Archive for the ‘Press Reviews’ Category

For Those About To Type, Part II

December 29, 2011

For those of you who may have read about (or attended!) our recent Wine Bloggers Tasting, you’ll know that part of the experience involved our guest Wine Bloggers having a go at crafting tasting notes on one or more of four different vintage manual typewriters.

(You can read about the tasting, and see pictures of the typewriters and those who used them, here)

While their efforts were certainly valiant in this regard, it might also possibly be slightly safe to say that (borrowing a phrase from JeffIsRad at the Stay Rad Wine Blog) there was perhaps in evidence the occasional lack of “pinky strength” …

You be the judge!

(click on any image below, and you’ll be taken to an attachments page, where you can then scroll left or right to see all the images)

For Those About To Type, We Salute You ! The Final Wine Bloggers Tasting of 2011 …

December 20, 2011

Anyone who’s read about this tasting series, or perhaps even attended an episode, will know that there is always a theme to each tasting event. This was again the case for what was the final Wine Bloggers Tasting of 2011, held recently here at Monte Bello.

I must say, that as we’ve progressed the series, it has gotten potentially more and more challenging to develop engaging and creative themes. Fortunately, Ridge itself is a unique and surprising enough institution that quite often, the themes essentially present themselves. The theme for 2011: Episode IV, was suggested by the release of a new series of wines from Ridge Vineyards, our Historic Vineyard Series.

Thus, the theme was History, a viticultural going back in time. Each of the Historic Vineyard Series wines is crafted from fruit coming specifically from blocks that conform to the original historic plantings of our mountain’s “Founding Farmer Families,” and as such, each harkens back to a time when the mountain was comparatively raw and uncharted, a time before much of what we now take for granted in the modern world had been invented, a time long before electricity had even come to the mountain.

To set the stage for our oenophilic time travel, I set a price of admission for our guest Wine Bloggers. To participate in the tasting, each would have to commit to typing at least one tasting note on a vintage manual typewriter, four of which I provided from my personal collection, with the oldest dating to 1924. All agreed, and the game was afoot!

Upon arrival, each of our guests was greeted with a glass of the 2008 Monte Bello Chardonnay, for my money, one of the greatest Monte Bello Chardonnays Ridge Vineyards has ever produced. This was just a treat to get things off on the right foot, a little treat to whet the collective viticultural whistles.

(As an aside, I should note that the event was not in any way shape or form some sort of No Tech Zone. These ARE wine bloggers after all. So the public access Wi Fi was live, and we had a Twitterfall feed up to chronicle the chatter as it happened in real-time.)

Anyhow, after everyone had settled in, I distributed some information about our Historic Vineyard Series wines, and poured the first offering, the 2009 Klein Cabernet Sauvignon. In keeping with its cool-climate origins, this 100% solo-varietal Cabernet stuns with its subtlety, elegance, balance, approachability, minerality, and herbaceousness. It shows as proof once again that cool-climate cabs have a unique potential to reflect a truly singular sophistication. I’ve nothing against muscle wines per se, provided they’re built well, but give me a cool-climate cab any day! It’s sort of like the difference between Steven Wright and Sam Kinison. Or Bruce Springsteen’s “Nebraska” and Bruce Springsteen’s “Born in the USA.” Or the quiet part of “Smells Like Teen Spirit” and the loud bit. Or Mary Oliver and Charles Bukowski. Or “Casablanca” and “The Bourne Identity.” Or Basil Rathbone’s Sherlock Holmes and Robert Downey’s.

Anyhow, from here we moved to the Torre Ranch Merlot, a perfect showcase for the upended paradigm that is a cool-climate mountain property; here, the Cab provides the subtlety, whereas it’s actually the Merlot that brings the structure. In our archetypal Monte Bello assemblage construct, the Merlot provides the beams and girders, the Cab paints the walls in. That said, on its own in solo-varietal fashion, the Merlot is most certainly not without grace; it still manages to be balletic in its power, not unlike a star athlete; a compressed and perfectly calibrated reconciliation of grace and force.

We concluded this portion of the tasting with the Perrone Cabernet Franc. In my estimation, the Cabernet Franc grown on our mountain is of a superior caliber on a shockingly regular basic; but the intensity of its acid profile in particular means its potential role in the assemblages is often constrained. On its own, however, it is what I oft refer to as “an excitement wine.” Excitement wines are those that somehow rise above their impressive component profiles (acid, tannin, fruit, herbs, alcohol, minerality, etc.) and functionally well-executed structures to achieve a mysterious captivatory quality that transcends simple flavor. They leap out of the glass, capture your attention, deploy an indecipherable layer of attraction that, for lack of a better term, is truly exciting. Pure and unadulterated excitement in the glass.

