Archive for the ‘Geyserville’ Category

From Grape to Glass: The Journey

February 23, 2012

That a grape undergoes a transformative journey en route to its incarnation as a bottle of wine is reasonably self-evident; wine could of course not be possible without said journey taking place.

But in fact, there is more than meets the eye afoot, and more than one journey underway.

The original magic of the vine-to-wine transubstantiation resides in the overlapping concentrics of history. A vineyard is a journey unto itself; soil to seed, plant to fruit; year in and year out, the ever-deepening Samsaric encirculation of life, the poetry of the perennial:

The vineyards crews
don’t dare mention drought.
The rain is going to come this weekend.

Already I have seen
three snowflakes prancing lightly
like young reindeer in the air.

Back from holidays, they start in
on the pruning of the slopes, repeating
mantras to their dogs, laughing in Spanish.

From the gun club by the quarry
comes the shots
that we all hear on a delay.

We amaze ourselves, reminded
that the stars we beg to weep
have died already.

There is nowhere
for the last year to go,
but to the ground.

Already
every day
is growing larger.

Spindling out from this ever-in-rotation  inner agrarian hub, like spokes of some great metaphysical wheel, are the revelations of vintage; each season a season of imagination, impossibility, and faith.; new journeys all; from the grape, to the glass.

This is what we taste when we taste honest and authentic wine; the history of the vineyard, the history of the harvest, the histories of the living and the dead, the biology of sweet human endeavor, in forever soulful congress with the earth, with the sky, with the gods.

The  Old World. The New World.

The Journey.

(The following film short is a pictorial chronicle of a grape’s journey from vineyard to bottle, featuring Ridge Vineyards Geyserville, set to the music of Antonín Dvořák’s ”From The New World” symphony; a work composed back in the era when Geyserville’s “Old Patch” was just being planted.)

Wine & Food: Tagine de Mouton & Library Old School!

February 6, 2012

There is a great deal of culinary mojo percolating at Ridge Vineyards these days; tendrils of gourmand dew twinkling morning leaves, wisps of foodie mist twisting through siesta trees, an epicurean moon, halo’d with the light of evening kitchens. We’re hungry, we’re cooking, we’re drinking, we’re happy.

And more than that, we’re sharing. With every cosmic oeno-culinary mash-up we discover, we spread the news!

Right now, I’m talkin’ Tagine de Mouton, paired with a new library release, the 2006 Old School.

The wine is fascinating; I’ll begin there. For those of you familiar with the Old School, you’ll likely know it as a small-production, winery-only bottling traditionally comprised of fruit harvested from blocks at Geyserville that ripen with greater levels of intensity, resulting in a decadently luxuriant wine; rich, powerful, ripe, with multi-layered variations of the sweet and the unctuous. The 2006, however, is quite the noteworthy spin on this model; it’s primarily all old-vine fruit, from the Old Patch, harvested in a higher acid, higher tannin year. It’s brambly, spicy, and herbal on the nose, dark and decadent and libidinous on the palate, and warm and carnal through the finish. The resulting wine is structured, focused, penetrating, and absolutely rippling with acidity. Meaning what? Meaning that it’s an absolutely killer food pairing wine.

Cue the Tagine de Mouton. Translation: Slow-Cooked Lamb with Figs, Raisins, and Almonds. Summary: Delicious.

It’s quite the recipe, and it’s extraordinary with this wine. The recipe comes to us from Maureen Draper, who is a pianist and author (“The Nature of Music,” and “The Music Lovers Anthology of Poetry”), and also happens to be the wife of Paul Draper.

TAGINE DE MOUTON
(Slow-cooked lamb with figs, raisins and almonds)

4 pounds boneless lamb shoulder
2 tablespoons butter
2 tablespoons olive oil
1 teaspoon ground ginger
1 teaspoon ground turmeric
¹/4 teaspoon ground cayenne
¹/4 teaspoon ground cinnamon
¹/4 teaspoon ground black pepper

2 onions, minced
3 cloves garlic, minced
1 large can pear tomatoes, drained & chopped
chicken stock

¹/2 cup raisins, soaked in water

5 ounces whole blanched almonds
olive oil

16 dried figs

2 cups chicken stock
¹/2 teaspoon ground ginger
¹/4 teaspoon ground cinnamon
salt and pepper

2 tablespoons honey

Trim the lamb of excess fat and cut into large cubes. In a heavy pan, slowly warm the spices in butter and olive oil. Coat the lamb in the spice mixture and  continue to cook for 3 – 4 minutes, stirring now and  then. Add the onions, garlic, tomatoes, and enough  stock to bring the liquid to a level no more than half  that of the meat. Increase the heat and bring to a boil.  Then decrease to a bare simmer, cover and cook for  1¹/2 – 2 hours. Add the raisins, and continue to cook  until lamb is very tender. Cool and refrigerate if you are not planning to serve within an hour, or so.

