Archive for the ‘Wine & Poetry’ Category

Things I’m Thankful For …

November 23, 2011

This is the third year in a row I’ve had the opportunity to write and present a “Things I’m Thankful For” post on this blog. Each year, on November 23rd, I have sat down in front of the typer and tried to find a way to express my gratitude for all I’m surrounded by, the blessings life has bestowed, the magic of it all. It’s impossible, but I’ve tried. And I’m going to do so again. It’s November 23rd, and this is what I’m thankful for (please note, there is likely to be some overlap with previous renditions!):

My missus, who did not so much save my life, as reinvent it for the drastic better. Who teaches me, everyday, why love exists. Who is perfect. She is who I was born to fall in love with. I am so thankful that she found me, and I her.

My daughter, who is proof that miracles do happen. The most delightful creature I’ve even known, my favorite person in the world. Who invents for me, every day, new ways to cry with happiness.

The chance to write this blog, because it means I get to write posts like this one.

The iPhone that Ridge gave me. Because while I am not, in any way shape or form, a tech evangelical, I do have to admit that Apple did a really, really good job with the iPhone.

Antonio Galloni. Because he gets Ridge, and he gets Paul Draper. Because he wrote, “Heretical as it may sound, I think the wines Draper is making today will prove to be far superior to the wines of decades past, many of which are rightly considered legendary.” Because this is true.

Grandparents, especially my daughter’s. Because this bond, this connection, this grandparent-grandchild relationship, is a friendship like no other, and a delight to watch in action. Because grandparents suffer from a most delightful strain of insanity.

Verizon’s cell phone service, circa 2008. For giving me a good connection when interviewing with Nicole Buttitta (VP of HR at Ridge) for the first time, from a truck stop in Wyoming.

Really awful looking old corks, in the necks of really old and awful looking bottle-necks, that somehow still protect really, really, really amazing mature wines. Lead-shrouded, moldy, juice-stained, and crumbling, but still doing their jobs to perfection.

Amy Monroe, Antonio Favela, Barry Campbell, Howard Hickok, Jane Occhialini, Jenny Merit, Karen Cai, Kim Korupp, Michael Riese, Nancy Tarng, Peter Yaninek, Sam Howles-Banerji, Samantha McMillan, Sonja Seaberg, Tara Einis, and Zani Nesvacil. Who have taught me that hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team” have within them the gold of truth, because I am of little to no worth whatsoever without the blessing of these fine people by my side. You know them as the Monte Bello Tasting Room team. I am proud to know them as inspirations; and more than that, friends.

Wine & Food pairing; specifically, Champys and Salt & Vinegar crisps.

Wine & Food pairing; specifically, Champys and other food besides Salt & Vinegar crisps.

The Owle Bubo.

Jazz Winemaking, as performed by Paul Draper.

Guests who do all the right things in the tasting room.

The 2008 Monte Bello Chardonnay.

Drinking 2008 Monte Bello Chardonnay in the fog while watching rabbits.

The Monte Bello Collector Component Tasting, which is one of the coolest tasting opportunities I’ve ever experienced.

The Vegetarian Lasagna from Bash Catering. To Chef Jaci Rossi and the Bash Catering team, a hearty congratulations; it’s very, very hard to make truly outstanding lasagna!

The 1995 Monte Bello, for so pleasantly surprising me by quite unexpectedly transitioning from one of the tightest, most angular, most intensely structured Monte Bellos ever, to this very poised, aromatic, beautific Monte Bello that I am looking at right now, feeling very, very thirsty.

People who don’t chew gum.

Really good wine bloggers.

People who believe me when I tell them Jazz, Haiku, and Winemaking are intimately related.

People who write me e-mails about all the amazing ways our wines have been a part of their stories: births, deaths, weddings, anniversaries, reunions, etc. These e-mails remind me that what we do really is something special; we produce that which ritualizes that which you will remember forever.

Wine Berzerkers. Which is pretty self-explanatory.

Pizza.

Three-day old Geyserville out of a flat-bottom glass, with pizza. Mushroom and Olive pizza. And Geyserville.

Our vineyard and winery teams. Watching them during the 2011 Harvest reminded me all over again about what Sam Howles-Banerji refers to as their “awesomeness.”