Continuing with our looking back into the past theme, I then introduced the second portion of our tasting, a three-vintage vertical of Library Estate Cabernet; the 2003, 2004, and 2005 vintages. As I have recently reviewed these wines on this blog, I’ll opt to let you read from some of our guest’s works; some of which can be found by clicking the following links:

http://comeforthewine.blogspot.com/2011/12/ridge-monte-bello-blogger-tasting.html

http://stayradwineblog.com/2011/12/11/pinky-strength-the-ridgevineyards-blogger-tasting/

http://www.givemegrapes.com/2011/12/vintage-bloggers-wine-tasting.html

 and to see my notes, you can click here (you’ll need to scroll down to just below mid-page):

http://blog.ridgewine.com/2011/10/28/the-2011-ridge-vineyards-holiday-packs-are-here/

Our tasting closed with another fascinating contribution from the magical vaults of one Allan Bree, who goes back far enough with Ridge to remember calling Paul Draper with a tin can and string.

Kidding! I’m kidding, I’m a kidder, I kid …

In all seriousness, Allan does go back a ways with Ridge Vineyards, which means that any time he brings something special, you can be sure it’s going to be special. Should you wish to do so, you can click the following to read of some past examples of Allan’s generosity:

 http://blog.ridgewine.com/?s=allan+bree

For today’s tasting, he brought something we later determined constituted a full 5% of the world’s available supply. Meaning, Ridge itself only has about a case of this wine left, and Allan had two bottles, one of which he shared with the Wine Bloggers Tastings. It’s about as rare a Ridge wine as can be found, partly due to its bottle age, and primarily because Ridge only ever made it once. One vintage. Only 33 barrels produced. Most of which, as far as we can tell, no longer exists. Unless you have some?

Oh, the wine, of course! A 1994 Monte Rosso Zinfandel! And may I say, it was delicious! Which was particularly impressive, given Paul Draper’s original estimates of its longevity. From the original label text:

These very ripe grapes—like those in the Ridge ’79 and ’80 Glen Ellens from the adjacent Moon Mountain vineyard—were the very first zinfandels of the vintage to be harvested. This old-vine fruit from Monte Rosso’s warm, red-earth slopes received special attention. To maximize intensity, we used three small tanks rather than a single large fermentor. Despite keeping new cooperage to twenty-five percent, spicy oak is a major component, complementing the wine’s rich, black fruit. This big—yet elegant —zinfandel will benefit from a year of bottle age, and be at its best over the next five to eight years. PD (12/95)

Suffice it to say, it was quite a tasting, and in fact it was quite a year of tasting. This is the second year of our Wine Bloggers Tasting series, and I couldn’t be more thrilled with its development and progress.

I’ve gotten to know a fantastic and fascinating cadre of writers and wine lovers, and I’ve tasted an extraordinary roster of wines in truly great company.

I thank all of our guests over this past year for their participation, and I thank Ridge Vineyards for continuing to produce exquisitely crafted and magical wines, for providing support for this series, and for blessing me with the job of writing the Ridge Vineyards blog!

Cheers to all, and thank you for a great 2011’s worth of Wine Bloggers Tastings!

And as a final note of appreciation for our Wine Bloggers, and to that oft-misunderstood subset of the population at large that is the Wine Blogger Community, might I just point out that Wine Bloggers too appreciate the importance of wearing groovy footwear whilst drinking fine wine

Things I’m Thankful For …

November 23, 2011

This is the third year in a row I’ve had the opportunity to write and present a “Things I’m Thankful For” post on this blog. Each year, on November 23rd, I have sat down in front of the typer and tried to find a way to express my gratitude for all I’m surrounded by, the blessings life has bestowed, the magic of it all. It’s impossible, but I’ve tried. And I’m going to do so again. It’s November 23rd, and this is what I’m thankful for (please note, there is likely to be some overlap with previous renditions!):

My missus, who did not so much save my life, as reinvent it for the drastic better. Who teaches me, everyday, why love exists. Who is perfect. She is who I was born to fall in love with. I am so thankful that she found me, and I her.

