Archive for the ‘Wine & Music’ Category

Black Friday Becomes Soul Sunday

November 26, 2011

This weekend’s Soul Spectacular Will Splendorize Your Sunday With Sentiments Both Sacred And Sensual, so now’s the time to shed the skin of Fridays Black, to be replaced with Sundays Soulful.

Meaning, that last weekend was Soul on Saturday, and then it was Black Friday, and now this weekend it’s Soul on Sunday. Meaning, if you dig sipping the big fantastic whilst groovin’ to nothin’ but vintage soul, then Sunday is your day in the Monte Bello Tasting Room, cuz’ that’s all we’ll be playing: 5 straight hours of vintage soul!

So if you’re Born Under A Bad Sign, dress Superfly, drive a 1965 Mustang, and Knock On Wood whilst Sittin On The Dock Of The Bay; if you know how to do the Funky Robot (and the other 999 dances!), want to Go Get Stoned, and Heard It Through The Grapevine that there Ain’t No Mountain High Enough; if you’ve got a Brand New Bag in the Midnight Hour, are a Shining Star who believes there Ain’t No Sunshine unless you show Respect; if you want to Get It On but don’t Know Me  By Now, if your Papa Was A Rollin’ Stone and you feel like bein’ a Sex Machine, then you should really come see us on Sunday.

Because on Sunday, you wines will have more soul than ever.

Things I’m Thankful For …

November 23, 2011

This is the third year in a row I’ve had the opportunity to write and present a “Things I’m Thankful For” post on this blog. Each year, on November 23rd, I have sat down in front of the typer and tried to find a way to express my gratitude for all I’m surrounded by, the blessings life has bestowed, the magic of it all. It’s impossible, but I’ve tried. And I’m going to do so again. It’s November 23rd, and this is what I’m thankful for (please note, there is likely to be some overlap with previous renditions!):

My missus, who did not so much save my life, as reinvent it for the drastic better. Who teaches me, everyday, why love exists. Who is perfect. She is who I was born to fall in love with. I am so thankful that she found me, and I her.

My daughter, who is proof that miracles do happen. The most delightful creature I’ve even known, my favorite person in the world. Who invents for me, every day, new ways to cry with happiness.

The chance to write this blog, because it means I get to write posts like this one.

The iPhone that Ridge gave me. Because while I am not, in any way shape or form, a tech evangelical, I do have to admit that Apple did a really, really good job with the iPhone.

Antonio Galloni. Because he gets Ridge, and he gets Paul Draper. Because he wrote, “Heretical as it may sound, I think the wines Draper is making today will prove to be far superior to the wines of decades past, many of which are rightly considered legendary.” Because this is true.

Grandparents, especially my daughter’s. Because this bond, this connection, this grandparent-grandchild relationship, is a friendship like no other, and a delight to watch in action. Because grandparents suffer from a most delightful strain of insanity.

Verizon’s cell phone service, circa 2008. For giving me a good connection when interviewing with Nicole Buttitta (VP of HR at Ridge) for the first time, from a truck stop in Wyoming.

Really awful looking old corks, in the necks of really old and awful looking bottle-necks, that somehow still protect really, really, really amazing mature wines. Lead-shrouded, moldy, juice-stained, and crumbling, but still doing their jobs to perfection.

Amy Monroe, Antonio Favela, Barry Campbell, Howard Hickok, Jane Occhialini, Jenny Merit, Karen Cai, Kim Korupp, Michael Riese, Nancy Tarng, Peter Yaninek, Sam Howles-Banerji, Samantha McMillan, Sonja Seaberg, Tara Einis, and Zani Nesvacil. Who have taught me that hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team” have within them the gold of truth, because I am of little to no worth whatsoever without the blessing of these fine people by my side. You know them as the Monte Bello Tasting Room team. I am proud to know them as inspirations; and more than that, friends.

Wine & Food pairing; specifically, Champys and Salt & Vinegar crisps.

Wine & Food pairing; specifically, Champys and other food besides Salt & Vinegar crisps.

The Owle Bubo.