Almonds:
Lightly brown almonds in a little olive oil. Set aside.

Figs:
Bring chicken stock and spices to a boil. Add figs, and simmer, covered, until moist and tender.

To serve:
Remove any solidified fat from the lamb, add honey and warm slowly. Add figs, and stir to coat. If sauce is too thin, let it reduce. Transfer to a warmed serving platter. Warm the almonds in a dry pan and scatter over the lamb and fruit. —MD

Recommended wine:
2006 Ridge Vineyards Old School

I’m a-workin’ on a blog post …
and it’s a holy ghost blog post …

First Friday: Cookin’!

February 4, 2012

As noted in a previous post, I’ve a resolution for the year; I’m going to try and prepare at least one dish myself for every First Friday event here at Monte Bello. Best as I can tell, January’s endeavour went quite well, but February is a new month, and the chips were down again.

What to do, what to do?

When in doubt? White beans!

Cannellini Bean Crostini to be exact.

To begin? Tools of the trade …

Cuisinart & Panini Grill

 And much, much, much white beans …

White beans!

 After that, the “core” ingredients …

Garlic!

Olive Oil!

Wine!

 An entire bottle of 2009 Ridge Vineyards Chardonnay, sacrificed to the Lords of Crostini. The Gods were happy on Friday …

After that, much parsley …

Parsley!

 Hit the Cuisinart, and BAM!

Puree!

 Time now to work on the bread; a mixed assortment of sour and sweet baguettes …

Bread!

 A rough application of butter, and then on to the Panini grill …

Grill!

 Four or five minutes on high, and then BAM!

Grilled!

 After that, time to lay ‘em out, dab it on, and shake your parsley!

Done!

 Serve with the following …

The Menu!

And enjoy.

ZAP!

January 27, 2012

That’s right folks, ZAP! Not Shazam, not Wonder Twin Powers Activate (form of an Ah So, shape of a Zinfandel bottle!), but ZAP!

Not familiar? ‘Tis an acronymn, and it stands for Zinfandel Advocates & Producers. From their Mission Statement:

ZAP and its members revel in Zinfandel’s mysterious history and its evolving story fuels the embers of discovery, entrepreneurship and agriculture that are truly American. ZAP is the only organization that has established and provided funding for education and research to study the history, genetics and propagation of a wine varietal to ensure its future. ZAP and its members not only enjoy growing and drinking Zinfandel, but they also value its character and its heritage.

Meaning, in short, these folks LOVE Zinfandel.

Chances are, if you’re reading this blog, you’re probably already aware of ZAP, and quite possibly, you’ve actually attended their legendary Zinfandel Festival.

We’re huge supporters, and we participate every year. The highlight of the lovefest is of course the Grand Tasting. This is essentially Tantric Oenophilia.

We’re believers, and accordingly, we like to bring a really special roster of wines every year to share at the Grand Tasting. This year is no different. Dig the list:

1. 2009 Carmichael Ranch Zinfandel –

2. 2009 Lytton Estate Zinfandel –

3. 2010 Paso Robles Zinfandel –

4. 2010 East Bench Zinfandel –

5. 2010 Geyserville – (barrel samples, not yet released!)

6. 2010 Lytton Springs – (barrel samples, not yet released!)

7. 2010 Lytton Estate Zinfandel – (barrel samples, not yet released!)

8. 2010 Carmichael Ranch Zinfandel – (barrel samples, not yet released!)

As is hopefully evident, we like to put on a show. Come see us. We’ve got lovely wine to pour for you.

“Holy Ah So Wineman, it’s Zinfandel!”

