Ridge Vineyards Lytton Estate Syrah (co-fermented with 12% Viognier in a Côte-Rôtie-via-N.Cal way)

2006 Ridge Vineyards Lytton Estate Syrah/Grenache (the Royals of the Rhone in a 50/50 blend)

It’s a Rhone thing, so you GOT to understand!

Whew. Turn me loose.

p.s. if your Rhone Rangeriness feels fitter on twitter, and if your reet petite can’t get sweet unless your suite is replete with a connective tweet, then you must hop on the Sonoma William wagon and wheel-rut your way into the oneo-sphere with the social Vaquero himself, Senor Simple Hedonisms!

Check the scoop here if your bag is to hashtag the rah-rah on #RRLA …

On “Voice” and Wine …

April 16, 2012

I recently had the opportunity to join Paul Draper in a lunchtime conversation with a guest from the UK,  a guest whose visit beget a rather unusual tasting.

More often than not, when Paul is hosting, we’ll be showcasing a combination of current and back-vintage Monte Bello, alongside new estate releases; primarily zinfandel and cabernet.

But the guest in question had asked if it would be possible to taste only small-production, winery-only wines unavailable elsewhere, and so it was that we were all together in the kitchen last Thursday, with the following wines in front of us:

–2010 Ridge Vineyards Buchignani Ranch Carignane

–2007 Ridge Vineyards Mazzoni Home Ranch Zinfandel

–2007 Ridge Vineyards Lytton Estate Syrah

–2006 Ridge Vineyards Dynamite Hill Petite Sirah

Quite an eclectic line-up indeed, for both Paul and our guest, and I must say, the conversation at the conclusion of the tasting was quite fascinating.

What both Paul and our guest ended up ruminating on was a) just how disparate the wines were, yet also b) how undeniably linked they were.

Which leads me to the concept of voice.

When we talk about literature (as but one example), we often refer to an author’s voice; that certain presence, character, style that somehow unites book after book after book, despite whatever changes may occur as regards subject matter, storyline, genre, prose techniques, etc.

It’s just that certain something that manages to tell us who we’re reading, even when it’s new and unfamiliar territory, for either us, the author, or both.

James Joyce is a classic example. Despite the stunning differences between, say, Dubliners and Ulysses, it is undeniably the same author at work in both; an author we know by his voice.

William Faulkner is another example, with As I Lay Dying his Dubliners, and The Sound and The Fury his Ulysses; they’re worlds apart in so many ways, yet still undeniably united, and what unites them is the voice of the author.

And it’s worth noting that voice is not necessarily the ability to convey identity via the utilization of a differently chosen and assembled roster of components; this is why the aural voice is the metaphor for the written voice; it’s one thing to sound different when, say, you’re playing the trumpet, as opposed to playing a marimba. It’s a whole other thing to sound different playing the trumpet, when put up against all the other trumpet players of the world. You’ve a bell, three buttons, and a mouthpiece, and from that, you must create your own distinct voice. It’s not easy. Not everyone can be Miles Davis. In fact, only one could.

And so it is with the written word. You’ve the page, your writing instrument of choice, and your language. That’s it. Now go. Create voice.

And so it is with wine. Grapes. Tannins. Acid. Alcohol. Now go. Create voice.

Anyhow, as regards the tasting in question, what struck me perhaps most of all is that Ridge Vineyards truly does have a voice.

There is a certain something about every bottle of Ridge Vineyards wine that somehow manages to transcend growing season, varietal, vintage, etc., and tell us in some visceral way that it is still a bottle of Ridge wine.

This is, to me, when wine becomes art.

To find one’s voice is perhaps one of the greatest challenges facing any author. We hear it in their own writings on the subject, we hear it in writer’s groups, we hear it in MFA programs. Find your voice. Find your voice. Find your voice. Poets weep throughout the journey, typewriters fly through the shattered windows of frustrated playwrights, novelists fall silent for decades at a time. All in pursuit of the voice.

That Ridge Vineyards found its voice so early on, and that this voice still rings so vividly and so clearly today, is to me living and delicious proof that wine can indeed attain the level of art.

When wine is made by the right people, in the right places, in the right ways, wine finds its voice.

And we listen. And we drink. And we are thankful. For Paul Draper, for James Joyce, for Miles Davis, for Ridge Vineyards.

For The Voice of Wine.

The United States of Syrah: Red, White, and You

March 23, 2012

If you’ve ever had a bottle of Ridge Vineyards Syrah, you’ve probably checked out the label. And when you checked out the label, you probably saw this …

And when you saw this, you probably did a bit of a double-take, scratched your head, and went, “Wha?”

Ok, maybe not. Maybe you’re already familiar with the wines and processes of Côte-Rôtie, in the Northern Rhone. Or maybe you’ve caught onto some of the contemporarily tradition-minded Rhone offerings from Australia, or Santa Barbara. Or conversely, maybe you aren’t familiar with Viognier at all, and just didn’t know it was a white varietal.