Jazz Winemaking, as performed by Paul Draper.

Guests who do all the right things in the tasting room.

The 2008 Monte Bello Chardonnay.

Drinking 2008 Monte Bello Chardonnay in the fog while watching rabbits.

The Monte Bello Collector Component Tasting, which is one of the coolest tasting opportunities I’ve ever experienced.

The Vegetarian Lasagna from Bash Catering. To Chef Jaci Rossi and the Bash Catering team, a hearty congratulations; it’s very, very hard to make truly outstanding lasagna!

The 1995 Monte Bello, for so pleasantly surprising me by quite unexpectedly transitioning from one of the tightest, most angular, most intensely structured Monte Bellos ever, to this very poised, aromatic, beautific Monte Bello that I am looking at right now, feeling very, very thirsty.

People who don’t chew gum.

Really good wine bloggers.

People who believe me when I tell them Jazz, Haiku, and Winemaking are intimately related.

People who write me e-mails about all the amazing ways our wines have been a part of their stories: births, deaths, weddings, anniversaries, reunions, etc. These e-mails remind me that what we do really is something special; we produce that which ritualizes that which you will remember forever.

Wine Berzerkers. Which is pretty self-explanatory.

Pizza.

Three-day old Geyserville out of a flat-bottom glass, with pizza. Mushroom and Olive pizza. And Geyserville.

Our vineyard and winery teams. Watching them during the 2011 Harvest reminded me all over again about what Sam Howles-Banerji refers to as their “awesomeness.”

That Kyle Theriot and Will Thomas have joined the vineyard teams.

Lytton Springs. The place, the people, the wine.

People who understand it’s important to wear cool shoes when tasting wine.

Drinking the new 2008 Buchignani Ranch Zinfandel (which, in my estimation, is the most delicious vintage since the ’04) while wearing ankle boots.

Parents who understand how to go wine tasting with their children.

The way a properly set tasting looks before anyone has arrived. The shimmering glasses, the ordered plates, the small hills of freshly sliced bread, the cool perfection of the cheeses, the crisp diamond sparkle of the water in the glasses, the wine bottles standing at attention, awaiting their deployment …

My almost-three-year-old-daughter’s hysterical one word wine reviews …

My wife’s preposterously expensive taste in wines, and that fact that two-day-old Ridge wine still consistently appeases her …

My boss, Ryan Moore, who does not regurgitate hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team.” Who does occasionally deploy tidbits of corporate-speak, but always with a twinkle in his eye and a twist at the corner of his lips. Who consistently forces me to come up with new and ever-more hyperbolized ways of explaining just how great I’m doing. Like stupendaliscious, or outer-galaxial.

That my co-workers keep having cool babies.

Haig’s. The greatest hummus in the world. Perfection in pairing with our chardonnays. When experiencing a line-up of excellently selected and staged food & wine pairing selections, one might be tempted to deploy a hackneyed aphorism like “No member of a crew is praised for the rugged individuality of his rowing.” Except that when Haig’s is involved, one must conclude that the rugged individuality of the rowing is indeed deeply praise-worthy.

People who don’t wear cologne or perfume.

Carignane. Especially the John Olney kind.

The 2011 Ridge Vineyards Holilday Packs. Especially the Estate Cabernet vertical, for being so good. And, oddly enough, especially the Dusi vertical, which has suprised me immensely by being truly delicious. Not because they’re not good wines; they are. But because I personally like them so much. Because I am not normally a drinker of this style. But these are really, really, really good.

The fact that my post on this blog with the somewhat laughably lunatic title of  ”Zoot! And Poetry, And Wine, And Jazz, And Steve Martin, And The Muppets, And Jack Kerouac!” remains one of the Top 5 most viewed posts of all time.

Honest people. People who say true things. Like, “Champys should only be drunk from Coupe glasses.”

People who drink Champys from Coupe glasses. Because these are people who obviously have perfect aesthetic taste. And are accordingly inevitably the sorts of people who will also appreciate the opportunity that our new Historic Vineyard Series release represents. People who drink solo-varietal Cabernet Franc. And Champys. From Coupe glasses.

