Archive for the ‘Vintage Wine Labels’ Category

Building The 2012 Monte Bello: Part II

May 10, 2013

We’ve just completed the second round of the Monte Bello Assemblage Tasting, and the blend is in!

It was quite a remarkable tasting; somewhat unique in its architecture, as compared to some past editions, in that it was essentially divided into three distinct phases: Audition, Assemblage, and Vertical.

For those of you not familiar with the process by which the Monte Bello is created, I humbly direct you to the following posts:

Beauty Is A Rare Thing: Building The 2012 Monte Bello

Building Monte Bello: The 2011 Assemblage

A Seat At The Table: A Day In Which I Am Invited To Participate In The 2010 Assemblage Tasting!

The Second Assemblage Tasting was held in The Old Torre Winery Barn, and in attendance were the following:

Paul Draper
Eric Baugher
John Olney
Shun Ishikubo
David Gates
Kyle Theriot
Shinji Kurokawa
Amy Monroe
Christopher Watkins (me)

~

As the warm spring sun began to wend its subtle tides through the warming window panes, Eric inaugurated his singular oeno-alchemy…

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… as, one by one, we sought our seats and prepared our palates.

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We began with an auditioning of sorts; a blind tasting, 5 glasses …

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… no explanation, no context, only the instructions: taste, assess, write, vote; 2 plusses, 2 minuses, 1 neutral.

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When the veils were lifted, we were found to have been auditioning 4 blocks’ worth of possible inclusion candidates (three different cab lots, and a merlot option); snuck into the line-up was the First Assemblage, crafted back in April. Two of the lots received majority votes. Then it was on to Round II.

Five glasses again, blind tasted again. And again, the directive: taste, assess, write, vote; 2 plusses, 2 minuses, 1 neutral. 4 of the 5 lots fared very well; one block fell by the wayside for showing a bit too ripe.

With Round III came the “proper” assemblage process: two glasses; one with the “control” (in this case, the First Assemblage), one with an “addition.” A and B. Taste, assess, write, vote. Plus or Minus.

Eric&Shun_Pouring

Eric Baugher & Shun Ishikubo

“A” took it by a nose, 5 to 4. A 7% addition of South Slope South Cabernet (S3).

Round IV. Two glasses again. A and B. Control (now including S3) and Addition.  “B” essentially sweeps; a 7-2 majority. A blend of Camp and Back Hills falls by the side of the vineyard road.

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Paul Draper

Round V, an override! I am on the right side of history for this one; I alone voted with Paul and Eric in favor of a 10% addition of 10-acre cab, and as is his right, Paul opted for the addition. None complained, it had been a tough vote.

David Gates

David Gates

Round VI, we would find out later, found us debating the future of a block I’d loved on its own; my colleague Amy as well, joined by David Gates; however, David, a veteran of the assemblages, predicted it would not, in the end, be “assembled.” He was right, it lost out to a 6-3 majority in favor of the control. But I am holding out for a solo bottling; on its own, the block is beautiful.

Paul&John_Talking

Paul Draper & John Olney

Round VII, the final round of the Assemblage. “A” took the majority, which was the control, but Paul and John came out swinging in favor of the addition; a small block of stressed Merlot. To be continued …

And then came the final round. A 6-wine blind vertical of Monte Bello; the preceding 5 vintages, plus the “new” 2012.

MonteBelloVertical

I wrote “proper” tasting notes on each, and was able to spot almost all of them as what they were, though much to my surprise, I confused the 2009 and the 2007 (which, I would say, says a great deal for how the 2007 is currently showing, given the overwhelmingly positive critical response we’ve received for the 2009 of late –Wine Advocate: 98 points, International Wine Report: 97 points, International Wine Cellar: 96 points, Wine Spectator: 95 points–given that we’re currently offering the 2007 in our tasting rooms, perhaps a good time to visit!)

