Archive for October, 2011

The 2011 Ridge Vineyards Holiday Packs are here!

October 28, 2011

It’s only October, I know, but in order to make certain we assemble the finest selection of wines possible to escort you through your holiday season, we begin the tasting process early, and I am now happy to report that the final collections have been confirmed. We are extremely excited by this year’s offerings, particularly as we’ve included a rather stunning array of library wines in the various packs, and we’re all extremely eager to share with you the results.

In order to kick things off properly, we scheduled an internal library tasting of wines included in the holiday packs, with members of the Ridge team participating from three different locations: our Warehouse in Milpitas (where both the warehouse and customer service groups are based), our Lytton Springs Estate, and here at Monte Bello. Using a web feed, winemakers Paul Draper and Eric Baugher led all three locations through the wines on offer, while yours truly manned the camera, and peppered our hosts with questions.

Paul Draper and myself, talking shop in advance of the tasting ...

(photo by Sonja Seaberg)

I think all concerned came away from the tasting feeling extremely excited by, and energized about, this year’s holiday selections; the wines are in tremendous form, and armed with all the additional insights we gleaned from the opportunity to taste with Paul and Eric, I think everyone is beside themselves with anticipation as regards talking these wines with you. And you, and you, and you …

 
For myself, I humbly offer the following tasting notes (to see more about this year’s holiday offerings, please click here):
 
 
 

2005 Ridge Vineyards Stone Ranch Zinfandel

While planted on Geyserville soil, these vines traditionally produce a lighter, more fruit-forward, more easy-drinking style, and accordingly, the fruit is often held out of the Geyserville assemblage, in favor of a separate bottling, under the Stone Ranch designation. Such was certainly the case in 2005; a notably ripe year.

 A kindred spirit of sorts to the Carmichael — another approachably fruit-driven ATP offering — the Stone Ranch nonetheless shows a slightly higher-tone profile, evidencing a more bramble-driven red-fruit character than the comparatively moodier Carmichael.

 To my palate, the carignane continues to lend great acidity to the overall mouthfeel, while allowing the chalkiness of the minerality pride of place simultaneously. Hints of oak-derived sweet vanillin speckle the early aromatics, while traces of coriander and citrus peel enliven the finish. With half a decade’s worth of bottle age, this wine has settled into a surprisingly (and rewardingly!) complex offering that nonetheless retains its youthful lightness and approachability.

 Should prove to be a great Autumnal offering, perfect with appetizers and first courses at the holiday table.

 2004 Ridge Vineyards Oltranti Zinfandel

 One of only two vintages crafted from the younger zinfandel planting on the legendary Mazzoni Home Ranch, this offering is as unique a wine as any released under the ATP banner. Buoyed by the small introductions of older vine carignane and petite sirah, this has historically been a notably tannin-forward, intensely structured offering. With approximately 5 years of bottle age woven into its fabric, it’s still a big wine; a strutting, cocksure wine with its money where its mouth is; meaning, the aromatics offer the promise, and the body delivers the goods.

Autumnality is front-and-center as regards its “at table” personality; loads of dried fruits on the nose, with shades of mincemeat, figs, and toasted nuts calling up all sorts of holiday reflections. The mouthfeel at point-of-entry is almost impossibly round; a mouthful of a mouthfeel, as it were. Not content to wow you with physical prowess, however, the Oltranti serves up some great tobacco, bramble, and forestation as well; the second and third-tier supporting characteristics give a unique lift to this fleshily omnipresent Atlas. A great offering to meet the middle of your holiday meal; the entrée!

2003 Ridge Vineyards Independence School

A true collector’s item in every sense of the term, this is the first release of what would become our Old School designation, and the only one to actually carry the “Independence School” name. This, as with the Stone Ranch, is ostensibly Geyserville fruit, but as with the Stone Ranch (though for very different reasons!), the blocks that make up this wine are held out of the Geyserville assemblage due to their singular personalities. In this wine’s case, the fruit is held out for a separate small-batch, winery-only offering in acknowledgement of its traditionally riper, sweeter, more fruit-forward character. Accordingly, expect unctuousness in spades, voluptuousness in decadently seasoned excess, and luxuriant fruit at all points across the palate.