People who, like my father, fell in love all over again with Merlot after seeing Sideways. People who, like my father, have refused to buy Pinot Noir ever since, even though it’s kind of silly, and certainly self-defeating. People who, like my father, deserve  admiration for having principles like this. People who, like my father, remind me of aphorisms that are not all hackneyed, like this relevant one from Mark Twain: “Principles have no real force except when one is well-fed.”

That we are fortunate to oft be well-fed.

People who remember that not everyone in the world is well-fed; that in fact, far too many in the world have never, ever experienced being well-fed. And accordingly, I am thankful for people who not only remember this, but work to correct it. Or at minimum, at least walk the world with appreciation, as opposed to arrogance.

Humble winemakers like Paul Draper, Eric Baugher, and John Olney. Who are good enough to be arrogant, but aren’t.

Humble assistant winemakers like Shun Ishikubo and Muiris Griffin, who are good enough to be arrogant, but aren’t. Who are also good enough to be head winemakers, but choose instead to be part of something beautiful.

People who don’t wear skinny jeans.

People who understand that wearing skinny jeans while drinking good wine makes puppies cry.

People who listen to wine podcasts. Because that is serious dedication.

People who know that there are far better things to pair with red wine than chocolate.

People who pair sautéed mushrooms and garlic with red wine.

People who know you can pair red wine with Indian food.

People who understand that, despite the schtick, ZZ Top is actually a really good band.

People who know that Motorhead has their own wine now, and still don’t drink it, even though they really like Motorhead.

That Rex Stout’s immortal literary creation, the detective Nero Wolfe, insists on the use of Tarragon Wine Vinegar in his kitchen instead of sherry.

Good Poets. Because in this day and age of shallow superficiality, cultural devaluation, and emotional disconnect; in this age where protective irony and deliberate obfuscation rule the emotional day, we desperately need people who are still trying to connect our heads to our hearts for us.

People who understand what wine and poetry have to do with one another.

Really, really ridiculously hyperbolized wine tasting notes.

All wine writers who have not used the word “millenial” in the past year, if there are any.

Cecilia Aguilar, Chris Seguin, and Mary Devine; the dictionary definitions of Customer Service. And really nice people on top of that.

Cellos.

David Gates.

Coated tannins.

People who use terms like “coated tannins” in their tasting notes.

That I was invited to attend the Monte Bello Assemblage tasting, the greatest wine experience of my life.

Cellar Tracker, and the admirably obsessed people who use it.

Zen.

That Elliot Nett and Jason Shelton are now esteemed full-time members of the Lytton Springs hospitality team.

People who drink wine both in formal wear, and naked.

Old men who keep their belts below their bellies, as opposed to above.

Whoever first described my approach to clothing as “hobo chic,” because it’s given me a way to explain away comments about my clothing.

Ties with subtle wine stains.

Wine stains that look like the profiles of famous classical composers.

Tasting Rooms that do not play baroque classical music or Santana.

People who are willing to let themselves love, because this is the bravest thing of all.

Having someone to love.

Having something to love.

People who, when asked “Don’t you want something to love?,” answer “Yes.”

That I have had the chance to love almost every single vintage of Monte Bello going all the way back to 1964.

The things people say to one another while drinking wine, like, “You know, socks are a really great idea,” or “Pass me another crostini,” or “Ayn Rand was wrong,” or “Has it ever occurred to you that some of our best memories involve autumn?” or “Wow, that is an amazing Syrah,” or “I love you too.”