But anyhow, in addition to my “proper” notes, I also wrote a spontaneous Haiku in response to each:

2009 Monte Bello
A walk through the trees;
wet, the path, twilit, the leaves.
Into the green mist.

2008 Monte Bello
The red blushes of
beauty; luxuriant youth,
serene  age; timeless.

2007 Monte Bello
As a great trunk’s broad
shoulders grow, ask yourself: Which
is stronger? Roots? Limbs?

2011 Monte Bello
Sweet soul perfection
of campground wisdom; as with
smoke, so with memories.

2012 Monte Bello (2nd Assemblage)
There is strength to fear
and strength to love; run from one,
run to the other.

2010 Monte Bello
Elegance within
a corset; beauty of denial,
of promise: a dream

~

When all was said and done, a new Assemblage had been born: The 2nd Assemblage. The new details are as follows:

62% Cabernet Sauvignon, 22% Merlot, 9% Cabernet Franc 7% Petit Verdot, 13.6% ABV

Welcome.

~

As we do every year, we continue to invite our Monte Bello Collector Members to experience firsthand the burgeoning development of the vintage that will one day be theirs; they have now seen the 2012 Monte Bello in its Component state (for more, please click here), in its 1st Assemblage incarnation (for more, please click here), and next weekend, they’ll sample that which we have just created, the 2nd Assemblage. And if history repeats itself, it’s quite likely this will be the Final Assemblage, meaning this will be the last opportunity to taste this wine before it goes into bottle for its long hibernation; not to awaken again until its release in 2015. For more information about this very special event, please see below:

Final Monte Bello Tasting
Saturday & Sunday, May 18th & 19th
11-5pm each day
Cupertino, CA

This event is for Monte Bello Collector members only (a total of 4 attendees per membership), there is no fee to attend, and an RSVP is required. We look forward to seeing you!

Eventbrite - Monte Bello Final Assemblage Tasting - May 18th & 19th, 11am-5pm

A Mazzoni Island of the Mind ~or~ First Friday at Monte Bello!

May 3, 2013

Greetings!

It’s May 3rd, and it’s First Friday at Monte Bello!

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For our May edition of this very special monthly event, we will be celebrating the release of the new 2009 Mazzoni Home Ranch Zinfandel! The 2009 is one of the most notably zinfandel-forward Mazzoni offerings in recent years, and while it shows all the compact rusticity and culinarily companionable spice and acidity we’ve come to expect from this old-vine vineyard, it does so in a comparatively lusher, more fruit-driven fashion, and as such, is already showing beautifully with just two years in the bottle.

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And dig this!

We’ll be pouring the 2009 in a two-vintage vertical with its predecessor, the 2008 Mazzoni!

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This is the last chance we’ll have the ’08 on hand as a current release, making this an especially rarefied tasting opportunity.

Making today, a good day to be a member.

So remember, if you’re a member, remember:

First Friday!

~

First Friday at Monte Bello
Date: 5/3/2013

May 3rd ~ 4-7pm

Please join us on the first Friday of each month for an evening affair of delicious wines and small bites. While this is a Member Event, we are more than happy to host guests of our members as well! We’ll have some delicious small bites on offer for your enjoyment.

Members with shipments available for pick up at this event:
ATP – Monthly
ATP – Consolidated
(be sure to note that you are picking up on your RSVP)

Eventbrite - First Friday at Monte Bello - May 2013

~

For a bit of history on the Mazzoni Home Ranch:

zmz

Why I Love The French: Part I -or- Lunch w/ Paul Draper

February 10, 2013

I love the French.

I love France.

Every time I have been to France, I have had a marvelous time.

Every time I have been to France, the French have been marvelous.

Every guest we’ve hosted from France has been marvelous.

Today, we are hosting guests from France. Winemakers from Burgundy. For lunch. And wine.

I love this.

I love lunch with wine. I love lunch with wine and Paul Draper. I love lunch with wine and Paul Draper and the French. I love lunch with wine and Paul Draper and the French winemakers from Burgundy.

I love the wines we’re pouring for lunch with Paul Draper and the French winemakers from Burgundy.

Voilà!

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New 2010 Monte Bello Chardonnay

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2004 Monte Bello Chardonnay

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Barrel samples of the new 2011 Geyserville

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2005 Lytton Springs

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2008 Estate Cabernet

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2008 Monte Bello

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1995 Monte Bello

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1984 Monte Bello

photo

2007 Geyserville Essence

Très magnifique!

~

Stay tuned for Part II for tasting notes and food pairings!

Who Says Zinfandel Don’t Age?

January 30, 2013

Who says Zinfandel don’t age?

YOU says Zinfandel don’t age?

Well, I gots two Ridge Vineyards Pagani Ranch Zinfandels says yer a gol-dang liar!