While there is little that one could claim as tame about this wine, I am consistently and pleasantly surprised by its balance; this is an athlete of an offering; you experience the grace, and are hard-pressed to remember that it comes via endless hours in the weight room. A great wine with which to close a hearty holiday meal; cheeses, fruits, and chocolates should abound, as friendships are re-solidified, and family bonds affirmed.

“Dusi Vertical” Holiday Pack

 

Ridge Vineyards Dusi Ranch Zinfandel, 2006 & 2005

Quite a treat to taste these side-by-side! Benito Dusi’s ranch is such a legendary fixture of the Ridge portfolio, and while our Paso Robles zinfandel is one of our most consistently shaped offerings, it is often via the comparatively more mercurial Dusi Ranch designation that one comes to truly know and love these vines, and this vineyard. Traditionally comprised of blocks held out of the larger Paso Robles assemblage by virtue of their comparatively riper, sweeter profile, the Dusi is actually capable of not only showing unexpectedly complex characteristics, but evidencing authentically enticing seasonal variables as well.

These two vintages are, in many ways, a perfect study in contrast. Conventional wisdom (if anything about Ridge can be said to be conventional!) would certainly propose the Dusi offering as a ripe, warm-climate zinfandel, and the 2006 vintage does not disappoint in this regard. It wears its natural fruit on its shoulder, but also shows itself to have been (as it was) the product of a submerged cap fermentation; there are tannins, there is earth, and there is some darkness under all that concentratedly rich fruit. But fruit is the word, is the word, is the word …

That said, if you expect more of the same when heading into the ’05, be prepared for an adjustment of sorts. Sure, it’s still warm-climate, old-vine zin, and sure there is a lot of fruit on offer, but there is also acidity! Not something one normally expects from this combination of region and varietal. And in fact, there is a whole host of structural components on offer; in addition to acidity, there are some nicely coated and resolving tannins, there is some herbality and woodsiness, and there are some fine layers of fruit as well.

In October of ‘06, Eric Baugher gave a 5 to 6-year projection of longevity for this wine. Were that accurate, we’d be calling this wine to task right now, branding it as being at its peak. But when tasting this wine with Eric and Paul Draper today (October of ’11), I found I was not the only one who thought this wine had years of life still ahead; both Eric and Paul said it was going to “go out”; and go out it will. Certainly drinkable now, but if you want a rarefied library offering to sit on just a bit longer, this might just be your perfect catch.

“Estate Cabernet Vertical” Holiday Pack

 

Ridge Vineyards Santa Cruz Mountains Estate (now Estate Cabernet), 2005, 2004, and 2003

I admit it. I am spoiled. This should have been one of the greatest tasting opportunities of my life. But I have to confess, I just tasted these wines rather recently, as part of the worldwide #CabernetDay celebration. That said, guess what this was? One of the greatest tasting opportunities of my life! Three truly tremendous vintages, of a truly tremendous wine, tasted in the company of Paul Draper, Eric Baugher, and a whole host of my most excellent colleagues; priceless.

It would take pages upon pages to truly navigate the unique history of this designation, and its singular relationship to the Monte Bello, so suffice it to say that one might not be far off the mark in suggesting that, with the 2003 vintage, this designation truly came into its own, emerging out of the shadow of the Monte Bello as its own wine; grown, harvested, and vinted in similar fashion, beneficiary of an equally intense attention to detail, but selected and assembled with an altogether different overarching aesthetic in mind.

Put another way, it’s a hell of a wine, and particularly for the price; meaning, from a price break to quality standpoint, you rarely get this much wine for this little of an investment. And the 2003 is where this really and truly becomes the indisputable case.