That Kyle Theriot and Will Thomas have joined the vineyard teams.

Lytton Springs. The place, the people, the wine.

People who understand it’s important to wear cool shoes when tasting wine.

Drinking the new 2008 Buchignani Ranch Zinfandel (which, in my estimation, is the most delicious vintage since the ’04) while wearing ankle boots.

Parents who understand how to go wine tasting with their children.

The way a properly set tasting looks before anyone has arrived. The shimmering glasses, the ordered plates, the small hills of freshly sliced bread, the cool perfection of the cheeses, the crisp diamond sparkle of the water in the glasses, the wine bottles standing at attention, awaiting their deployment …

My almost-three-year-old-daughter’s hysterical one word wine reviews …

My wife’s preposterously expensive taste in wines, and that fact that two-day-old Ridge wine still consistently appeases her …

My boss, Ryan Moore, who does not regurgitate hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team.” Who does occasionally deploy tidbits of corporate-speak, but always with a twinkle in his eye and a twist at the corner of his lips. Who consistently forces me to come up with new and ever-more hyperbolized ways of explaining just how great I’m doing. Like stupendaliscious, or outer-galaxial.

That my co-workers keep having cool babies.

Haig’s. The greatest hummus in the world. Perfection in pairing with our chardonnays. When experiencing a line-up of excellently selected and staged food & wine pairing selections, one might be tempted to deploy a hackneyed aphorism like “No member of a crew is praised for the rugged individuality of his rowing.” Except that when Haig’s is involved, one must conclude that the rugged individuality of the rowing is indeed deeply praise-worthy.

People who don’t wear cologne or perfume.

Carignane. Especially the John Olney kind.

The 2011 Ridge Vineyards Holilday Packs. Especially the Estate Cabernet vertical, for being so good. And, oddly enough, especially the Dusi vertical, which has suprised me immensely by being truly delicious. Not because they’re not good wines; they are. But because I personally like them so much. Because I am not normally a drinker of this style. But these are really, really, really good.

The fact that my post on this blog with the somewhat laughably lunatic title of  ”Zoot! And Poetry, And Wine, And Jazz, And Steve Martin, And The Muppets, And Jack Kerouac!” remains one of the Top 5 most viewed posts of all time.

Honest people. People who say true things. Like, “Champys should only be drunk from Coupe glasses.”

People who drink Champys from Coupe glasses. Because these are people who obviously have perfect aesthetic taste. And are accordingly inevitably the sorts of people who will also appreciate the opportunity that our new Historic Vineyard Series release represents. People who drink solo-varietal Cabernet Franc. And Champys. From Coupe glasses.

People who, like my father, fell in love all over again with Merlot after seeing Sideways. People who, like my father, have refused to buy Pinot Noir ever since, even though it’s kind of silly, and certainly self-defeating. People who, like my father, deserve  admiration for having principles like this. People who, like my father, remind me of aphorisms that are not all hackneyed, like this relevant one from Mark Twain: “Principles have no real force except when one is well-fed.”

That we are fortunate to oft be well-fed.

People who remember that not everyone in the world is well-fed; that in fact, far too many in the world have never, ever experienced being well-fed. And accordingly, I am thankful for people who not only remember this, but work to correct it. Or at minimum, at least walk the world with appreciation, as opposed to arrogance.

Humble winemakers like Paul Draper, Eric Baugher, and John Olney. Who are good enough to be arrogant, but aren’t.

Humble assistant winemakers like Shun Ishikubo and Muiris Griffin, who are good enough to be arrogant, but aren’t. Who are also good enough to be head winemakers, but choose instead to be part of something beautiful.

People who don’t wear skinny jeans.

People who understand that wearing skinny jeans while drinking good wine makes puppies cry.

People who listen to wine podcasts. Because that is serious dedication.

People who know that there are far better things to pair with red wine than chocolate.

People who pair sautéed mushrooms and garlic with red wine.

People who know you can pair red wine with Indian food.

People who understand that, despite the schtick, ZZ Top is actually a really good band.

People who know that Motorhead has their own wine now, and still don’t drink it, even though they really like Motorhead.

That Rex Stout’s immortal literary creation, the detective Nero Wolfe, insists on the use of Tarragon Wine Vinegar in his kitchen instead of sherry.