My daughter, who is proof that miracles do happen. The most delightful creature I’ve even known, my favorite person in the world. Who invents for me, every day, new ways to cry with happiness.

The chance to write this blog, because it means I get to write posts like this one.

The iPhone that Ridge gave me. Because while I am not, in any way shape or form, a tech evangelical, I do have to admit that Apple did a really, really good job with the iPhone.

Antonio Galloni. Because he gets Ridge, and he gets Paul Draper. Because he wrote, “Heretical as it may sound, I think the wines Draper is making today will prove to be far superior to the wines of decades past, many of which are rightly considered legendary.” Because this is true.

Grandparents, especially my daughter’s. Because this bond, this connection, this grandparent-grandchild relationship, is a friendship like no other, and a delight to watch in action. Because grandparents suffer from a most delightful strain of insanity.

Verizon’s cell phone service, circa 2008. For giving me a good connection when interviewing with Nicole Buttitta (VP of HR at Ridge) for the first time, from a truck stop in Wyoming.

Really awful looking old corks, in the necks of really old and awful looking bottle-necks, that somehow still protect really, really, really amazing mature wines. Lead-shrouded, moldy, juice-stained, and crumbling, but still doing their jobs to perfection.

Amy Monroe, Antonio Favela, Barry Campbell, Howard Hickok, Jane Occhialini, Jenny Merit, Karen Cai, Kim Korupp, Michael Riese, Nancy Tarng, Peter Yaninek, Sam Howles-Banerji, Samantha McMillan, Sonja Seaberg, Tara Einis, and Zani Nesvacil. Who have taught me that hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team” have within them the gold of truth, because I am of little to no worth whatsoever without the blessing of these fine people by my side. You know them as the Monte Bello Tasting Room team. I am proud to know them as inspirations; and more than that, friends.

Wine & Food pairing; specifically, Champys and Salt & Vinegar crisps.

Wine & Food pairing; specifically, Champys and other food besides Salt & Vinegar crisps.

The Owle Bubo.

Jazz Winemaking, as performed by Paul Draper.

Guests who do all the right things in the tasting room.

The 2008 Monte Bello Chardonnay.

Drinking 2008 Monte Bello Chardonnay in the fog while watching rabbits.

The Monte Bello Collector Component Tasting, which is one of the coolest tasting opportunities I’ve ever experienced.

The Vegetarian Lasagna from Bash Catering. To Chef Jaci Rossi and the Bash Catering team, a hearty congratulations; it’s very, very hard to make truly outstanding lasagna!

The 1995 Monte Bello, for so pleasantly surprising me by quite unexpectedly transitioning from one of the tightest, most angular, most intensely structured Monte Bellos ever, to this very poised, aromatic, beautific Monte Bello that I am looking at right now, feeling very, very thirsty.

People who don’t chew gum.

Really good wine bloggers.

People who believe me when I tell them Jazz, Haiku, and Winemaking are intimately related.

People who write me e-mails about all the amazing ways our wines have been a part of their stories: births, deaths, weddings, anniversaries, reunions, etc. These e-mails remind me that what we do really is something special; we produce that which ritualizes that which you will remember forever.

Wine Berzerkers. Which is pretty self-explanatory.

Pizza.

Three-day old Geyserville out of a flat-bottom glass, with pizza. Mushroom and Olive pizza. And Geyserville.

Our vineyard and winery teams. Watching them during the 2011 Harvest reminded me all over again about what Sam Howles-Banerji refers to as their “awesomeness.”

That Kyle Theriot and Will Thomas have joined the vineyard teams.

Lytton Springs. The place, the people, the wine.

People who understand it’s important to wear cool shoes when tasting wine.

Drinking the new 2008 Buchignani Ranch Zinfandel (which, in my estimation, is the most delicious vintage since the ’04) while wearing ankle boots.

Parents who understand how to go wine tasting with their children.

The way a properly set tasting looks before anyone has arrived. The shimmering glasses, the ordered plates, the small hills of freshly sliced bread, the cool perfection of the cheeses, the crisp diamond sparkle of the water in the glasses, the wine bottles standing at attention, awaiting their deployment …

My almost-three-year-old-daughter’s hysterical one word wine reviews …

My wife’s preposterously expensive taste in wines, and that fact that two-day-old Ridge wine still consistently appeases her …

My boss, Ryan Moore, who does not regurgitate hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team.” Who does occasionally deploy tidbits of corporate-speak, but always with a twinkle in his eye and a twist at the corner of his lips. Who consistently forces me to come up with new and ever-more hyperbolized ways of explaining just how great I’m doing. Like stupendaliscious, or outer-galaxial.