 

The Old School Is New Again …

January 26, 2012

You know it’s coming, yet somehow you won’t admit it to yourself. It’s inevitable, of course, but it’s impossible survive the days if you’re in conscious embracement of the facts. Somehow, we have to psychically suspend our realities in order to keep on keepin’ on. But all things must pass.

The news came yesterday. They’d pulled it.

The 2007 Ridge Vineyards Old School was removed from the website. It was over.

Fortunately, the 2009 Ridge Vineyards Old School ain’t too far down the road!

I’ll be sure to let you know when it’s released, but in the meantime, here are some tasting notes, just to keep you going through these tough times …

 

2009 Ridge Vineyards Old School

As you may or may not know, the Old School designation is actually part of our Geyserville estate, but as it’s a group of vines that traditionally provide fruit that ripens to a greater degree of intensity, the juice is traditionally bottled separately in small amounts under the Old School name, and released as a special winery-only offering.

Stylistically, because of the selection criteria, the Old School favors a flavor profile that can run the gamut from sweet in character (a ripe quality that presents the illusion of sweetness without any actual real and significant amount of residual sugar) to actual sweetness (featuring actual residual sugar).

The 2009 is definitely of the former ilk; while the wine is certainly rich and intensely flavored and fruit-driven, a combination of notable water-stress and early ripening during the growing season, and an aggressive and disciplined selection process at the winery (made possible courtesy of a new receiving and sorting system), have made for a wine of surprising integrity and balance.

In addition to the voluptuousness of the fruit and the generosity of the bouquet, there are strong hints of that classic Geyserville spiciness that creep into the flavor profile at just the right moments. These notes primarily come courtesy of the vineyard-blend model deployed for the assemblage of this wine; the zinfandel (at 78%) is structurally rounded out and enhanced by the inclusion of carignane and petit sirah, two classic “mixed blacks” that also form the architectural backbone of the Geyserville.  

The 2007 Old School was one of our top-selling winery-only wines last year, and while it was a sweeter, riper rendition than the 2009, I think the ’09 is poised to not only keep the ’07 fans very happy, but also accrue a whole new set of believers as well. It’s got the fruit for the ’07 set, but it’s also got the complexity, structure, and spice that should win over some converts who may not normally find themselves on the ripe side of life.

If I may say so, it’s a perfect February wine; it’s got Valentine’s Day written all over it …

Things I’m Thankful For …

November 23, 2011

This is the third year in a row I’ve had the opportunity to write and present a “Things I’m Thankful For” post on this blog. Each year, on November 23rd, I have sat down in front of the typer and tried to find a way to express my gratitude for all I’m surrounded by, the blessings life has bestowed, the magic of it all. It’s impossible, but I’ve tried. And I’m going to do so again. It’s November 23rd, and this is what I’m thankful for (please note, there is likely to be some overlap with previous renditions!):

My missus, who did not so much save my life, as reinvent it for the drastic better. Who teaches me, everyday, why love exists. Who is perfect. She is who I was born to fall in love with. I am so thankful that she found me, and I her.

My daughter, who is proof that miracles do happen. The most delightful creature I’ve even known, my favorite person in the world. Who invents for me, every day, new ways to cry with happiness.

The chance to write this blog, because it means I get to write posts like this one.

The iPhone that Ridge gave me. Because while I am not, in any way shape or form, a tech evangelical, I do have to admit that Apple did a really, really good job with the iPhone.

Antonio Galloni. Because he gets Ridge, and he gets Paul Draper. Because he wrote, “Heretical as it may sound, I think the wines Draper is making today will prove to be far superior to the wines of decades past, many of which are rightly considered legendary.” Because this is true.

Grandparents, especially my daughter’s. Because this bond, this connection, this grandparent-grandchild relationship, is a friendship like no other, and a delight to watch in action. Because grandparents suffer from a most delightful strain of insanity.

Verizon’s cell phone service, circa 2008. For giving me a good connection when interviewing with Nicole Buttitta (VP of HR at Ridge) for the first time, from a truck stop in Wyoming.

Really awful looking old corks, in the necks of really old and awful looking bottle-necks, that somehow still protect really, really, really amazing mature wines. Lead-shrouded, moldy, juice-stained, and crumbling, but still doing their jobs to perfection.