Good Poets. Because in this day and age of shallow superficiality, cultural devaluation, and emotional disconnect; in this age where protective irony and deliberate obfuscation rule the emotional day, we desperately need people who are still trying to connect our heads to our hearts for us.

People who understand what wine and poetry have to do with one another.

Really, really ridiculously hyperbolized wine tasting notes.

All wine writers who have not used the word “millenial” in the past year, if there are any.

Cecilia Aguilar, Chris Seguin, and Mary Devine; the dictionary definitions of Customer Service. And really nice people on top of that.

Cellos.

David Gates.

Coated tannins.

People who use terms like “coated tannins” in their tasting notes.

That I was invited to attend the Monte Bello Assemblage tasting, the greatest wine experience of my life.

Cellar Tracker, and the admirably obsessed people who use it.

Zen.

That Elliot Nett and Jason Shelton are now esteemed full-time members of the Lytton Springs hospitality team.

People who drink wine both in formal wear, and naked.

Old men who keep their belts below their bellies, as opposed to above.

Whoever first described my approach to clothing as “hobo chic,” because it’s given me a way to explain away comments about my clothing.

Ties with subtle wine stains.

Wine stains that look like the profiles of famous classical composers.

Tasting Rooms that do not play baroque classical music or Santana.

People who are willing to let themselves love, because this is the bravest thing of all.

Having someone to love.

Having something to love.

People who, when asked “Don’t you want something to love?,” answer “Yes.”

That I have had the chance to love almost every single vintage of Monte Bello going all the way back to 1964.

The things people say to one another while drinking wine, like, “You know, socks are a really great idea,” or “Pass me another crostini,” or “Ayn Rand was wrong,” or “Has it ever occurred to you that some of our best memories involve autumn?” or “Wow, that is an amazing Syrah,” or “I love you too.”

And so many other things also, like Bud Powell, and Laura Chenel’s Melodie, and solid-color carpets and the people who love them, and co-fermenting Viognier with Syrah, and the Haiku of Issa, and Ah So Cork Pullers and the people who use them, and pacifists, and the Optima font, and typewriters from before 1960, and books, and wearing PF Flyers and a suit, and anyone who doesn’t have a mirror in their bag, and really weird and cool wine stores, and France, and fractured limestone, and grape sorting tables, and people who don’t iron their jeans, and very worn-in bandanas, and firefighters, and people who really aggressively swish while wine tasting, and the fact that spittoons are used by both oenophiles and cowboys, and romance, and candles that don’t have scents, and owls, and wine bars that don’t play house music, and restaurants that always bring out the vintage that’s on the menu, and Thai restaurants who understand that if you can’t make green papaya salad properly you shouldn’t be a Thai restaurant, and Italian restaurants who understand the same thing about gnocchi, and people who know first-hand that thirty-year-old cab goes really well with japanese-style barbecued okra, and friends of any kind, and people who don’t call me Chris after I’ve introduced myself as Christopher, and the movie Casablanca, and Ah So Cork Pullers and those that have them, and Watsonville Sourdough, and the days when one doesn’t have to cut one’s toenails, and dew, and that lunatic fringe cadre of loyalists who re-wrote the zinfandel rules, and sweet potatoes, and the taste of a wine spill being licked off the stomach of a lover, and December, and people with awful handwriting, and the paintings of Pissarro, and college radio, and really fine wine.

And most of all, I am thankful to Ridge Vineyards. By your dedication to me, and mine to yours, my family is happy, healthy and safe, and my heart is, accordingly, intact. Thank you.

And to you all, may all the best of everything be yours, and may you always have cause to be thankful.

To share a glass of wine is to share the experience of love. May you all be, feel, and share true love this holiday season.

To all at Ridge, please know I am so thankful for you.

And to every person, place or thing I have neglected to mention in this post, please know I am praying for ten thousand more years of writing “Things I Am Thankful For” posts, so that at some point, I might thank everything.

The Moon & Monte Bello …

November 12, 2011

The arrival of cold weather moons on our mountain always moves me; there is a timelessness to the experience that connects me to time itself; by the simple act of raising a toast to the moon, one is at once at one with the past, with the elders, with a wisdom that skates upon the shimmering surface of mortality as a child does with the first icing down of the park.