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Winemakers Paul Draper & Eric Baugher,
and the 1994 & 1997 Pagani Ranch Zinfandels

Ok, I’m not a  cowboy.

Meaning, Paula Cole, I can’t help ya …

Where is my John Wayne

Where is my prairie song

Where is my happy ending

Where have all the cowboys gone?

–Paula Cole, “Where Have All The Cowboys Gone”

No, I’m no cowboy. But I DO taste library zinfandel for Monday morning breakfast!

And as to whether zinfandel can age, should be aged?

I offer you two offerings from the Ridge Vineyards vaults, a two-vintage vertical of our Pagani Ranch zinfandel: 1994 and 1997.

94ZPG

Paul Draper is somewhat legendarily notorious for his conservatism when it comes to developmental estimations on our labels; consider the above: reviewed in 1996, with a projection of eight to ten years.

Tasting it this morning, some seventeen years out, I can confidently say that Paul was wrong.

Is the wine mature? Yes. Is it dominated by secondary characteristics? Yes. Is it delicious? Yes! Lovely cedar and sandpaper aromatics, with hints of persimmon and dried fig, and speckles of cardomom and pipe tobacco. Super acidity on the palate, with streamlined tannins and some delightfully sweet fruit tones. Rootsy, herbal, and complexly high-toned, this will delight any drinker of high-caliber cellarable offerings.

As to the 1997 Ridge Vineyards Pagani Ranch …

97ZPG1-L

Tasted in 1999, with a five-year estimate for when it will “show to best advantage?” Silly Paul …

Listen, truth be told, these wines were being evaluated for possible pouring at a key event coming up on the horizon, and to a taster, the general consensus was that the wine might in fact be too young still to pour!

Take that, Paula Cole. I found your prairie song …

Featured Wine Of The Weekend: 2006 Lytton Estate Grenache!

January 12, 2013

Launchin’ a lil’ bit of a fun new thing here at Ridge Vineyards this weekend: a new Featured Wine highlight!

The gist is this: each week, we’ll be tasting through potential weekend offerings, and debating out how things are showing, and what seems to be really poppin’. Once a consensus is reached, we’ll assemble some internal tasting notes, find a special spot on the menu, and showcase a particular wine.

To inaugurate the series, we’ve selected a really tremendous offering: the 2006 Ridge Vineyards Lytton Estate Grenache.

06GLE1

As with all of our winery-only offerings (made available initially and primarily through the ATP branch of our Wine Club), this is a wine that saw additional bottle maturation in our cellars prior to release; one of the many advantages of the ATP program is that, because the wines are not distributed, we do not accordingly have to meet any distributor’s schedules; this then accordingly affords us the luxury of essentially “cellaring to taste”; meaning, we release the wine at the dawning of what we feel to be its optimum pourability cycle.

Such was definitely the case with the grenache, and such has traditionally been the case historically as well. While evidencing much that is varietally classic, the older-vine grenache from Lytton can be anamolistic in one signature way; the firmness of the tannin architecture. Accordingly, additional cellaring can be very beneficial.

The 2006 Lytton Estate Grenache was released early in 2012, and is now truly coming into full flower. Regrettably, this also means it is closing in on the end of its inventory allocation! Sadly for all of us who love this wine, with only about 100 cases left, this isn’t a wine we’ll have the pleasure of sharing much longer. All the more reason to showcase it this weekend!

To see where we’ve placed this wine in the weekend menu at Lytton Springs, please click here (and scroll down to the tasting menu link):

http://www.ridgewine.com/Visit/Lytton%20Springs

And for Monte Bello, please click here:

http://www.ridgewine.com/Visit/Monte%20Bello

As to tasting notes for this wine, I’ve two sets to offer; from myself, and from Amy Monroe, our Hospitality Coordinator and resident Oenophile Extraordinaire. First, Amy:

Color: Lovely medium garnet.  Clear – could read my notes through it. 

 Nose: Dried fruit, dark chocolate, currant, blackberry, mint

 Palate: To begin, the wine shows a fair amount of old-world/rustic tannin at the front of the palate.  This tannin dissolves into the somewhat “sweeter” fruit notes described above at mid-palate, but the tannin and the dryness it elicits is an excellent counterbalance against the fruit, resulting in a wine that is not at all sweet, but is instead an interplay of complimentary opposites on the flavor spectrum.  The finish is characterized by a fresh, mouth-watering acidity that creates length – a flavorful, lingering memory of what has just been experienced.