All that said, the tasting begins with the 2005. The only vintage of the trio without Cabernet Franc and Petit Verdot in the assemblage, this wine perfectly enacts the growing season that year; preposterously low yields (less than 1 ton an acre) resulting in a deep, dark, concentrated, structure-forward profile. The nose is all chocolate and campfire and s’mores, and the mid-palate is all gluttony and indulgence. That said, it’s still a frighteningly balanced wine; frightening in that it manages to pack all that baroque romanticism and architectural decadence into an almost sexually-charged come-on; you want this wine, because it moves so well, but at the same time, you can’t help but sense the primality lurking just below the surface. One to watch, one to wish for, one to covet.

The 2004 is an altogether different animal, the product of a perversely unusual growing season; one in which the harvesting of Monte Bello (the estate) was essentially bisected; early picking on one side of the October rains, late picking the other. The resulting wine, I will confess, is one of my personal favorites. To borrow a colloquialism, it’s just my kind of funky. It’s a bit rustic, a bit earthy, a bit dirty, a bit bluesy. In short, delicious! The big “B” gets thrown around a lot in wine circles (Bordeaux), much the same way that “Genius” is oft-misused by certain rather purple-y writers in the various arts fields; meaning, if I had a dollar for every tired, derivative, re-hashed, substance-less wine, poem, play, novel, song, album painting, etc. … Anyhow, the point is, that still, to this day, “Bordeaux” is prized as the ultimate comparative; “In a blind tasting, I would have sworn this was a first growth!” And while that’s instructive in certain realms, and nonsensical in others, it serves a purpose here, because this is truly cause for a pause; if your wish is to embrace an American producer who can very successfully and authentically produce wines that are fully in line with all that we hold dear about the legitimately still-great Bordeaux producers, all while doing so in uniquely American fashion, and on top of that, at disarmingly populist price breaks, then please, do yourself a favor, and find a way to drink this wine. It’s just that kind of excellent.

And finally, we return to the 2003, which, as Paul himself noted, is really and truly coming into its own. If you want to seriously wow your holiday table guests, without digging too deep into your cellar, or into your wallet, just serve this out of decanter, and watch the mouths drop. This is a serious, serious wine, and it lacks nothing, and I mean nothing, when compared to bottles of twice the price break, if not more.

 

Visiting Monte Bello: New Hours as of this Saturday!

October 27, 2011

Ok, well, I admit it, it ain’t exactly winter on the mountain quite yet …

…but neither is it Neil Diamond’s Hot August Nights!

The point is, it’s getting dark on the mountain! Earlier, and earlier, and earlier …

 

So accordingly, it’s time for an hours change.

Starting Saturday, October 29th, 2011, Monte Bello will be closing at 4pm. Please plan accordingly, and for more information about visiting Monte Bello (and our Lytton Springs Estate as well!), please click here.

#Harvest 2011: Waiting For The Sun

October 24, 2011

We’re all picked out up north. Sonoma is done. And we love what we’ve taken in. Flavors are amazing.

Monte Bello is another story. We need sun, and we need heat. The chardonnay is in, but the red varietals need some love from Miss Mother Nature.

It’s an interesting story. As Paul Draper noted in our Monday Morning Meeting today, we have a somewhat unusual circumstance on our hands; flavor has come in ahead of sugar and acid. Meaning, we have great flavor already, we just need the brix and the acid levels to come up.

It’s sunny today, and it’s warm and dry. That is love. Acid will rise. Sugar will rise.

I took some time this morning to go walk the rows on the mountain. I wanted the vines to know I believed in them, that I knew they were going to make it. They looked beautiful. The fruit looked beautiful. The sky was beautiful. The whole round world was beautiful.

Here are some pictures from my walk:

If you’d like to view a compendium of moving snippets from my walks today, please feel free to enjoy the following movie:

Pray for sun. Warm is the love.

Waiting for the sun.