The Moon & Monte Bello ...

 
I am reminded of a wondrous and beautiful poem by the great Chinese poet T’ao Ch’ien (written sometime around the year 400 C.E.), here translated by David Hinton (by far and away, in my humble estimation at least, the very best contemporary translator of ancient Chinese poetry):
 
After Kuo Chu-pu’s Poems

We had warm, wet weather all spring. Now,
white autumn is clear and cold. Dew frozen,

drifting mists gone, bottomless heavens
open over this vast landscape of clarity,

and mountains stretch away, their towering
peaks an unearthly treasure of distance.

These fragrant woodland chrysanthemums
ablaze, green pines lining the clifftops:

isn’t this the immaculate heart of beauty,
this frost-deepened austerity? Sipping wine,

I think of recluse masters. A century away,
I nurture your secrets. Your true nature

eludes me here, but taken by quiet, I can
linger this exquisite moon out to the end.

On The Road Again: Wine, Jack Kerouac, and Me

September 5, 2011

Two things you may or may not know:

1. Today is the anniversary of the day when Jack Kerouac’s immeasurably culture-changing novel “On The Road” was released; one of the most influential American novels in the history of American letters.

2. Some years ago, courtesy of a wonderful literary grant I received, I was given the opportunity to live and write in the very same house Jack Kerouac was living in when “On the Road” was released.

So it is with special pleasure that I celebrate this special anniversary.

And I wish to share with you a great quote –a great WINE quote– from this incomparably strange, challenging, exhilarating, maddening, delightful, beautifully flawed and magical book:

 

“Ah, it was a fine night, a warm night, a wine-drinking night, a moony night, and a night to hug your girl and talk and spit and be heavengoing. This we did.”
 
 
That, my friends, is wine.
 
 
Also, here is a photo for you; my writing room in the Kerouac House; the very same room where Jack, while awaiting publication of “On The Road,” was already beginning what would become his second novel, “The Dharma Bums.”
 

Why The New Poet Laureate Is Good For The World Of Wine

August 18, 2011

It’s probably not what you think, not what the title might lead you to believe.

As far as I know, Philip Levine is not a self-professed oenophile. I have no idea how big his wine cellar is, or if he has one at all. In fact, I don’t even know if he drinks wine, though I suspect it.

… This bar
is the house of silence, and we drink
to silence without raising our voices
in the old way. We drink to doors
that don’t open, to the four walls
that dose their eyes, hands that run,
fingers that count change, toes
that add up to ten. Suspended
as we are between our business
and our rest, we feel the sudden peace
of wine and the agony of stale bread …

So why is his appointment to serve as the new Poet Laureate of the United States good for the world of wine?

Because a vote for the work of Philip Levine is a vote for narrative, and for history; for integrity, sincerity, and authenticity. It is a vote for dedication, craftspersonship, and honesty. It is a vote for conviction and transparency; faith and emotion. It is a vote not for shameless trendifying, but sticking to one’s guns. It is a vote not for irony, but insistence. It is a vote not for clever-for-clever’s sake, but for good-for-goodness’ sake.

I am so tired of irony, so tired of convictionless cloaking, the masquerade of snarkiness when one is too chicken to take a stand.

The work of Philip Levine stands in full-blown defiance of this contemporary cowardice, and by embracing him, we embrace both a new artistic sensibility, and a moral one. In lauding him, we laud a return to the earth, to work, to our fellow human beings; to the primality of food, drink, love, labor, and family. We return to simplicity, and silence; contentment and peace — wanting nothing, we regain everything.

…In Havana I lived in a fourth-floor walk up
over a small cantina and across from a market.
I would listen to the radio for hours and lie
naked on my bed smoking cigarettes, cheap ones,
oval in shape, rolled in sweet paper. I wanted
for nothing. I had fresh milk in frosted bottles,
soft white bread in wrapped loaves, harsh black wine
come by ship all those hard miles from Alicante…

That our aesthetic culture could be turning away from shameless profiteering, snarky exploitation, transparent pandering, post po-mo cynicism, irony-laden and protectionary shallowness, and flat-out greed, can only be a good thing for anyone who cares about what they put in their brains, their hearts, and their mouths. We are what we digest.