—AM, 1.11.13 

And from yours truly:

Appearance: Somber garnet alight with raspberry highlights; translucent clarity & pale of halo; fairly adhesive glaze with slow-moving & gravitas-laden legs.

 Aromatics: Pannetone-esque dried fruit, hints of pomegranate; a certain cool minty piney-ness balanced against cocoa, sap and maple.

 Palate: Rustic and firm tannin up front, sliding into a surprisingly light & bright acidity; deep harvest-berry fruit profile

 Finish: Centrally-focused, not as wide as in its youth, but longer and more concentrated. Acidity is beautiful, tannins are integrated.

 Summary: Perfect at table; a great food wine. Excellent with higher-fat dishes, and exotic spices will complement exotic dishes. Consider Indian or Coconut Milk-based Thai.

—CW, 1.11.13

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We hope to see you this weekend, and look very forward to sharing with you this lovely wine! Cheers!

Why Hello There, Delicious Wine Breakfast!

September 25, 2012

Sometimes, it’s just good to work at Ridge.

And in saying that, please don’t mean me to mean that it’s ever not good to work at Ridge.

It’s just that sometimes, the fact that IT gave me, without even asking for it, a double-wide monitor just because they “happened to notice” that I’d been “working on a lot of spreadsheets lately” … well, it’s just that sometimes work ain’t all it’s cracked up to be.

That said, my fluency, my artistry, my complete mastery of spreadsheets really is so legendary that sometimes, not unlike Eddie Van Halen, I kind of have to play with my back to the audience. So they can’t see what I’m doing. Because it’s just too awesome.

But the point is, sometimes it’s just good to work at Ridge.

Because sometimes I’m good,

and when I’m good,

sometimes Santa Draper

leaves presents for me

under my little blogger tree.

Our Liquid Of Ritual

August 6, 2012

Oh, the things wine has seen!

You can really find yourself getting quite emotional thinking about it, if you just let it happen.

On the other hand, it’s also quite easy to fall into the other trap; you’re a maker of wine, you put your heart and soul into it, it’s of the land, the people, it has a story. But at the end of the day, it’s just another product, fighting for space — and profit — in a competitive marketplace. This one gets a high-number rating, that one doesn’t, this one gets on this restaurant’s list, that one doesn’t, there are holiday bonuses for these staffers, none for those; this one re-invests, that one goes back to the drawing board. At the end of the day, the spreadsheet calls the tune, and everybody dances.

But then again, sometimes life gives you one of those amazing zen awareness slaps, and you suddenly see things differently. Suddenly you realize that what you’re doing IS special, that it IS meaningful, that there IS a point.

Sometimes, the simple act of selling a bottle of wine can become an invitation to beauty; an invitation to take one’s place in the pages of someone’s beautiful story.

Our liquid of ritual.

It was 1992, and it was time to harvest the fruit from the York Creek vineyards. The grapes were perfect; perfectly ripe –ideal sugar levels – and everything came in on time; early October. But no one handling the fruit that day had any idea.

Fast forward to June of 1994. Paul Draper is sitting at his desk, with a #2 pencil and lined yellow pad of legal paper. His singular left-leaning script is spider-webbing across the page as he ruminates on the wine. The final line of text that he commits to that day is an estimate of “10-15 years” of further development. At the moment he writes these numbers, he has no idea.

Fast forward to 2002. Paul’s estimate is 8 years in, the 1992 vintage is, for all intents and purposes, long sold-out; 1999 is the current release now. No one knows how the 1992 is showing. No one has any idea. But someone buys a bottle, via a rare and limited library offering. They buy it, but they have no idea.

Fast forward to 2009. Mike Boyer has been cellaring his bottle of 1992 York Creek Petite Sirah for a long time. Paul’s 15 years are up. But Mike doesn’t open the wine. The bottle stays in his cellar. He has no idea.

Fast forward to July 30th, 2012. At about 4pm, I read the following e-mail:

“Dear Ridge Winemakers and Staff,

I just wanted to write to say thank you – yet again – for another amazing bottle of Ridge wine.