And so many other things also, like Bud Powell, and Laura Chenel’s Melodie, and solid-color carpets and the people who love them, and co-fermenting Viognier with Syrah, and the Haiku of Issa, and Ah So Cork Pullers and the people who use them, and pacifists, and the Optima font, and typewriters from before 1960, and books, and wearing PF Flyers and a suit, and anyone who doesn’t have a mirror in their bag, and really weird and cool wine stores, and France, and fractured limestone, and grape sorting tables, and people who don’t iron their jeans, and very worn-in bandanas, and firefighters, and people who really aggressively swish while wine tasting, and the fact that spittoons are used by both oenophiles and cowboys, and romance, and candles that don’t have scents, and owls, and wine bars that don’t play house music, and restaurants that always bring out the vintage that’s on the menu, and Thai restaurants who understand that if you can’t make green papaya salad properly you shouldn’t be a Thai restaurant, and Italian restaurants who understand the same thing about gnocchi, and people who know first-hand that thirty-year-old cab goes really well with japanese-style barbecued okra, and friends of any kind, and people who don’t call me Chris after I’ve introduced myself as Christopher, and the movie Casablanca, and Ah So Cork Pullers and those that have them, and Watsonville Sourdough, and the days when one doesn’t have to cut one’s toenails, and dew, and that lunatic fringe cadre of loyalists who re-wrote the zinfandel rules, and sweet potatoes, and the taste of a wine spill being licked off the stomach of a lover, and December, and people with awful handwriting, and the paintings of Pissarro, and college radio, and really fine wine.

And most of all, I am thankful to Ridge Vineyards. By your dedication to me, and mine to yours, my family is happy, healthy and safe, and my heart is, accordingly, intact. Thank you.

And to you all, may all the best of everything be yours, and may you always have cause to be thankful.

To share a glass of wine is to share the experience of love. May you all be, feel, and share true love this holiday season.

To all at Ridge, please know I am so thankful for you.

And to every person, place or thing I have neglected to mention in this post, please know I am praying for ten thousand more years of writing “Things I Am Thankful For” posts, so that at some point, I might thank everything.

Ridge Vineyards has The Jazz …

November 20, 2011

(This, my friends, if the 600th post on this blog. Quite a lil’ milestone, I’d say, and I couldn’t be happier that the subject matter is what it is … )

Kuumbwa Jazz is, simply put, one of the best music venues in the country. And it’s so much more than that, on top of that. It’s a community center, a community resource, an educational center, a cultural epicenter. It’s a great, great place. And at heart, it is, simply put, one of the best music venues in the country. And I know of what I speak. In my fifteen years as a professional musician, I played there many times, and it is one of the most musician-friendly venues I’ve ever encountered. And I’ve seen some great shows there as well, and it is one of the most audience-friendly venues I’ve ever encountered. And now that I’m with Ridge Vineyards, I am very, very happy to note that I have a new and special way of supporting Kuumbwa.

Like seemingly all great cultural institutions in this country, Kuumbwa Jazz relies in no small part on the benevolence of its patrons, and every year, they host a fundraising concert and auction. This year, we donated wines to the pre-dinner tasting, to the dinner itself, and to the auction. It was my great pleasure to host, and it was a truly awesome evening. I met so many great folks, swapped so many great wine and music stories, and all in all, enjoyed myself thoroughly.

Plus, I am happy to report that the mixed case of limited-production, winery-only wines that we donated sold for $600 at the auction!

If you’d like to watch a great, old-school auctioneer work the room; if you’d like to see just how that case sold for that much, enjoy the video below!

Congratulations to Kuumbwa Jazz for an outstanding and successful event, and here’s to the next 36 years of being the best of the best of the best!

Happy Ferragosto!

August 15, 2011

August 15th. It’s quite a day, and I could highlight it for any number of reasons. For example, if you’re a music fan, you’ll likely know that today is the anniversary of the very legendary Woodstock Festival.

Or if your tastes run to the literary, you might recall that it was on this day in 1980 that the very great poet  Czeslaw Milosz received the Nobel Prize in literature.

From his poem “Campo dei Fiori” (which I have selected for reasons that, I promise, will come clear by the end of this post!):

In Rome on the Campo dei Fiori
baskets of olives and lemons,
cobbles spattered with wine
and the wreckage of flowers.
Vendors cover the trestles
with rose-pink fish;
armfuls of dark grapes
heaped on peach-down.
 