Amy Monroe, Antonio Favela, Barry Campbell, Howard Hickok, Jane Occhialini, Jenny Merit, Karen Cai, Kim Korupp, Michael Riese, Nancy Tarng, Peter Yaninek, Sam Howles-Banerji, Samantha McMillan, Sonja Seaberg, Tara Einis, and Zani Nesvacil. Who have taught me that hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team” have within them the gold of truth, because I am of little to no worth whatsoever without the blessing of these fine people by my side. You know them as the Monte Bello Tasting Room team. I am proud to know them as inspirations; and more than that, friends.

Wine & Food pairing; specifically, Champys and Salt & Vinegar crisps.

Wine & Food pairing; specifically, Champys and other food besides Salt & Vinegar crisps.

The Owle Bubo.

Jazz Winemaking, as performed by Paul Draper.

Guests who do all the right things in the tasting room.

The 2008 Monte Bello Chardonnay.

Drinking 2008 Monte Bello Chardonnay in the fog while watching rabbits.

The Monte Bello Collector Component Tasting, which is one of the coolest tasting opportunities I’ve ever experienced.

The Vegetarian Lasagna from Bash Catering. To Chef Jaci Rossi and the Bash Catering team, a hearty congratulations; it’s very, very hard to make truly outstanding lasagna!

The 1995 Monte Bello, for so pleasantly surprising me by quite unexpectedly transitioning from one of the tightest, most angular, most intensely structured Monte Bellos ever, to this very poised, aromatic, beautific Monte Bello that I am looking at right now, feeling very, very thirsty.

People who don’t chew gum.

Really good wine bloggers.

People who believe me when I tell them Jazz, Haiku, and Winemaking are intimately related.

People who write me e-mails about all the amazing ways our wines have been a part of their stories: births, deaths, weddings, anniversaries, reunions, etc. These e-mails remind me that what we do really is something special; we produce that which ritualizes that which you will remember forever.

Wine Berzerkers. Which is pretty self-explanatory.

Pizza.

Three-day old Geyserville out of a flat-bottom glass, with pizza. Mushroom and Olive pizza. And Geyserville.

Our vineyard and winery teams. Watching them during the 2011 Harvest reminded me all over again about what Sam Howles-Banerji refers to as their “awesomeness.”

That Kyle Theriot and Will Thomas have joined the vineyard teams.

Lytton Springs. The place, the people, the wine.

People who understand it’s important to wear cool shoes when tasting wine.

Drinking the new 2008 Buchignani Ranch Zinfandel (which, in my estimation, is the most delicious vintage since the ’04) while wearing ankle boots.

Parents who understand how to go wine tasting with their children.

The way a properly set tasting looks before anyone has arrived. The shimmering glasses, the ordered plates, the small hills of freshly sliced bread, the cool perfection of the cheeses, the crisp diamond sparkle of the water in the glasses, the wine bottles standing at attention, awaiting their deployment …

My almost-three-year-old-daughter’s hysterical one word wine reviews …

My wife’s preposterously expensive taste in wines, and that fact that two-day-old Ridge wine still consistently appeases her …

My boss, Ryan Moore, who does not regurgitate hackneyed corporate aphorisms like “”I’ve always found that the speed of the boss is the speed of the team.” Who does occasionally deploy tidbits of corporate-speak, but always with a twinkle in his eye and a twist at the corner of his lips. Who consistently forces me to come up with new and ever-more hyperbolized ways of explaining just how great I’m doing. Like stupendaliscious, or outer-galaxial.

That my co-workers keep having cool babies.

Haig’s. The greatest hummus in the world. Perfection in pairing with our chardonnays. When experiencing a line-up of excellently selected and staged food & wine pairing selections, one might be tempted to deploy a hackneyed aphorism like “No member of a crew is praised for the rugged individuality of his rowing.” Except that when Haig’s is involved, one must conclude that the rugged individuality of the rowing is indeed deeply praise-worthy.

People who don’t wear cologne or perfume.

Carignane. Especially the John Olney kind.

The 2011 Ridge Vineyards Holilday Packs. Especially the Estate Cabernet vertical, for being so good. And, oddly enough, especially the Dusi vertical, which has suprised me immensely by being truly delicious. Not because they’re not good wines; they are. But because I personally like them so much. Because I am not normally a drinker of this style. But these are really, really, really good.