Last Thursday evening, my wife and I opened a bottle of 1992 York Creek petite sirah to celebrate the birth of our second child, a baby girl. I had purchased the wine at your tasting room about 10 years ago through your library tasting program and had been cellaring it for quite a while now. I knew it was special when I tasted it back then. And now, wow!

There is just one word fit to describe this 20-year-old wine: awesome. All of the edge had come off this beauty and what was left was smooth black and blue fruits with a silky finish. Incredible. Never have I tasted a petite sirah like it.

Thanks to everyone at Ridge for making a special occasion even more special. We love you guys!”

Now THAT … is reason to make good wine.

And when the cork came out of that bottle, a beautiful petite sirah was but one thing that flowed out; with it came the lives of everyone who brought that wine to life.

And on behalf of all at Ridge, we say congratulations to Mike and Holly Boyer!

Thank you Mike and Holly, for inviting us into your beautiful lives and your beautiful story; we could not be more honored.

Spreadsheet be damned, there’s a new little girl in the world!

Making a special occasion more special?

THAT … is the idea.

The United States of Syrah: Red, White, and You

March 23, 2012

If you’ve ever had a bottle of Ridge Vineyards Syrah, you’ve probably checked out the label. And when you checked out the label, you probably saw this …

And when you saw this, you probably did a bit of a double-take, scratched your head, and went, “Wha?”

Ok, maybe not. Maybe you’re already familiar with the wines and processes of Côte-Rôtie, in the Northern Rhone. Or maybe you’ve caught onto some of the contemporarily tradition-minded Rhone offerings from Australia, or Santa Barbara. Or conversely, maybe you aren’t familiar with Viognier at all, and just didn’t know it was a white varietal.

But for most of us, when first we see this label, the inclination is to wonder at the unexpected  juxtaposition of red and white grapes in the same bottle. It just doesn’t seem … right, somehow.

There are, however, very good reasons behind why these two do reside together so well. Briefly and colloquially, it’s a triumvirate:

1. Texture. Viognier’s viscosity makes for a brilliantly smoothing and rounding counterbalance to the tannin-forward granular rusticity of Syrah.

2. Aromatics. Viognier’s perfumed floralilty makes for a deliciously decadent interweave with the darker, inkier, earthen aromatics of Syrah.

3. Color & Preservation. Aspects of the chemistry of Viognier serve to keep the parallel tines of fruit and tannin at an even pace along the developmental trajectory of cellar-worthy Syrah. Put another way, Viognier helps keep the fruit, color, and aromatics intact over the long process of tannin-softening.

It’s this last rationale, #3, that is truly at the core of the Syrah-Viognier co-fermentation construct. It can get a bit heady when you dive full bore into the chemistry of it all, but it’s fascinating stuff, so let me please introduce winemaker Eric Baugher, as he arrives to spelunk you through the caverns of co-fermentation:

The approach we take with co-fermentation of Syrah with Viognier, is to first de-stem the syrah and open the crusher rollers.  This allows a high percentage of whole berries to travel through to fermenter uncrushed.

Next, based on calculated weight, we will destem and crush the anywhere between 5-10% viognier on top of the syrah in the fermenter. 

We then wait for natural yeast fermentation to begin, and pump-over and irrigate the cap to extract color and tannins. 

The typical maceration time (crush-to-press) is 7-8 days total, with twice a day pump-overs given. 

The viognier contains colorless flavanols from the skins that extract and conjugate with the extreme concentration of syrah’s anthocyanin color molecules.  Basically, the theory is that viognier helps stabilize syrah’s color; the condensation reactions between viognier’s flavanols and syrah’s anthocyanins form highly stable polymerized molecules that stay with the wine for life.   Once these polymers form, they don’t degrade through normal oxidation reactions. 

There is also a shift in the color spectrum of a syrah that has co-fermented with viognier.  Normally, syrah has a deep ruby color.  Once viognier is thrown into the mix for the complex reactions to form, the color will shift from deep ruby to saturated purple/blue.   This has a lot to do with light absorption/re-emission quantum chemistry of the anthocyanin complex with the viognier flavanols altering the polarity and electron flow of the multi-six carbon phenol ring that forms the anthocyanim molecule, thus altering the molar extinction coefficient.  The absorption of green spectrum light (520nm) by these condensed molecules causes re-emission of red spectrum 700nm plus a stronger re-emission at 420nm (deep purple/blue).  That’s why the co-fermented syrah/viognier blend works magically, creating an inkier wine.   It’s strange how this all works, taking a dark grape and cutting it with a white variety, and end up making a wine that is even darker.   That’s the complexity of quantum chemistry, which I had the pleasure of studying many years ago while obtaining my biochemistry degree.  