That my co-workers keep having cool babies.

Haig’s. The greatest hummus in the world. Perfection in pairing with our chardonnays. When experiencing a line-up of excellently selected and staged food & wine pairing selections, one might be tempted to deploy a hackneyed aphorism like “No member of a crew is praised for the rugged individuality of his rowing.” Except that when Haig’s is involved, one must conclude that the rugged individuality of the rowing is indeed deeply praise-worthy.

People who don’t wear cologne or perfume.

Carignane. Especially the John Olney kind.

The 2011 Ridge Vineyards Holilday Packs. Especially the Estate Cabernet vertical, for being so good. And, oddly enough, especially the Dusi vertical, which has suprised me immensely by being truly delicious. Not because they’re not good wines; they are. But because I personally like them so much. Because I am not normally a drinker of this style. But these are really, really, really good.

The fact that my post on this blog with the somewhat laughably lunatic title of  ”Zoot! And Poetry, And Wine, And Jazz, And Steve Martin, And The Muppets, And Jack Kerouac!” remains one of the Top 5 most viewed posts of all time.

Honest people. People who say true things. Like, “Champys should only be drunk from Coupe glasses.”

People who drink Champys from Coupe glasses. Because these are people who obviously have perfect aesthetic taste. And are accordingly inevitably the sorts of people who will also appreciate the opportunity that our new Historic Vineyard Series release represents. People who drink solo-varietal Cabernet Franc. And Champys. From Coupe glasses.

People who, like my father, fell in love all over again with Merlot after seeing Sideways. People who, like my father, have refused to buy Pinot Noir ever since, even though it’s kind of silly, and certainly self-defeating. People who, like my father, deserve  admiration for having principles like this. People who, like my father, remind me of aphorisms that are not all hackneyed, like this relevant one from Mark Twain: “Principles have no real force except when one is well-fed.”

That we are fortunate to oft be well-fed.

People who remember that not everyone in the world is well-fed; that in fact, far too many in the world have never, ever experienced being well-fed. And accordingly, I am thankful for people who not only remember this, but work to correct it. Or at minimum, at least walk the world with appreciation, as opposed to arrogance.

Humble winemakers like Paul Draper, Eric Baugher, and John Olney. Who are good enough to be arrogant, but aren’t.

Humble assistant winemakers like Shun Ishikubo and Muiris Griffin, who are good enough to be arrogant, but aren’t. Who are also good enough to be head winemakers, but choose instead to be part of something beautiful.

People who don’t wear skinny jeans.

People who understand that wearing skinny jeans while drinking good wine makes puppies cry.

People who listen to wine podcasts. Because that is serious dedication.

People who know that there are far better things to pair with red wine than chocolate.

People who pair sautéed mushrooms and garlic with red wine.

People who know you can pair red wine with Indian food.

People who understand that, despite the schtick, ZZ Top is actually a really good band.

People who know that Motorhead has their own wine now, and still don’t drink it, even though they really like Motorhead.

That Rex Stout’s immortal literary creation, the detective Nero Wolfe, insists on the use of Tarragon Wine Vinegar in his kitchen instead of sherry.

Good Poets. Because in this day and age of shallow superficiality, cultural devaluation, and emotional disconnect; in this age where protective irony and deliberate obfuscation rule the emotional day, we desperately need people who are still trying to connect our heads to our hearts for us.

People who understand what wine and poetry have to do with one another.

Really, really ridiculously hyperbolized wine tasting notes.

All wine writers who have not used the word “millenial” in the past year, if there are any.

Cecilia Aguilar, Chris Seguin, and Mary Devine; the dictionary definitions of Customer Service. And really nice people on top of that.

Cellos.

David Gates.

Coated tannins.

People who use terms like “coated tannins” in their tasting notes.

That I was invited to attend the Monte Bello Assemblage tasting, the greatest wine experience of my life.

Cellar Tracker, and the admirably obsessed people who use it.

Zen.

That Elliot Nett and Jason Shelton are now esteemed full-time members of the Lytton Springs hospitality team.

People who drink wine both in formal wear, and naked.

Old men who keep their belts below their bellies, as opposed to above.

Whoever first described my approach to clothing as “hobo chic,” because it’s given me a way to explain away comments about my clothing.