…Whoever made this house
had no idea of beauty — it’s all gray —
and no idea of what a happy family
needs on a day in spring when tulips
shout from their brown beds in the yard.
Back there the rows are thick with weeds,
stickers, choke grass, the place has gone
to soggy mulch, and the tools are hanging
unused from their hooks in the tool room.
Think of a marriage taking place at one
in the afternoon on a Sunday in June
in the stuffy front room. The dining table
is set for twenty, and the tall glasses
filled with red wine, the silver sparkling.
But no one is going in or out, not even
a priest in his long white skirt, or a boy
in pressed shorts, or a plumber with a fat bag…

To leap, let me now state that I love Ridge wines.

I love them because of how they’re made, where they’re made, and by whom they’re made. Because Ridge wines are created like good, honest poems. They are built with respect, tenacity, patience, artistry, honesty, and depth. They are crafted with one eye to the past, and one eye to the future. They are built by mendicants at the altars of the earth. There is no irony in a Ridge wine. There is nothing “clever” or obfuscatory about a Ridge wine. They are built by believers, for believers. They are built as prayers to belief itself. To drink them is to digest a poetry of agriculture and imagination; a poetry of science and faith; a poetry of humanism and zen.

…What is it? It could be
another planet just after its birth
except that at the center the colors
are earth colors. It could be the cloud
that formed above the rivers of our blood,
the one that brought rain to a dry time
or took wine from a hungry one. It could
be my way of telling you that I too
burned and froze by turns and the face I
came to was more dirt than flame, it
could be the face I put on everything,
or it could be my way of saying
nothing and saying it perfectly…

I want to live in a world where people read Philip Levine, and drink Ridge wine. With Levine’s appointment, I am perhaps one step closer towards a dream come true.

…At last he slips the tire iron
gently from his father’s grip and kneels
down in the unstained snow and unbolts the wheel
while he sings of drinking a glass of wine,
the black common wine of Alicante,
in raw sunlight. Now the father joins in,
and the words rise between the falling flakes
only to be transformed into the music
spreading slowly over the oiled surface
of the river that runs through every child’s dreams…

 

(all the italicized selections above are taken from poems by Philip Levine)

Happy Ferragosto!

August 15, 2011

August 15th. It’s quite a day, and I could highlight it for any number of reasons. For example, if you’re a music fan, you’ll likely know that today is the anniversary of the very legendary Woodstock Festival.

Or if your tastes run to the literary, you might recall that it was on this day in 1980 that the very great poet  Czeslaw Milosz received the Nobel Prize in literature.

From his poem “Campo dei Fiori” (which I have selected for reasons that, I promise, will come clear by the end of this post!):

In Rome on the Campo dei Fiori
baskets of olives and lemons,
cobbles spattered with wine
and the wreckage of flowers.
Vendors cover the trestles
with rose-pink fish;
armfuls of dark grapes
heaped on peach-down.
 
Film buff? Then certainly you know that today is the day that “Wizard of Oz” premiered at Grauman’s Chinese Theater. It was 1939, and no one would look at Kansas the same ever again …
 
 
And if you’re artistic tastes run to the rather more classical, then perhaps you’re celebrating today the birth of the great Italian painter Francesco Zuccarelli, who in addition to other beautiful works gives us this sumptuous rendition of a Bacchanal …
 
 
But the real reason I call your attention to August 15th is to wish you all a very Happy Ferragosto!
 
Ferragosto is probably more likely known to you as a Roman Catholic holiday celebrating the Assumption of Mary into heaven, but as with many of these sorts of holidays, there are pagan roots which well precede this contemporary definition, and it is this Ferragosto which I celebrate today. Essentially, Ferragosto is/was a holiday designated for the celebration of cycles of fertility, ripening, and the harvest (things that are certainly on our minds here at Ridge!). Diana, representing fertility, was certainly the primary figure of adoration and celebration on this day, but so too were Vertumnus, God of the Seasons , Conso, the God of the Harvest, and Opis, also a fertility goddess, and a goddess of vegetation and growth. Notably, it was also a holiday in which all classes came together to celebrate, from wealthy businessmen and politicians, to farmers, slaves, and prostitutes. A truly democratic holiday …
 
In short, Ferragosto is a Harvest Festival for all, and as we’re all sitting here on Monte Bello, waiting on veraison, it feels rather right to be celebrating just such an agricultural milestone.
 