Now, I should say that this co-fermentation phenomena has been a very traditional winemaking approach taken in the northern rhone valley of France.  Through centuries of trial-and-error with many other varietals of the region, the combination of syrah with viognier became the standard.  This was decided by making better wine, not by having knowledge of the complex chemistry.  The chemistry came along much later to explain why it worked so well.

And that, my friends, is, in a nutshell, not only a mini-dissertation on co-fermenting Syrah and Viognier, but also, an excellent explanation of the relationship between Ridge Vineyards, and technology. Yes, we are pre-industrial at heart, and we still do, for the most part, things the old-fashioned way. But that said, we do have a very sophisticated technical side to us; the distinction is how we deploy it, and to what purpose.

I call your attention to something Paul Draper wrote, in an essay entitled “Pre-Industrial Winemaking at Ridge”:

In a synthesis of past and present, we have taken the pre-industrial techniques and applied them in conjunction with the best, least intrusive modern equipment. We’ve been told that we have the most sophisticated analytical laboratory of any winery our size.

Combine this with Eric’s words above:

Through centuries of trial-and-error with many other varietals of the region, the combination of syrah with viognier became the standard.  This was decided by making better wine, not by having knowledge of the complex chemistry.  The chemistry came along much later to explain why it worked so well.

And what you get is a lovely lil’ distillation of the Ridge philosophy on technology. In short, we essentially rely on technology to ideally confirm what we already knew by instinct.

For example, that Syrah and Viognier taste REALLY GOOD together, when co-fermented.

The next incarnation? The 2007 Ridge Vineyards Lytton Estate Syrah. Coming to a tasting room, or a cellar, near you. Soon. Very soon. Sooner if you’re an ATP member.

And if you can’t wait even that long (i.e. when your shipment arrives), you might want to consider coming to the annual Rhone Rangers event, held this coming weekend in glorious San Francisco. We’ll be pouring it there.

Come see Ridge Vineyards, at Rhone Rangers, to enjoy the benefits of citizenship in the United States of Syrah. Three cheers for the Red, White, and You!

Huzzah!

Huzzah!

Huzzah!

Ridge Vineyards Spring Releases!

March 16, 2012

You’ll find me talking about these wines often in the coming weeks; the new Ridge Vineyards Spring Releases.

We had occasion to taste through them today with our very good friends from Alexia Moore Wine Marketing, and it was a wonderful day, to say the least, particularly as the tasting included two VERY RARE gems straight out of Alexia’s own cellar.

In addition to the Alexia Moore team, we had some lovely folks from Ridge on hand as well, including a very-happily-rained-on Vineyard Manager by the name of David Gates …

And a very-happily-quaffing winemaker by the name of Eric Baugher (seen here chatting with Ridge Regional Sales Managers Dan Buckler and Christina Donley) …

The tasting featured the following (listed in pouring order):

2010 Ridge Vineyards Estate Chardonnay

2010 Ridge Vineyards Geyserville

2010 Ridge Vineyards East Bench

2010 Ridge Vineyards Paso Robles

2009 Ridge Vineyards Estate Merlot

2009 Ridge Vineyards Estate Cabernet

2006 Ridge Vineyards Monte Bello

2010 Ridge Vineyards Lytton Estate Petite Sirah

followed by Alexia’s selections:

1979 Ridge Vineyards Monte Bello Zinfandel

1979 Ridge Vineyards Glen Ellen Zinfandel

Needless to say, a lovely time was had by all. As for myself? Just another day of dirty, dirty work …

p.s. both ’79s were showing surprising well; they each still had fruit, and the aromatics were divine across the board. That said, while they did want decanting due to sediment, they did NOT want a lot of air; if you’ve got either or both of these in your cellar, drink soon, and don’t air them out for long. They’re lovely, but they’re fragile  …

And by the way, don’t remember 1979?

It had something to do with roller skating, and it looked something like this …

Take your pick. White pants from 1979, or Ridge Vineyards from 1979 …

 

I’m just saying.