But for most of us, when first we see this label, the inclination is to wonder at the unexpected  juxtaposition of red and white grapes in the same bottle. It just doesn’t seem … right, somehow.

There are, however, very good reasons behind why these two do reside together so well. Briefly and colloquially, it’s a triumvirate:

1. Texture. Viognier’s viscosity makes for a brilliantly smoothing and rounding counterbalance to the tannin-forward granular rusticity of Syrah.

2. Aromatics. Viognier’s perfumed floralilty makes for a deliciously decadent interweave with the darker, inkier, earthen aromatics of Syrah.

3. Color & Preservation. Aspects of the chemistry of Viognier serve to keep the parallel tines of fruit and tannin at an even pace along the developmental trajectory of cellar-worthy Syrah. Put another way, Viognier helps keep the fruit, color, and aromatics intact over the long process of tannin-softening.

It’s this last rationale, #3, that is truly at the core of the Syrah-Viognier co-fermentation construct. It can get a bit heady when you dive full bore into the chemistry of it all, but it’s fascinating stuff, so let me please introduce winemaker Eric Baugher, as he arrives to spelunk you through the caverns of co-fermentation:

The approach we take with co-fermentation of Syrah with Viognier, is to first de-stem the syrah and open the crusher rollers.  This allows a high percentage of whole berries to travel through to fermenter uncrushed.

Next, based on calculated weight, we will destem and crush the anywhere between 5-10% viognier on top of the syrah in the fermenter. 

We then wait for natural yeast fermentation to begin, and pump-over and irrigate the cap to extract color and tannins. 

The typical maceration time (crush-to-press) is 7-8 days total, with twice a day pump-overs given. 

The viognier contains colorless flavanols from the skins that extract and conjugate with the extreme concentration of syrah’s anthocyanin color molecules.  Basically, the theory is that viognier helps stabilize syrah’s color; the condensation reactions between viognier’s flavanols and syrah’s anthocyanins form highly stable polymerized molecules that stay with the wine for life.   Once these polymers form, they don’t degrade through normal oxidation reactions. 

There is also a shift in the color spectrum of a syrah that has co-fermented with viognier.  Normally, syrah has a deep ruby color.  Once viognier is thrown into the mix for the complex reactions to form, the color will shift from deep ruby to saturated purple/blue.   This has a lot to do with light absorption/re-emission quantum chemistry of the anthocyanin complex with the viognier flavanols altering the polarity and electron flow of the multi-six carbon phenol ring that forms the anthocyanim molecule, thus altering the molar extinction coefficient.  The absorption of green spectrum light (520nm) by these condensed molecules causes re-emission of red spectrum 700nm plus a stronger re-emission at 420nm (deep purple/blue).  That’s why the co-fermented syrah/viognier blend works magically, creating an inkier wine.   It’s strange how this all works, taking a dark grape and cutting it with a white variety, and end up making a wine that is even darker.   That’s the complexity of quantum chemistry, which I had the pleasure of studying many years ago while obtaining my biochemistry degree.  

Now, I should say that this co-fermentation phenomena has been a very traditional winemaking approach taken in the northern rhone valley of France.  Through centuries of trial-and-error with many other varietals of the region, the combination of syrah with viognier became the standard.  This was decided by making better wine, not by having knowledge of the complex chemistry.  The chemistry came along much later to explain why it worked so well.

And that, my friends, is, in a nutshell, not only a mini-dissertation on co-fermenting Syrah and Viognier, but also, an excellent explanation of the relationship between Ridge Vineyards, and technology. Yes, we are pre-industrial at heart, and we still do, for the most part, things the old-fashioned way. But that said, we do have a very sophisticated technical side to us; the distinction is how we deploy it, and to what purpose.

I call your attention to something Paul Draper wrote, in an essay entitled “Pre-Industrial Winemaking at Ridge”:

In a synthesis of past and present, we have taken the pre-industrial techniques and applied them in conjunction with the best, least intrusive modern equipment. We’ve been told that we have the most sophisticated analytical laboratory of any winery our size.

Combine this with Eric’s words above:

Through centuries of trial-and-error with many other varietals of the region, the combination of syrah with viognier became the standard.  This was decided by making better wine, not by having knowledge of the complex chemistry.  The chemistry came along much later to explain why it worked so well.

And what you get is a lovely lil’ distillation of the Ridge philosophy on technology. In short, we essentially rely on technology to ideally confirm what we already knew by instinct.

For example, that Syrah and Viognier taste REALLY GOOD together, when co-fermented.

The next incarnation? The 2007 Ridge Vineyards Lytton Estate Syrah. Coming to a tasting room, or a cellar, near you. Soon. Very soon. Sooner if you’re an ATP member.

And if you can’t wait even that long (i.e. when your shipment arrives), you might want to consider coming to the annual Rhone Rangers event, held this coming weekend in glorious San Francisco. We’ll be pouring it there.

Come see Ridge Vineyards, at Rhone Rangers, to enjoy the benefits of citizenship in the United States of Syrah. Three cheers for the Red, White, and You!

Huzzah!

Huzzah!

Huzzah!


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