Ties with subtle wine stains.

Wine stains that look like the profiles of famous classical composers.

Tasting Rooms that do not play baroque classical music or Santana.

People who are willing to let themselves love, because this is the bravest thing of all.

Having someone to love.

Having something to love.

People who, when asked “Don’t you want something to love?,” answer “Yes.”

That I have had the chance to love almost every single vintage of Monte Bello going all the way back to 1964.

The things people say to one another while drinking wine, like, “You know, socks are a really great idea,” or “Pass me another crostini,” or “Ayn Rand was wrong,” or “Has it ever occurred to you that some of our best memories involve autumn?” or “Wow, that is an amazing Syrah,” or “I love you too.”

And so many other things also, like Bud Powell, and Laura Chenel’s Melodie, and solid-color carpets and the people who love them, and co-fermenting Viognier with Syrah, and the Haiku of Issa, and Ah So Cork Pullers and the people who use them, and pacifists, and the Optima font, and typewriters from before 1960, and books, and wearing PF Flyers and a suit, and anyone who doesn’t have a mirror in their bag, and really weird and cool wine stores, and France, and fractured limestone, and grape sorting tables, and people who don’t iron their jeans, and very worn-in bandanas, and firefighters, and people who really aggressively swish while wine tasting, and the fact that spittoons are used by both oenophiles and cowboys, and romance, and candles that don’t have scents, and owls, and wine bars that don’t play house music, and restaurants that always bring out the vintage that’s on the menu, and Thai restaurants who understand that if you can’t make green papaya salad properly you shouldn’t be a Thai restaurant, and Italian restaurants who understand the same thing about gnocchi, and people who know first-hand that thirty-year-old cab goes really well with japanese-style barbecued okra, and friends of any kind, and people who don’t call me Chris after I’ve introduced myself as Christopher, and the movie Casablanca, and Ah So Cork Pullers and those that have them, and Watsonville Sourdough, and the days when one doesn’t have to cut one’s toenails, and dew, and that lunatic fringe cadre of loyalists who re-wrote the zinfandel rules, and sweet potatoes, and the taste of a wine spill being licked off the stomach of a lover, and December, and people with awful handwriting, and the paintings of Pissarro, and college radio, and really fine wine.

And most of all, I am thankful to Ridge Vineyards. By your dedication to me, and mine to yours, my family is happy, healthy and safe, and my heart is, accordingly, intact. Thank you.

And to you all, may all the best of everything be yours, and may you always have cause to be thankful.

To share a glass of wine is to share the experience of love. May you all be, feel, and share true love this holiday season.

To all at Ridge, please know I am so thankful for you.

And to every person, place or thing I have neglected to mention in this post, please know I am praying for ten thousand more years of writing “Things I Am Thankful For” posts, so that at some point, I might thank everything.

10 Questions for Paul Draper: Question Number Eight!

August 24, 2011

We’re coming to the finish line of our special ten-question series with Paul Draper; only three more Q & A’s to go, with Number Eight dropping today! Enjoy, and please keep your questions coming, we look very forward to posting a reader-led edition soon …

8-   What is the advantage of blending several different plots and varieties?

 As in Bordeaux, in the Medoc, the combination of a major part Cabernet Sauvignon with lesser amounts of Merlot, Cabernet Franc and Petit Verdot makes a finer, more complex wine than 100% Cabernet Sauvignon.  Likewise by selecting parcels that produce the most complex wines, and blind tasting to make sure that they complement each other, you can make a finer wine from a number of parcels than from a single parcel.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.

Ten Questions for Paul Draper: #7!

August 23, 2011

The second week of our special ten-question series with Paul Draper continues today with question #7!

7-    Jancis Robinson has compared Monte Bello Chardonnay to a Grand Cru Burgundy. Were you inspired by the great wines of Burgundy when made your Chardonnay?

 That is very kind of Jancis but I didn’t know very much about how white burgundies were made, but had a sense of what a fine white wine was all about.  We made the wines in a straight forward, non-manipulative manner and slowly perfected our techniques.  We were trying to make fine wine not imitating Burgundy but the Monte Bello terroir gave us a quality and character with some similarities to Burgundy.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.

Calling All Wine (& Food!) Bloggers, Do You Want To Come Taste Ridge With Me?