A Parade of Rarities …

June 16, 2011

A trio of us here at Ridge/Monte Bello were fortunate participants recently in an event of unexpected reverence, decadence, and untamed historical significance.

It was a Saturday evening. The few scarves of sun that remained wrapped around the neck of the day had given way to the blue fleece of dusk; faint rays slalomed over the pale powders that crept up the bobbled landslides of the mountain as faint tendrils of fog Grinch-fingered their way between the coarse limestone fractures.

The heaters had been warming up the Old Winery Barn for several hours, and the lingering heat from the times when the sun had blanched the windows still remained. Every chair, as it unfolded, sent a creak around the rafters, every table leg that landed sounded shots across the beams. As the tablecloths were dropped, and softly pressed against their structures, one could start to sense the gathering to come. Finally, it was done, every glass buffed to perfection, every water pitcher filled, and in the trench behind the bar, all the tools soon to be called on, all the Ah Sos and the Double-Stops, the pullers and the strainers, the decanters and the funnels …

The barn was empty, we were ready …

It began just like a party always does, a lot of talking, idle drinking, social planets, misaligned, finally coming into orbit, but the sun and its trajectory made mincemeat of it all, of the watches, all the gold ones and the silver’d, in the pockets, on the wrists; no time for talking, what’s this wood crate on the bar?!?!?!?!?

What’s this wood crate on the bar?!?!?!?!

And now, we say poetry, Godspeed ye on your way, for now’s no time for words; wicked prose, begone, ye idler of time!

To borrow a phrase from a guest in attendance, it’s time to “geek out” on the wine …

So, what was it in that wood crate on the bar? The centerpiece of the evening. A 6 liter bottle of …

of …

of 1968 Monte Bello!

What is that wood crate on the bar?!?!?!?!?!?!?

 
Yours truly was called on to open and decant. The role of a lifetime. Under the intensest of scrutinies, I went to work. Spelunker in the sediments of 1968. Inch by inch, row by row, tool by tool, I was making it. A crumble here, a nudge there. Movement, then no movement. I was sweating. Finally, some 25 minutes later, I was done. The wine lay there, in decanters of many shapes and sizes, tasting its first lungfuls of the cool mountain air since being genie’d to the bottle over 40 years ago. It looked magnificent. It was royal, it was holy. We were thirsty.
 

Hello. Hello again.

But is it really “thirst” one feels when one is facing such a wine? Certainly it’s not the thirst of a parched throat, a grumbling stomach. Perhaps the thirst of a mendicant in the desert of one’s mind, seeking answers to a koan never answered? Or is it just flat-out greed, the wish to taste that which has never been tasted, the desire to own an experience that, once felt, cannot be claimed by any other. God only knows, but we were thirsty!
 
I am ashamed to admit how little of the taste I can recall now. The experiential was almost too much to bear, too much to conceive. How, when tasting a wine with this kind of history writ into its very DNA, could one possibly resort to platitudes of the “nice, round tannins, mid-tone fruit, lovely cedar, just a hint of a clove and anise” sort? Answer? One can’t. Because you don’t TASTE a wine like this, you RELIVE a wine like this, as if you’re falling off a cliff, and life in its entirely is passing by your eyes. You RELIVE a life you never even had. You RELIVE the life we ALL have had; to drink a wine like this is to tap into the Dundesian Collective Unconsciousness, the shared folklore of all human-hood.
 
I could tell you about some of the other wonderful, surprising, stunning wines we prepared and tasted that night. Like the other 1968 contribution, the Ruby Cabernet …
 
 
Or the now-legendary 1970 Occidental Late Harvest Zinfandel …
 
 
Or the 1975 Geyserville (truly outstanding!) …
 
 
 
Or the 1979 York Creek Cabernet Sauvignon, which, from a “normal” tasting standpoint, was in its own way kind of the wine of the night …
 
 
But truly, with the hallowed ghosts of the Old Winery Barn as my witnesses, I will never forget that 6 liter bottle of 1968 Monte Bello.
 
To you (and you know who you are!) I thank you. On behalf of my colleagues and myself, who had no expectations other than to host an evening event, I thank you. For adding our names to an exalted list in the books of Ridge history, I thank you. Simply, I thank you.
 
 
 
 
 

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