Film buff? Then certainly you know that today is the day that “Wizard of Oz” premiered at Grauman’s Chinese Theater. It was 1939, and no one would look at Kansas the same ever again …
 
 
And if you’re artistic tastes run to the rather more classical, then perhaps you’re celebrating today the birth of the great Italian painter Francesco Zuccarelli, who in addition to other beautiful works gives us this sumptuous rendition of a Bacchanal …
 
 
But the real reason I call your attention to August 15th is to wish you all a very Happy Ferragosto!
 
Ferragosto is probably more likely known to you as a Roman Catholic holiday celebrating the Assumption of Mary into heaven, but as with many of these sorts of holidays, there are pagan roots which well precede this contemporary definition, and it is this Ferragosto which I celebrate today. Essentially, Ferragosto is/was a holiday designated for the celebration of cycles of fertility, ripening, and the harvest (things that are certainly on our minds here at Ridge!). Diana, representing fertility, was certainly the primary figure of adoration and celebration on this day, but so too were Vertumnus, God of the Seasons , Conso, the God of the Harvest, and Opis, also a fertility goddess, and a goddess of vegetation and growth. Notably, it was also a holiday in which all classes came together to celebrate, from wealthy businessmen and politicians, to farmers, slaves, and prostitutes. A truly democratic holiday …
 
In short, Ferragosto is a Harvest Festival for all, and as we’re all sitting here on Monte Bello, waiting on veraison, it feels rather right to be celebrating just such an agricultural milestone.
 
So I say to you, Buon Ferragosto!
 
Today, Ferragosto is one of Italy’s 12 national holidays, with myriads of institutionalized ways by which to celebrate. What unites them all is a spirit of appreciation for the land, and the natural processes of life, combined with a passionate and lustful intake of food and wine in the company of loved ones and family.
 
So be your heart pagan or catholic, be your faith in Emperor Augustus or the Virgin Mary, be you Italian or otherwise, to you again I say, Buon Ferragosto!
 
Go outside, and bring someone with you. Bring a bottle of wine, and some bread and olive oil. Find a nice place to sit, in sight of some flowers. Have a poem hand-written on a small piece of paper  in your pocket, and expect the same of your companion. Pour the wine, and toast the gods and goddesses. Then you read your poem, and then listen to your companion read theirs. Then break the bread, drizzle a little olive oil, and eat and drink. Sigh contentedly, then dig a small hole, and bury the two poems. Don’t come back to this same place for at least a year, but make sure to come back to it at least once before you too ascend to whatever version of heaven awaits you.
 
And if you can’t do all that, then at least share a good glass of wine with someone you love, and read a poem together. Or watch a movie. Or listen to some music. But be together, and celebrate creation.
 
Buon Ferragosto!
 
 
 

Is That You In This Picture? -or- Ridge At Outside Lands!

August 14, 2011

Were you there? Did you find us? Are you there now? Here we are!

SF Wine Lands! The Wine Tent!

Are, or were,
your open hands 
at Outside Lands,
walking a Wine Lands bridge
for a grown-up smidge
of home-grown Ridge?

Check and see, say, “Is that me?”

Now, I’ve got FOUR WORDS for you: Sweet Potato Tater Tots!

That just might actually be EVIL …

Though truth be told, the ABSOLUTE BEST, and certainly most unexpected and unorthodox, wine and food pairing of the day was, for me, a Malaysian Tofu Bun, with our 2008 Lytton Springs. Go figure, eh? It’s good to be in Northern California …

Anyhow, if you’ve been and gone, I hope it was fantastic, and if you’re there today, come to Ridge. We have the rock.

#OutsideLands. #SFWineLands. Use them. They rock too.

Outside Lands! -or- Ridge Rocks The Wine Tent!

August 12, 2011

Ok, it’s probably about 40 minutes to go; countdown 40 minutes; 40 minutes and counting. Outside Lands awaits!

And yeah, there’ll be some music, supposedly. But what you really need to know about is the Wine Tent.