August 19, 2011

Greetings all,

This is an open invitation to all who write wine blogs, and/or food blogs (or any other blog, really, providing you can essay me into believing that your presence makes sense! For example, if you happen to write a blog about Be-Bop, and are prone to deploying a veritable bevy of wine metaphors in your jazz posts, you’re in!) …

I wish to invite you to a very special edition of our Wine Blogger Tasting series. This is our second-year for this unique tasting experience, and as with the debut season last year, we’ll be hosting the third of four tastings up at our Lytton Springs facility. As with all of these events, there will be a specific theme associated with the tasting, and again in keeping with last year’s happening, the Lytton Springs edition will be uniquely Lytton-centric.

The tasting will be held on Sunday, September 25, 1pm-3pm, at our Lytton Springs Estate, in Healdsburg.

The guest list is traditionally pretty tight for these tastings, and I always try to make sure there is a good balance between “regulars” and “newbies” at the table, so if you’ve never attended but want to, please let me know at your earliest convenience, and if you’ve attended before and would like to do so again, please do the same, as no seat is guaranteed!

To give a bit of background for those who may not have been aware of this tasting series, and to give you a feel for the sorts of things we do, here is a quick run-down on the history of this event:

March, 2010 — First Edition. The theme? We tasted every wine that Robert Parker had just reviewed for the Wine Advocate, including a 7-vintage vertical of Monte Bello. For a nice wrap-up of the tasting, please click the following to read The Iron Chevsky Wine Blog: http://www.chevsky.com/2010/03/ridge-tasting-iron-chevsky-vs-parker.html

July 2010 — #2. The theme? Strictly Rhone varietal releases from Ridge: Carignane, Petite Sirah, Grenache, etc. Current and library releases both. For a full wrap-up, plus tasting notes, please click here: http://blog.ridgewine.com/2010/07/12/wine-bloggers-tasting-edition-ii-the-notes/

September 2010 — #3, The Lytton Edition. The theme? A 10-vintage vertical of Lytton Springs (plus a trio of 375ml Monte Bello from the library!). For a great post on this tasting, please check out RJOnWine.com; the post in question can be found here: http://www.rjonwine.com/cabernet-sauvignon/ridge-lytton-springs/

December 2010 — The Final 2010 Edition. Theme? The Acrostic Anagram Sessions! To see what on earth this means, please click here: http://blog.ridgewine.com/2010/12/29/wine-bloggers-tasting-the-acrostic-anagram-sessions/

March 2011The first edition of the new year! The theme? A VerticalModelMembershipManifesto! What does this mean? It means I poured verticals of both library and current releases from each of our three membership portfolios. For an insightful (and visually beautiful!) summary of the tasting, please visit Kitchen Confidante here: http://kitchenconfidante.com/ridge-wine-bloggers-tasting-spring-2011. You can also see my wrap up on our blog here: http://blog.ridgewine.com/2011/03/31/the-first-wine-bloggers-tasting-of-2011-the-wrap-up/

June 2011 #2. The theme? Our new library menu; meaning, we poured every vintage of Monte Bello that’s been confirmed as available on our new Library Menu (That’s an 11-vintage Monte Bello vertical!). For my wrap-up, please click here: http://blog.ridgewine.com/2011/06/21/wine-bloggers-tasting-2-6-17-11-the-aftermath/, and for an excellent wrap-up from NorCalWine, please click here: http://norcalwine.com/index.php/blog/10-wine-review/504-blind-tasting-11-vintages-of-ridge-monte-bello

And that, in a nutshell, is our Wine Bloggers Tasting. Would you like to attend? Then please let me know asap! You can do so by leaving a comment in response to this post,

or via our Facebook page (http://www.facebook.com/RidgeVineyards

or on Twitter http://twitter.com/#!/ridgevineyards

I look forward to hearing from you, and hopefully, to hosting you!

One additional item to note; if you’re not able to attend in person, we do always have a social media component to the tastings, so if  you wish to participate virtually, just use #RidgeVineyards for Twitter, or post on our Facebook page, and then you can play along from home! Also, with each edition, we usually choose an absentee “guest blogger” to send some samples to, so do please let me know if that’s something you might be interested in!

10 Questions with Paul Draper: #5!

August 19, 2011

The question seems almost inevitable, and today Paul addresses it; the question of alcohol levels in zinfandel. Enjoy Q & A # 5 in our special ten-question series with Paul Draper!

