Archive for December, 2011

Harvest May Be Over, But The Beauty Lingers On …

December 8, 2011

It’s true, harvest is over, and as such, there is no fruit on the vines. But there is something uniquely beautiful about the vines in all their wind-chilled nakedness that is somehow deeply moving. They look tired in a way, but it’s that gorgeous fatigue that comes from having accomplished something truly miraculous, heroic, implausible. Giving birth, running a marathon, fighting a fire. I have never seen my wife look more beautiful that in the seconds after our daughter was born, but ask her, and she’ll say she’s never looked more wrecked. Perhaps vines are the same; this is their shy time, their I-don’t-want-to-be-seen-looking-this-way time, their come-down & collapse from the exhilaration time. But to me, they’re stunning. They radiate a strange and wise kind of happiness, a joy that infuses everything around them. Like Emma, for example …

Don’t she look happy? (That’s viticulturist Kyle Theriot’s pups, out diggin’ the merlot on Monte Bello.)

Truth be told, there is barely any quiet time to speak of at all. Just like giving birth, running a marathon, fighting a fire, there is parenting to be done, more races to be run, more flames a-burning. At Lytton Springs, they’ve already begun pruning …

Beautiful, ain’t it?

Ridge Vineyards 2007 Lytton Estate Syrah/Grenache

December 5, 2011

Syrah: Dark, brooding, imposing. A certain sexy menace. Spicy yet controlled, saucy yet serious. A somber, shadowy figure; footsteps echoing in the alley, a hint of violence simmering just below the surface. A sensual phantom.

Grenache: Exotic, percolating, exuberant. Tough as nails yet fragile as lace. A brightly colored mural, celebrating the desires of the heart, the passions of the body. Musical, buoyant, predatorily delighting. A lascivious pirate.

Blended in equal measure, 50% to 50%. One of my favorite wines that we release. The Lytton Estate Syrah/Grenache.

The 2007 vintage was bottled on November 20th, 2009. The very same day that a very famous Italian mountaineer by name of Lino Lacadelli passed away. Lacadellli was from a region in Italy called Veneto. Which happens to be where Asiago comes from.

So, I am going to get some Asiago on my way home, and I’m going to eat some while I drink a glass of the 2007 Lytton Estate Syrah/Grenache.

Because Syrah and Grenache go together like rama lama lama lama lama ding de ding de dong.

Paul Draper, Philosophy, and Yeast

December 2, 2011

If you’re at all familiar with Ridge Vineyards, you likely already know that our winemaker, Paul Draper, who came to Ridge in 1969, was a philosophy major.

And even if you didn’t know that, I’ll wager you’re at least aware of the full extent to which philosophy drives our approach to winemaking.

But what you may not have experienced, however, is Paul Draper speaking directly about the relationship between philosophy, and the practical realities of producing wine.

Here is an excerpt from an interview conducted back in 1994, in which Paul discusses Ridge’s adherence to relying on “natural yeast” for fermentation. It’s a truly fascinating read, and I hope you not only enjoy it, I hope it enhances your experience of drinking our wines.

While the interview from which this quote emerges was conducted nearly 20 years ago, the content not only remains true for Ridge Vineyards today, it is deeply contemporary in its focus and committment. In an era where words like “organic” and “sustainable” have become marketing buzzwords, an era where things like ”biodynamism” and “carbon footprints” are regularly debated at high-profile conferences and seminars, an era where the word “natural” has become so controversial it has been rendered seemingly unusable without igniting some sort of firestorm, I find it intensely heartening to read Paul’s words.

“You’ve got to remember I was a philosophy major.  Also I was interested in the reasons behind things, their symbolism. I think there’s no question but that one of the reasons I was attracted to wine was that it is and has been throughout western civilization such a powerful symbol. It has been a part of the ritual of the most important religions of the western world. It has been the central symbol for transformation, whether physical or spiritual for thousands of years.

Unlike any other non-distilled alcoholic beverage, wine is made from grapes; in the grape, fully mature, all the elements are present to naturally change it into wine.

That is not true of beer, where you must take the grain and extract the sugar, and in the dawn of civilization, masticate it so the yeasts in your mouth would be added, and it would ferment. That’s how they think the earliest beer was made, and today you cook the grain and add a cultured yeast. Man is essential to beer- making for fermentation to take place. Distilled spirits, of course, depend entirely on man and his process of distillation.

With wine, you have the cluster of grapes growing in the vineyard. In the grape itself the balance of sugar and acid is such that there is sufficient sugar to form alcohol to a level that will make a stable, sound beverage in which pathogens cannot grow. Also there is enough natural acid to give that beverage liveliness and interest.