Who’ll be there? Well, us! Ridge Vineyards! ‘Nuff said …

What will we be pouring? For starters, the new 2009 Ridge Vineyards Estate Chardonnay. Try it today, with a side of Big Audio Dynamite. Classic, funky, and still so hip after all these years. And so is Big Audio Dynamite.

Next, the 2008 Ridge Vineyards Lytton Springs. If you go on Saturday, this should pair nicely with a substantive sampling of The Roots. 125-year old Roots. Dig?

And lastly but most certainly not leastly, the 2008 Estate Cabernet Sauvignon. You can have that in the glass when Mavis Staples hits the stage. A whole lot of power in a very elegant package. The both of ‘em …

Yours truly will be playin’ host in the tent Saturday afternoon and evening, so do please come by and say hey, and get a taste …

Less than 30 minutes to go!

Unbelievable “Three Decades of Monte Bello” tasting! Open to you!

August 1, 2011

It’s exactly one month until Cabernet Day. That is to say, #CabernetDay!

#CabernetDay!

The second annual.

It’s an international phenomenon, a worldwide celebration of all things Cabernet, taking place across all social media platforms.

In Bangladesh? Join in! Buenos Aires? Can’t wait to chat! Baltimore? See you on Facebook! Blaenau Ffestiniog? I’ll be looking for your tweets!

Ridge Vineyards is ALL IN on this one, boyos and birds!

Ever heard of a lil’ ol’ wine called Monte Bello? You can bet we’ll be doing #CabernetDay. And dig how we’ll be doing it …

On September 1st, at both of our estate locations (Lytton Springs and Monte Bello) we’ll be offering special by-appointment seated tastings of not only a three-vintage vertical of our Estate Cabernet (2004, 2005, & 2006), but a THREE-DECADE VERTICAL OF MONTE BELLO! And not just any three-decade vertical, mind you. We’ll be tasting the 1985 Monte Bello, the 1995 Monte Bello, and …. drum roll … the 2001 Monte Bello! Yup, the vintage that just got a 99 POINT RATING FROM ROBERT PARKER!

Listen, I’m biased, and I admit it. There is a reason I work for Ridge Vineyards. But I’m telling you, with total objectivity front and center, you’re simply out of your mind if you miss this. This is one of those rare tasting opportunities that just don’t come along that often, and I really, really, really hope that you can come. 

Now, of course I won’t really think you’re insane if you miss this. I just really  think you should come taste these wines with us. I really do.

So, on to the important part. To reserve your place at the tasting table, just click here.

There, you’re done.

In fact, you’re already here. It’s already the 1st. You’re already seated at the table. Your host is pouring the first wine into your glass. Angels are out in broad daylight, plucking soothing melodies on harps of gold outside the window. The sun’s soft finger is lightly brushing the back of your neck. All over the world, people are laying down their guns. The markets are surging. The wind whispers your name, and you say “Yes, it is I.” Somewhere a puppy is born.

If the puppy and the angels and the 99-point rating didn’t get you, here is a look at the wines we’ll be offering:

1985 Ridge Vineyards Monte Bello

Excellent umami aromatics! Plus, lovely wafts of cedar and pipe tobacco, with a hint of boysenberries. Meticulously elegant point-of-entry, laying soft on the tip of the tongue and skipping into the cheeks with some nice acidity and a touch of sweetly, modestly covered tannin. Good dark fruit mid-palate, with some rusticity and earth rumbling through. Not particularly weighty; an easy sipper. The finish shows a bit of the age, but no degradation, just nice, mature, pure and quality Cabernet fruit. As gentle as it gets, and fascinating accordingly. 

1995 Ridge Vineyards Monte Bello

Rich, concentrated, compact and compressed nose, a muscular jolt of big red fruit, cassis, anise, fig, and leather. Huge at the front, taking up every available space at point-of-entry. Unctuous and lush, a whole lot of wine on offer. Mid-palate opens up and shows some cherry and mixed red berries, and spreads a plush quilt of viscosity seamed with fine-grained tannins and a lingering hint of eucalyptal herbaceousness. The finish is intensely structured; amazing for a wine that’s been in bottle nearly 15 years. Almost impossibly youthful still, but with a load of meat on the bone.