5-    Your Zinfandel based wines such as Geyserville and Lytton Springs have low alcohol levels as compared to other wines made with Zinfandel. Why is it so and how can they age so gracefully for so many years?

 Zinfandel must be grown in warmer climates like Napa, Sonoma or Paso Robles to develop the fruit flavors that give it its character.  As with the over-ripe Cabernets of Napa today, Zinfandel only needs to be fully ripe, not over-ripe, to produce the most complex, age-worthy wines.  It does ripen quickly if days of very warm temperatures come during harvest; however, if you are sampling carefully and are determined not to make over-ripe wines, that can usually be avoided.  We have worked with over fifty old-vine Zinfandel vineyards over the last forty years.  The Geyserville we first made in 1966 and it has proven to be one of the most consistently fine wines. Likewise we first made the Lytton Springs in 1972 and it has rivaled the Geyserville in its consistency of quality and ageability. We took over the Geyserville vineyard in 1990 and purchased Lytton Springs in 1991 because of the quality of those terroirs.  All but a few of the others were dropped after a year or after ten years.  These wines come from particularly great sites.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.

10 Questions with Paul Draper: #4!

August 18, 2011

Interested in questions of oak, and wine? Want to know why Ridge still so heavily favors American Oak? Then read on, and enjoy Q&A #4 in our ongoing special  ten-question series with Paul Draper!

4-    You are one of the few remaining enthusiasts of American oak. Most people think of coconut and sweet vanilla notes when they think of American oak but your wines are very elegant. How is it possible to make such elegant wines using American oak and what is the advantage of using this kind of barrels?

In the 19th century the first growth Chateaux of Bordeaux participated in several lengthy experiments with oak from different regions.  The Chateaux at that time were using oak from the Baltic region. Their consistent results in these ten year experiments listed three Baltic areas in first, second and third place, Riga, Stettin and Lubeck, with American white oak in fourth place, Bosnian oak in fifth and French oak in sixth and the least favorite in all the Chateaux.  Only with the first World War and the poor relations with Germany did the Chateaux turn to French oak.  Most California producers who used or still use American oak did not insist that it be air-dried as in Europe rather than kiln dried quickly in a very hot enclosed building.  They typically did not select the regions or the coopering methods carefully and their wines gave American oak a bad reputation.  We believe after forty years of experience and comparing the wines each year against a small control of the best French oak barrels that American oak properly dried and coopered is as good or in our opinion finer than French oak.  Far more American oak is used today in California and in the world than was true twenty, thirty or forty years ago.  The cult and best known wineries in California pride themselves on imitating the French and using French oak unquestioningly without experimentation.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.
 
 
 

 

 

10 Questions for Paul Draper: Number Three!

August 17, 2011

Please join us as we continue on with our special  ten-question series with Paul Draper; here is Q & A Number Three!

3-    In recent years we’ve seen several new cult wines from California, most of them more expensive than a Bordeaux First Growth. How is Monte Bello different from most of these new wines?

 As with the garage wines of Bordeaux, the California cult wines are not a serious part of the fine wine industry.  These cult wines typically are made from over ripe fruit that produces heavy wines with alcohol well over 15% that should be drunk as young wines as they do not age well.  Monte Bello is made from fully ripe fruit with firm acidity and develops over twenty years and typically ages beautifully for thirty or more years.

 

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.
 

 

 
 

10 Questions For Paul Draper: Question #2!

August 16, 2011

Our ten-question series with Paul Draper  continues today with question #2!

2-    You are a big enthusiast of Santa Cruz Mountains terroir. How is it different from Napa Valley?

 There are two major differences between our vineyards on Monte Bello ridge in the Santa Cruz Mountains and the best vineyards in Napa Valley. First, most of the vines on Monte Bello have their roots in limestone subsoils.  There is no limestone in Napa Valley. My French winemaker friends think this is important because limestone soils are prized in France for the minerality they contribute to the wines.  Second, and more important in my view, is that the elevation of our vineyards ranges from 1,600 to 2,600 feet and their proximity within sight of the Pacific Ocean 15 miles to the west gives us a considerably cooler climate than Napa Valley.  We are even cooler at night than Bordeaux but slightly warmer during the day.  We are above the summer fogs so we can fully ripen the grapes, but the cooler temperatures give us brighter, fresher fruit and firmer acidity.  Over the last fifty years our alcohol levels have averaged between 12.9% and 13.1%.  Those of the top wines of Napa Valley have averaged over 15% for the last fifteen years.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.

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