So I say to you, Buon Ferragosto!
 
Today, Ferragosto is one of Italy’s 12 national holidays, with myriads of institutionalized ways by which to celebrate. What unites them all is a spirit of appreciation for the land, and the natural processes of life, combined with a passionate and lustful intake of food and wine in the company of loved ones and family.
 
So be your heart pagan or catholic, be your faith in Emperor Augustus or the Virgin Mary, be you Italian or otherwise, to you again I say, Buon Ferragosto!
 
Go outside, and bring someone with you. Bring a bottle of wine, and some bread and olive oil. Find a nice place to sit, in sight of some flowers. Have a poem hand-written on a small piece of paper  in your pocket, and expect the same of your companion. Pour the wine, and toast the gods and goddesses. Then you read your poem, and then listen to your companion read theirs. Then break the bread, drizzle a little olive oil, and eat and drink. Sigh contentedly, then dig a small hole, and bury the two poems. Don’t come back to this same place for at least a year, but make sure to come back to it at least once before you too ascend to whatever version of heaven awaits you.
 
And if you can’t do all that, then at least share a good glass of wine with someone you love, and read a poem together. Or watch a movie. Or listen to some music. But be together, and celebrate creation.
 
Buon Ferragosto!
 
 
 

Unbelievable “Three Decades of Monte Bello” tasting! Open to you!

August 1, 2011

It’s exactly one month until Cabernet Day. That is to say, #CabernetDay!

#CabernetDay!

The second annual.

It’s an international phenomenon, a worldwide celebration of all things Cabernet, taking place across all social media platforms.

In Bangladesh? Join in! Buenos Aires? Can’t wait to chat! Baltimore? See you on Facebook! Blaenau Ffestiniog? I’ll be looking for your tweets!

Ridge Vineyards is ALL IN on this one, boyos and birds!

Ever heard of a lil’ ol’ wine called Monte Bello? You can bet we’ll be doing #CabernetDay. And dig how we’ll be doing it …

On September 1st, at both of our estate locations (Lytton Springs and Monte Bello) we’ll be offering special by-appointment seated tastings of not only a three-vintage vertical of our Estate Cabernet (2004, 2005, & 2006), but a THREE-DECADE VERTICAL OF MONTE BELLO! And not just any three-decade vertical, mind you. We’ll be tasting the 1985 Monte Bello, the 1995 Monte Bello, and …. drum roll … the 2001 Monte Bello! Yup, the vintage that just got a 99 POINT RATING FROM ROBERT PARKER!

Listen, I’m biased, and I admit it. There is a reason I work for Ridge Vineyards. But I’m telling you, with total objectivity front and center, you’re simply out of your mind if you miss this. This is one of those rare tasting opportunities that just don’t come along that often, and I really, really, really hope that you can come. 

Now, of course I won’t really think you’re insane if you miss this. I just really  think you should come taste these wines with us. I really do.

So, on to the important part. To reserve your place at the tasting table, just click here.

There, you’re done.

In fact, you’re already here. It’s already the 1st. You’re already seated at the table. Your host is pouring the first wine into your glass. Angels are out in broad daylight, plucking soothing melodies on harps of gold outside the window. The sun’s soft finger is lightly brushing the back of your neck. All over the world, people are laying down their guns. The markets are surging. The wind whispers your name, and you say “Yes, it is I.” Somewhere a puppy is born.

If the puppy and the angels and the 99-point rating didn’t get you, here is a look at the wines we’ll be offering:

1985 Ridge Vineyards Monte Bello

Excellent umami aromatics! Plus, lovely wafts of cedar and pipe tobacco, with a hint of boysenberries. Meticulously elegant point-of-entry, laying soft on the tip of the tongue and skipping into the cheeks with some nice acidity and a touch of sweetly, modestly covered tannin. Good dark fruit mid-palate, with some rusticity and earth rumbling through. Not particularly weighty; an easy sipper. The finish shows a bit of the age, but no degradation, just nice, mature, pure and quality Cabernet fruit. As gentle as it gets, and fascinating accordingly. 