The fact that my post on this blog with the somewhat laughably lunatic title of  ”Zoot! And Poetry, And Wine, And Jazz, And Steve Martin, And The Muppets, And Jack Kerouac!” remains one of the Top 5 most viewed posts of all time.

Honest people. People who say true things. Like, “Champys should only be drunk from Coupe glasses.”

People who drink Champys from Coupe glasses. Because these are people who obviously have perfect aesthetic taste. And are accordingly inevitably the sorts of people who will also appreciate the opportunity that our new Historic Vineyard Series release represents. People who drink solo-varietal Cabernet Franc. And Champys. From Coupe glasses.

People who, like my father, fell in love all over again with Merlot after seeing Sideways. People who, like my father, have refused to buy Pinot Noir ever since, even though it’s kind of silly, and certainly self-defeating. People who, like my father, deserve  admiration for having principles like this. People who, like my father, remind me of aphorisms that are not all hackneyed, like this relevant one from Mark Twain: “Principles have no real force except when one is well-fed.”

That we are fortunate to oft be well-fed.

People who remember that not everyone in the world is well-fed; that in fact, far too many in the world have never, ever experienced being well-fed. And accordingly, I am thankful for people who not only remember this, but work to correct it. Or at minimum, at least walk the world with appreciation, as opposed to arrogance.

Humble winemakers like Paul Draper, Eric Baugher, and John Olney. Who are good enough to be arrogant, but aren’t.

Humble assistant winemakers like Shun Ishikubo and Muiris Griffin, who are good enough to be arrogant, but aren’t. Who are also good enough to be head winemakers, but choose instead to be part of something beautiful.

People who don’t wear skinny jeans.

People who understand that wearing skinny jeans while drinking good wine makes puppies cry.

People who listen to wine podcasts. Because that is serious dedication.

People who know that there are far better things to pair with red wine than chocolate.

People who pair sautéed mushrooms and garlic with red wine.

People who know you can pair red wine with Indian food.

People who understand that, despite the schtick, ZZ Top is actually a really good band.

People who know that Motorhead has their own wine now, and still don’t drink it, even though they really like Motorhead.

That Rex Stout’s immortal literary creation, the detective Nero Wolfe, insists on the use of Tarragon Wine Vinegar in his kitchen instead of sherry.

Good Poets. Because in this day and age of shallow superficiality, cultural devaluation, and emotional disconnect; in this age where protective irony and deliberate obfuscation rule the emotional day, we desperately need people who are still trying to connect our heads to our hearts for us.

People who understand what wine and poetry have to do with one another.

Really, really ridiculously hyperbolized wine tasting notes.

All wine writers who have not used the word “millenial” in the past year, if there are any.

Cecilia Aguilar, Chris Seguin, and Mary Devine; the dictionary definitions of Customer Service. And really nice people on top of that.

Cellos.

David Gates.

Coated tannins.

People who use terms like “coated tannins” in their tasting notes.

That I was invited to attend the Monte Bello Assemblage tasting, the greatest wine experience of my life.

Cellar Tracker, and the admirably obsessed people who use it.

Zen.

That Elliot Nett and Jason Shelton are now esteemed full-time members of the Lytton Springs hospitality team.

People who drink wine both in formal wear, and naked.

Old men who keep their belts below their bellies, as opposed to above.

Whoever first described my approach to clothing as “hobo chic,” because it’s given me a way to explain away comments about my clothing.

Ties with subtle wine stains.

Wine stains that look like the profiles of famous classical composers.

Tasting Rooms that do not play baroque classical music or Santana.

People who are willing to let themselves love, because this is the bravest thing of all.

Having someone to love.

Having something to love.

People who, when asked “Don’t you want something to love?,” answer “Yes.”

That I have had the chance to love almost every single vintage of Monte Bello going all the way back to 1964.

The things people say to one another while drinking wine, like, “You know, socks are a really great idea,” or “Pass me another crostini,” or “Ayn Rand was wrong,” or “Has it ever occurred to you that some of our best memories involve autumn?” or “Wow, that is an amazing Syrah,” or “I love you too.”