2001 Ridge Vineyards Monte Bello

Good lord, what a lot of wine! This is an intense, intense vintage; the nose is positively loaded! Ripe, rich, sweet, cola and licorice and blackberry pie! The mouthfeel is just about as viscous as the aromatics would lead you to believe, with a luxuriant point-of-entry and a multi-tiered middle that, despite all the decadence, ripeness, and viscosity, still manages to showcase the herbs, spice, and forestation of a classic Monte Bello. The finish is strong on blue fruit and nice dusky tannins, but overall, the wine is still almost mind-bendingly young. Perfect proof that big doesn’t mean sabotaging balance; this is every bit as graceful as, say, the 1985 described above, but this is a bigger, wilder rendition.

If you’d like to see Eric Baugher’s recent tasting notes on this vintage (Eric is our VP of winemaking here at Monte Bello), well, good luck!

The important things to note in there are words like “Fresh, alive, layered, complex,” and “youthful/delicious,” and “young and capable +15-20 more years.”

Anyhow, the amazing thing about the whole #CabernetDay phenomenon is that it really and truly does play out as envisioned; we participated last year, and it was truly remarkable. People from all over the world, literally, tasting their favorite Cabernets at the same time, sharing their thoughts on-line, engaging in dialogue, talking. This is what wine does. It makes you talk. With other people. About pleasant things. Like wine.

Seriously, every liquid indulgence has its effect; beer makes you sleepy and want to play pinball. Tequila makes you quiet and want to hit people with pool cues. Vodka makes you dance way too much, and not well, and then completely forget that you danced way too much, and not well. Martinis make you have more martinis, taking you swiftly  from sophisticated to unconscious. Absinthe makes you see dead people. But wine? Ah, wine. Wine makes you nice. And comfortable. Wine makes you feel like cooking, and sharing your cooking with other people. Wine makes you not only tell good stories, but listen to them as well. No one ever opened a newspaper and read of a murder-suicide committed after drinking a bottle of single-vineyard Cabernet. No, wine makes you congenial, and poetic. Wine makes you like music, and bread. Wine makes people love people.

This is what happens on #CabernetDay. People love people.

And now, with our new and very special #CabernetDay tastings, you can love Cabernet and people both, and you can do so both virtually, and in proximity.

Please consider yourselves invited.

Folk Art, Folk Wine: A Thief In The House Of The Grape

July 7, 2011

Wine, done well, is a folk art.

Just as Robert Johnson osmosized the best of Son House and Charley Patton in the service of crafting his own transcendent contributions to the country blues; just as Jack Kerouac bubbled, toiled, and troubled up a cauldron of Look Homeward, Angel and Han-Shan; just as Miles Davis took the singular path of deifying Louis Armstrong by learning, deconstructing, and redrawing him, so too do the great producers of great wine look both homeward and forward as they seek their own paths to creation.

Folk art is a thieves’ game in a world where thievery still has its own moral code. Be it Robin Hood or John Dillinger, we love someone who stands for something strangely higher that the base art of a theft. In the world of Wine Noir, sure, you break the law. But only because your heart rides high above the fray, and what you seek is not a victory in the courts, but a peace in the soul.

How does a painter like Picasso or Jackson Pollock become famous for breaking all the rules? By learning them! How did Bob Dylan usurp Woody Guthrie as the voice of a vanishing America? By taking Guthrie for all he was worth!

How does Ridge Vineyards’ Paul Draper make “pre-industrial” wine in a post-industrial world?

Folk art, by art college standards, would seem to be a “process-oriented” endeavor; meaning, the act of creation is as vital as the creation itself. To properly create folk art, then, means coming to the table with your history intact, so as to act in the moment as if you have no history at all. This is jazz, this is haiku, this is abstract expressionism. And if the act is the product, then documentation of the act is the inheritance; meaning, if anyone else is ever to experience the art, there has to be some record of the act. Thus, the canvas, the recording, the page; these become the legacies to learn from. In the case of wine, this is the bottle itself; the donated legacy of all that came before it. To taste it as it slips into the winds of history is to connect the past to the present to the future. This is what Robert Johnson did as he sat at Charley Patton’s knee, and this is what the future’s great winemakers do as they drink the ghosts of vintages past.