On the outside is a dusty coating that, let’s say, Mother Nature put there for a purpose. You can polish that coating off and make the grape nice and shiny. That coating is called the bloom. As the winds blow through the vineyard, stirring up the natural yeasts from wherever it is that they reproduce in nature — on wood, on the soil, on decomposed fruit — those yeasts stick to the bloom on the grapes. If picked and put into a receptacle and broken or allowed to just deteriorate enough so that they break themselves, the yeast on those skins then attack the sugar in the juice. Without any assistance from man, wine is made. How good a wine? That’s where man comes in. He’s got to begin to take care of it. In the grape are all the elements needed to make wine. That’s the reason why it’s the symbol of transformation. You have this simple but delicious fruit that, through a natural process, becomes something as exotic, stimulating, and incredible as a glass of wine. That is so amazing that the transformation it symbolizes has stayed with us through the history of western civilization.

So natural yeast; that’s why we use it.  Can we as men and women really improve on nature in this case? Why not tie into the symbolism of something that separates wine from all other alcoholic beverages, that shows why wine is special, not just another intoxicant, not just another drug. Why would I stick with natural yeasts? It gives meaning to what I’m doing. I’m not in the driver’s seat; there is a natural process going on here that I can assist by choosing the vineyards, by watching over the wines, applying my experience and my team’s experience to how we handle the wines. But the wines in a sense make themselves. That’s far more interesting to me than simply producing another commodity.”

 

Paul Draper

HISTORY AND PHILOSOPHY OF WINEMAKING AT RIDGE VINEYARDS: 1970S -1990S

Interviews Conducted by Ruth Teiser, 1994

Wine Spectator California Winemen Oral History Series

The Bancroft Library Berkeley, California

2008 Ridge Vineyards Buchignani Ranch Zinfandel is coming to a tasting room near you!

December 1, 2011

We here at Ridge Vineyards are very excited about the new 2008 Buchignani Ranch zinfandel, and the fact that it’s about to drop live into our tasting rooms. In anticipation of its arrival, I gathered together some of my Monte Bello colleagues over the weekend for a tasting of this new ATP offering, and hauled out the old Royal to try and transcribe the thoughts and reactions as they happened in real-time.

First word/Best word.

Accordingly, as I’m a bit of a sloppy typer, the original notes are periodically a tad indecipherable, but for the sake of historical accuracy, I have included a scan of the original notes at the end of this post. Here first though, is a proper “translation” of sorts (and bear in mind, this is a compendium of many perspectives and voices!):

2008 Ridge Vineyards Buchignani Ranch Zinfandel

Nice, solid burgundy coloration in the glass, medium-weight legs moving with reasonable speed, and an overall sense of finessed concentration bespeak a Buchignani of arguably unusual power; not that the “zin buch” (as it is oft referred to internally) doesn’t always show good intensity — it does — but it traditionally does so in a comparatively refined package, albeit with a healthy dose of rusticity, particularly as regards the aromatics.

Anyhow, speaking of aromatics, this is a richly inviting nose, heavy with pipe tobacco, black cherries, fig, and cocoa powder. Point-of-entry mouthfeel stays in this intense vein, devouring all flavor sensors upon arrival, and laying acidity and tannins on all reachable palate points.

Mid-palate actually contracts slightly, focusing the heady fruit flavors right on the tongue.

As the wine begins to expand again toward the back of the palate, the unmistakable resonance of ollalieberry pie stands front and center; hints of sweet bread crust, brambly forest berry fruit, a touch of sweet berry sugar, some nice, woody-seedy tannins, and an overall freshness that is truly beguiling in a plink-plank-plunk-in-the-pail sort of way (alert: Blueberries for Sal reference!).

Going back to the aromatics again, there is a crisper, more minty clarity emerging; cool, icy, almost crisp; Gravenstein apples come to mind, as do frozen blueberries over full cream Greek yogurt; possibly reminisce more than actual character, but inviting either way.

Past Zin Buchs have sometimes veered towards the almost misleadingly funky (meaning, funky on the nose, but streamlined on the palate); this vintage, however, is very mineral-dominant aromatically, giving what is a most beguilingly effective and authentic preliminary presentation. Hints of light pepper serve up additinal complexities, particularly with the emergence of an almost white pepper-esque duskiness.

And now, returning for a second visit to mouthfeel and front-to-mid-palate; there is noticeably more concentration and succulence showing itself; the fruit is getting richer, the viscosity is weightening, and the darker, more anise-and-jelly notes  are really driving the character.

This is probably most reminiscent of the 2004 Zin Buch (my personal all time favorite vintage! — cw), though it veers slightly darker in overall tonal profile.

Above all else, what is most singularly astounding about this wine is the shape and placement of the tannins; they’re incredibly refined, light, almost airy, yet somehow fully present anyway, in all their gossamer elegance …

Thinking now on the finish, we’re right back to berry, though more notably blueberry-esque at this point, as opposed to the ollallieberry flavors that dominated earlier.

All in all, this is a fantastic return to the ’04 form, and should be greeted by all with fanfare and delight. While we’ll miss the 2007, and thank it for its funky, old-world-in-a-softer-package style; its rock n’ roll in a steady-rollin’ package, its streamlinedly-rendered old school funky self, it’s also safe to say we are highly anticipating the arrival of the ‘new 08 in the tasting rooms.

We think you’ll like it too, and hope you can come see us before this limited-production, winery-only gem sells itself out too.


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