1995 Ridge Vineyards Monte Bello

Rich, concentrated, compact and compressed nose, a muscular jolt of big red fruit, cassis, anise, fig, and leather. Huge at the front, taking up every available space at point-of-entry. Unctuous and lush, a whole lot of wine on offer. Mid-palate opens up and shows some cherry and mixed red berries, and spreads a plush quilt of viscosity seamed with fine-grained tannins and a lingering hint of eucalyptal herbaceousness. The finish is intensely structured; amazing for a wine that’s been in bottle nearly 15 years. Almost impossibly youthful still, but with a load of meat on the bone.

2001 Ridge Vineyards Monte Bello

Good lord, what a lot of wine! This is an intense, intense vintage; the nose is positively loaded! Ripe, rich, sweet, cola and licorice and blackberry pie! The mouthfeel is just about as viscous as the aromatics would lead you to believe, with a luxuriant point-of-entry and a multi-tiered middle that, despite all the decadence, ripeness, and viscosity, still manages to showcase the herbs, spice, and forestation of a classic Monte Bello. The finish is strong on blue fruit and nice dusky tannins, but overall, the wine is still almost mind-bendingly young. Perfect proof that big doesn’t mean sabotaging balance; this is every bit as graceful as, say, the 1985 described above, but this is a bigger, wilder rendition.

If you’d like to see Eric Baugher’s recent tasting notes on this vintage (Eric is our VP of winemaking here at Monte Bello), well, good luck!

The important things to note in there are words like “Fresh, alive, layered, complex,” and “youthful/delicious,” and “young and capable +15-20 more years.”

Anyhow, the amazing thing about the whole #CabernetDay phenomenon is that it really and truly does play out as envisioned; we participated last year, and it was truly remarkable. People from all over the world, literally, tasting their favorite Cabernets at the same time, sharing their thoughts on-line, engaging in dialogue, talking. This is what wine does. It makes you talk. With other people. About pleasant things. Like wine.

Seriously, every liquid indulgence has its effect; beer makes you sleepy and want to play pinball. Tequila makes you quiet and want to hit people with pool cues. Vodka makes you dance way too much, and not well, and then completely forget that you danced way too much, and not well. Martinis make you have more martinis, taking you swiftly  from sophisticated to unconscious. Absinthe makes you see dead people. But wine? Ah, wine. Wine makes you nice. And comfortable. Wine makes you feel like cooking, and sharing your cooking with other people. Wine makes you not only tell good stories, but listen to them as well. No one ever opened a newspaper and read of a murder-suicide committed after drinking a bottle of single-vineyard Cabernet. No, wine makes you congenial, and poetic. Wine makes you like music, and bread. Wine makes people love people.

This is what happens on #CabernetDay. People love people.

And now, with our new and very special #CabernetDay tastings, you can love Cabernet and people both, and you can do so both virtually, and in proximity.

Please consider yourselves invited.

Wine In The Shower …

July 11, 2011

Wine In The Shower …

You may have seen an article today of the same name  (“Wine in the Shower — Study Explores New Occasions When Millennials Drink Wine”), which is the latest in a long line of explorations in pursuit of that de rigeur marketing holy grail, The Millenial. The wine industry is no different than any other, it would seem, in that the question of The Millenial is apparently on everyone’s lips in our industry too.

In this particular case, the article is an adeptly focused attempt at highlighting, via fairly extensive polling, some of the behavioral differences that drive wine consumption for this new and fascinating market demographic; namely, an expanded definition of when one should be drinking wine, and a shedding of some of the ritualized artifice that oft surrounds the world of wine. The example that gives the article (and this blog) a title is a quote from one of the pollees, who notes their preference for a wee glass of the grape whilst in for a quick dunk under the rivulets.

So, that said, If I might pat my own back for a moment, I would just like to point out that, in this post, which went live on May 26, 2011, I included video of wine in the shower.

That’s what I did.