There is a simple little piece of equipment you can likely find in just about any winery in the world. If you’ve ever attended any sort of barrel tasting, you’ve probably seen one. It looks sort of like a small glass tube with a squeezable handle, and it’s used for extracting wine from a barrel. More often than not, it is deployed when someone wishes to taste a wine in development —a glimpse into the future — to see where a wine is headed.

Small wonder that it’s called a Thief.

Monte Bello Calling …

June 20, 2011

GREAT article today from Geoff Last (a longtime Calgary wine merchant and writer, and a regular contributor to City Palate magazine and other publications) about Zinfandel entitled “Edgy Zinfandel Rocks On.”

Why do I like this article so much? Because it starts like this, “If I were to cast California Zinfandel as a rock band, I might equate it to a group like the Clash …”

Nice!

Plus, Mr. Last includes a very fine review of our East Bench offering, and also writes lines like, “In my quarter of a century in the wine business, I have never had a bad wine from Ridge …”

But mainly, I like this article because it mentions us and The Clash together.

 Which makes it a punky kind of day for Ridge! Because this article comes right on the heels of a FANTASTIC tweet that came across the wires today from our good friend Wayne at the very excellent wine blog A Long Pour:

 wkelterer: Fugazi is the @RidgeVineyards of indie rock. Still the coolest thing out there after all these years of inspiring others!

Original Tweet: http://twitter.com/wkelterer/statuses/82681815260864512

Nice! Ridge Vineyards, The Clash, Fugazi, and You.

Farewell to The Big Man ….

June 20, 2011

The world lost quite a musical force of nature on the 18th of June. Clarence Clemons, the Big Man in Bruce Springsteen’s E Street Band, passed due to complications from a stroke. An irreplaceable loss, indisputably.

Now, I’ll confess that Springsteen and co. haven’t done much of worth to me in many, many, many years, but the early works remain powerful and beautiful to me, and they remain a part of my life, and my soul. Bless you Clarence, for contributing so many heartrendingly excellent melodies to the canon of our sonic lives.

But why note all this here, on a wine blog? Accruers of Springsteen arcana will know, but in case the rest of you don’t, you’ll have to come with me all the way back to 1974. When The Boss looked like this:

as opposed to this:

And Big Man Clarence rocked like this:

It was Liberty Hall, in Houston, Texas, and Springsteen had a problem; a broken guitar string. For not the first time, and certainly not the last, The Big Man was right there to save the day, as he would do time and time again over the decades. The Big Man went to the mic, and called the tune, a little slab of jazzy soul by the legendary vocal trio Hendricks, Lambert, and Ross. The band hit it, and Clarence dropped the lines; some of the both funnier and more pathotic spins of viticultural prioritization ever committed to record. For example (lyrics approximate, as they were delivered live):

Well one day when I was laying down napping
When I woke up everything was burning with a snap, and a crackle and a pop
You know the fireman chopped up my TV set and tore my apartment apart
But when he raised his axe on my bottle, Jim, I had screamed with all my heart

Gimme that wine
Gimme that wine
Gimme that wine
Let me take one toast before I roast

Or:

Well one day when I was walkin’ home, staggerin’ home to bed
A bandit jumped from the shadows, put a blackjack upside my head
That cat took my watch, my ring, my money and I didn’t make a sound
But when he reached in for my bottle Jim, you could hear me scream for blocks around

Gimme that wine
Gimme that wine
Gimme that wine
Beat my head out of shape, but leave my grape

Wherever your journeys may take you now Clarence, here’s to hoping you’ve got your wine with you! You’ll be very, very missed, but we appreciate the gifts you left us. The rave-ups and rockers were groovy, but it’s the long, slow, elegantly stately and soulful ballads that continue to move me Clarence. They’re beautiful.


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