And so many other things also, like Bud Powell, and Laura Chenel’s Melodie, and solid-color carpets and the people who love them, and co-fermenting Viognier with Syrah, and the Haiku of Issa, and Ah So Cork Pullers and the people who use them, and pacifists, and the Optima font, and typewriters from before 1960, and books, and wearing PF Flyers and a suit, and anyone who doesn’t have a mirror in their bag, and really weird and cool wine stores, and France, and fractured limestone, and grape sorting tables, and people who don’t iron their jeans, and very worn-in bandanas, and firefighters, and people who really aggressively swish while wine tasting, and the fact that spittoons are used by both oenophiles and cowboys, and romance, and candles that don’t have scents, and owls, and wine bars that don’t play house music, and restaurants that always bring out the vintage that’s on the menu, and Thai restaurants who understand that if you can’t make green papaya salad properly you shouldn’t be a Thai restaurant, and Italian restaurants who understand the same thing about gnocchi, and people who know first-hand that thirty-year-old cab goes really well with japanese-style barbecued okra, and friends of any kind, and people who don’t call me Chris after I’ve introduced myself as Christopher, and the movie Casablanca, and Ah So Cork Pullers and those that have them, and Watsonville Sourdough, and the days when one doesn’t have to cut one’s toenails, and dew, and that lunatic fringe cadre of loyalists who re-wrote the zinfandel rules, and sweet potatoes, and the taste of a wine spill being licked off the stomach of a lover, and December, and people with awful handwriting, and the paintings of Pissarro, and college radio, and really fine wine.

And most of all, I am thankful to Ridge Vineyards. By your dedication to me, and mine to yours, my family is happy, healthy and safe, and my heart is, accordingly, intact. Thank you.

And to you all, may all the best of everything be yours, and may you always have cause to be thankful.

To share a glass of wine is to share the experience of love. May you all be, feel, and share true love this holiday season.

To all at Ridge, please know I am so thankful for you.

And to every person, place or thing I have neglected to mention in this post, please know I am praying for ten thousand more years of writing “Things I Am Thankful For” posts, so that at some point, I might thank everything.

The Old Patch … (#Harvest2011)

October 3, 2011

To be engaged in the wine production endeavour is to live in many eras; to travel time with impunity, to traverse the Vonnegutian Timequake spectrum with full awareness of all that history has to, and will, offer.

Viticulturist Will Thomas is one such traveler of time. Before the first crowing glory of morning light, his big black boots are already walking; walking through the ghosts of another century; gnarled Hobbity figures in the mist, in perennial enactment of plantings past.

He’s in The Old Patch. It’s a vineyard parcel like no other, a quiet, noble portion of the Geyserville Estate, upon which are planted vines that date to 1885 …

Antonín Dvořák was actively composing then, as were Jean Sibelius, Pyotr Ilyich Tchaikovsky, and more. It was the year Huckleberry Finn was published. Vincent Van Gogh was painting Amsterdam scenes. And The Old Patch was entering the ground.

This is where Will and the vineyard crews are working; half in history, half in today’s damp morning …

In less than a few hours, Will will have left the vineyards for the winery, calling ahead to let them know what to expect of the 2011 Old Patch …

It’s extraordinary fruit, and you may be so lucky as to taste it in … 2013. For this is where Will, and all the production team, are now; their heads have left 1885 far behind, and they are timequaking now into the future. What will 2013 hold? Where will you be? With whom might you be drinking wine?

You may not be thinking about your future yet, but they are.

To be engaged in the wine production endeavour is to live in many eras; to travel time with impunity, to traverse the Vonnegutian Timequake spectrum with full awareness of all that history has to, and will, offer.

What’s Up Lunch? Edition II: The Pizza Files

September 28, 2011

Pizza and Wine? Yeah, I know, not exactly “interesting” or ”unorthodox.” (To see the manifesto for this tasting series, you can click here). But this wasn’t just any pizza!

First off, it was topped with spinach, a somewhat notorious pairing option due to its intense green-ness and astringency. Add a garden-lode’s worth of large chunks of chopped garlic, and you’re in interesting and potentially challenging territory. But that wasn’t all!

Just to make things even more fun, this was no ordinary crust; it was a corn crust! A uniquely provocative pairing test because of both its sweetness, and its comparative granularity.