Poet Charles Bukowski, drinking wine and giving a reading

And on top of that, in this post, I offered up some of my own preferences for rather more eccentric wine drinking occasions. For example:

At heart, other than my father, I learned to drink wine from The Beats. Wine went with wild poetry readings, and mountain meditation sessions. Wine went with trains, and camping. Wine sometimes went with nothing other than, well, wine. Just wine. And mainly, wine went with people. It was living with people, in a memorable way. Being where you were, and demanding nothing less that an exhilarating devotion to the moment …

From my father (the true architect of my personal house of wine), a professor of literary criticism rooted in an Italian Marxist tradition, I also learned that wine goes with lividly vibrant political arguments between hairy professors wearing plaid sportcoats with leather elbows, or strangely somber yet passionate poetry readings headed up my bespectacled and shambolic graduate students. And I especially learned that wine goes with family. “At table.” One of my favorite phrases of all time.

Whether any of this means I’m onto something as regards The Millenial matter, I can’t of course say. Probably not. But I do occasionally enjoy a crisp but voluptuous, acidity-driven, mineral and yeast-forward white wine in the shower.

I do.

Juxtapositions …

June 17, 2011

Were you to say, “The sun went down in honey, and the moon came up in wine,” I might say, “Raising my cup, I toast the bright moon, and facing my shadow makes friends three, though moon has never understood wine, and shadow only trails along behind me.”

But were you to say, “She said that all the railroad men just drink up your blood like wine,”  I might say “Drinking together among mountain blossoms, we down a cup, another, and yet another.”

And were you to in fact say, “A bottle of white, a bottle of red, perhaps a bottle of rosé instead,” I might actually say “You, pretty girl, wine-flushed, your rosy face is rosier still.”

But if in the end, what you actually decide to say is, “We’re gonna bring a case of wine, hey, let’s go mess and fool around you know, like we used to,” then it’s quite likely that what I’ll say is, “Who can leap the world’s ties and sit with me among the white clouds?”

 

Why Are There So Many Songs About Rainbows?

June 5, 2011

Why are there so many songs about rainbows
And what’s on the other side?
Rainbows are visions, but only illusions,
And rainbows have nothing to hide.

–Kermit the Frog (written by Paul Williams)

 

Why ARE there so many songs about rainbows?

Because they’re beautiful.

Because when their shimmeringly translucent septet of colors

makes its first hesitant appearance

–as a snail does on a sidewalk after rain,

sliding its hesitant eyes out from under the coiled shed of shell–

our hearts are called at once to tenderness and nurturing;

how could something so fragile exist in this world?

This is why the rainbows draw our songs.

Because in the end, they can’t last, and we know this,

and we mourn, even as we revel in their beauty,

expressed like a letter pledging love,

the majesty arcing over valleys, over mountains, over oceans,

or, like last night, over the city as it rests below my vineyard.

I know I shouldn’t, as I’m just about to take the wild descent down Monte Bello,

but the moment calls for more, and so I open up my trunk,

and pull a half-empty bottle from its worn cardboard case.

Tipped toward the rainbow, the cork is an arrow,

fired from the Cupid of my longings,

and once fired, then the liquid; just a bit upon my tongue,

there to be savored with a prayer,

that all the world might sample beauty,

sample fervor and devotion,

even just for one fine moment

of vision and illusion.

Cheese Tasting with Library Monte Bello!

May 9, 2011

Oh what a beautiful morning, oh what a beautiful day!

Being in the hospitality game, I work weekends. That’s a given. Which makes Mondays my Fridays. Which can be strange, and often troubling; what it usually means is that, at my tiredest point, all my fresh-faced and well-rested colleagues are peppering me with e-mails, requests, and questions I largely lack the energy to field. And I have to get everything done before my “weekend.” Suffice it to say I work a lot of late Mondays.

But every once in a while, Monday comes wrapped in a smile. Today was one of those days.

My outlook calendar for this morning? “10:30am-11:00am: Cheese & Wine Tasting.” Nice.

And it gets better; the purpose of the tasting? To find suitable cheeses to pair with the 1984 and 1978 Monte Bellos. Nice.

In the continuing spirit of my Haiku Wine Tasting With Paul Draper (who was very happily in attendance at the tasting!), I offer the following 17-syllable synopses of these extraordinary wines:

1984 Ridge Vineyards Monte Bello

Cranberry, currant,
umami and root. Snowflake
tannins percolate!

1978 Ridge Vineyards Monte Bello

Bacon at campfire,
clean, wet, mineral. Figs and
cheeses for dessert!

And as to the cheeses, here is what was tasted:

So, if this was YOUR Monday morning,, which cheeses would YOU pair?


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