So it was game on, needless to say …

And so I started with my two wines: Lytton Springs, and Monte Bello. Which, at face value, might seem like an unfair pairing, but more closely inspected, everything is possibly not what it seems, depending on your personal rendition of conventional wisdom. For example:

If you come from the ”Duh, Monte Bello is, like, world-famous, and totally expensive” side of the tracks, than obviously this would seem an unfair set-up; pitting a $35 zinfandel against a $145 legendary bordeaux-blend. But on the other hand, if you’re in the “Duh, pizza and wine is, like, Bert and Ernie, Joanie and Chachie, peanut butter and chocolate (you got your chocolate in my peanut butter!!!)” camp, then this would seem an equally unfair set-up; no way a cab blend is going to best zinfandel when it comes to pizza pairing!

The point being, is that I truly had no idea what would pair best …

And guess what? Neither of them did! I mean, neither was a bad pairing, but solutions to the particular challenges of this particular pizza proved elusive for both wines, so I had to — reluctantly, of course! — pull in a third wine …

Yes, it was Enter The Geyserville time, and I am happy to report that the pairing was perfect! The intense secondary and tertiary herb & spice layers in the Geyserville were a perfect match for the spinach and garlic, and the comparatively leaner, more acidity-driven backbone took on the sweetness of the masa in fine form, while the luxuriant fruit of the 2009 zinfandel harvest wrapped itself around the crust’s granularity in most reassuring fashion.

Success!

Stay tuned for another episode of “What’s Up, Lunch?”!

10 Questions For Paul Draper: Number 6!

August 22, 2011

We begin the second-half of our special ten-question series with Paul Draper today, please enjoy!

(And by the way, thanks to everyone who has been sending in their own questions, we look very forward to presenting a reader-initiated Q & A series soon; so please keep the queries coming!)

6-    Which Ridge wine would you recommend to someone who has never tasted a wine from California?

 If they are experienced in drinking Bordeaux or Chilean Cabernets, I would recommend they try our Estate Cabernet Sauvignon. If they generally like all wines, I would recommend the Geyserville or Lytton Springs Zinfandels.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.
 

 

 

10 Questions with Paul Draper: #5!

August 19, 2011

The question seems almost inevitable, and today Paul addresses it; the question of alcohol levels in zinfandel. Enjoy Q & A # 5 in our special ten-question series with Paul Draper!

5-    Your Zinfandel based wines such as Geyserville and Lytton Springs have low alcohol levels as compared to other wines made with Zinfandel. Why is it so and how can they age so gracefully for so many years?

 Zinfandel must be grown in warmer climates like Napa, Sonoma or Paso Robles to develop the fruit flavors that give it its character.  As with the over-ripe Cabernets of Napa today, Zinfandel only needs to be fully ripe, not over-ripe, to produce the most complex, age-worthy wines.  It does ripen quickly if days of very warm temperatures come during harvest; however, if you are sampling carefully and are determined not to make over-ripe wines, that can usually be avoided.  We have worked with over fifty old-vine Zinfandel vineyards over the last forty years.  The Geyserville we first made in 1966 and it has proven to be one of the most consistently fine wines. Likewise we first made the Lytton Springs in 1972 and it has rivaled the Geyserville in its consistency of quality and ageability. We took over the Geyserville vineyard in 1990 and purchased Lytton Springs in 1991 because of the quality of those terroirs.  All but a few of the others were dropped after a year or after ten years.  These wines come from particularly great sites.

***Do you have a question for Paul? Let us know! wine@ridgewine.com***

(“10 Questions for Paul Draper” questions composed by Rodrigo Mainardi of Mistral, Brazlian Distributor for Ridge Vineyards)

Paul Draper grew up on an eighty-acre farm in the Chicago suburb of Barrington. After attending the Choate School and receiving a degree in philosophy from Stanford University, he lived for two years in northern Italy. Later he attended the University of Paris and traveled extensively in France, gaining practical experience in traditional winemaking. In the mid-sixties, with a close friend, he set up a small winery in the coast range of Chile and produced several vintages of cabernet sauvignon. He joined Ridge Vineyards in 1969, and presently resides atop Monte Bello Ridge with his wife Maureen and daughter Caitlin. He is known for his crafting of fine cabernets and chardonnays from the Monte Bello estate vineyards, and as a pioneer in the production of long-lived, complex zinfandels.

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