Pagani Ranch arrives: The Alicante cometh …

October 20, 2011

I was fortunate enough to be on hand when the Alicante Bouschet arrived at the Monte Bello Winery from the Pagani Ranch.  In fact, I rode the fruit in!

Here’s me on the back of the grape truck (photo by Kim Korupp)…

Ahhh, kid in a candy store. That’s me when I’m at the winery …

Anyhow, and needless to say, the production team was ready to spring into action …

The pitchfork awaits ...

As does Paul Draper ...

 Alicante Bouschet is an amazing grape, and it was quite magical watching it come splashing onto the conveyor belt in all it’s crimson noir glory…

Paul Draper observes the fruit coming in off the gondola ...

 

... and Eric Baugher and Shun Ishikubo dig in and start tasting ...

Despite all the challenges of the vintage (rain, rain, rain, cold weather, rain, cold weather, fog, rain, cold weather, rain, rain, rain …), we’ve actually been quite happy with the character and quality of the grapes we’ve received, and think it will be a notable vintage for its elegance, its sophistication, and its concentration. Plus, we’ll be seeing low alcohol levels across the board, and a heightened focus on balance and harmony.

There is of course a fine line between elegance and austerity, but we feel strongly we’re on the right side of this line in 2011.

Harvest Begins On The Mountain!

October 17, 2011

It’s been one heck of a growing season. T’aint no doubt about it.

But I am happy to report that Monte Bello, the mountain itself, has officially joined the harvest season; in comes Chardonnay!

Viticulturist Kyle Theriot, mannin' the buckles ...

Jimsomare!

 We brought in one run of chardonnay before the rains came, and while the jury remains out as to its final quality, the fruit that came in on Saturday showed fantastic flavors, and after analysis, the brix levels are spot on. I tasted grapes as they came in on Saturday, and then tasted a pair of press fractions on Sunday, and it’s fine juice all the way around; needless to say, all are relieved!

Chard in the gondola ...

 There is something somewhat strange about seeing the grapes in gondola; they seem somewhat temporarily humbled. In the wild, on the vine, they were exactly that; wild. And soon, they’ll be wine; all the wilder still. But for this brief moment, the are cowed, contained, contrite, as if temporarily scolded for their wild ways. Soon, so soon, they’ll be launched into the wildness of their new lives, but for just this one moment, we, in the role of exhausted parents, get to enjoy them in their ever so temporarily suspended grace, on the cusp between their wild, unformed youths, and their eventual destinies.

Inch by inch, row by row -or- Block by block, brix by brix ...

Takin' notes; the official record ...

Cluster ...

 Such a simple gesture, to hold up a cluster of grapes, but in the hands of a winemaker, there is something both paternalistic and feral about it; something both exasperatedly punitive, and lovingly fatigued. Here, in winemaker Eric Baugher’s juice-stained hands, this living cluster could be a child by the arm, a cat by the tail, a poem by the high inverted volta …

Never forget though, it’s a working person’s game, and a hard-working person at that. It’s technology …

Machinery …

Sweat and blisters …

And a whole lot of hearts growing three more sizes every day …

I had the great pleasure of following the chardonnay as it arrived, and was subsequently delivered. And to borrow a quote from the video that follows, “we had somethin’ special” …

Rollin’ Stone, Rollin’ Grapes … #Harvest2011

October 14, 2011

Monte Bello Road, 10.14.11

Normally, finding myself suddenly stuck behind a large, slow-moving vehicle on Monte Bello road is a real drag, but this morning, it was cause for celebration; it was a Ridge Vineyard truck, and on the back? Two gondolas of Chardonnay!

Pressing Pagani …

October 12, 2011

Up here at the Monte Bello Estate, we very recently hosted a wonderful group; a Japanese film crew. As it turns out, they happened to arrive on a day when the production team was pressing some Pagani Ranch zinfandel, and it proved to be an excellent opportunity to see a press happen live and in real-time.

Pressing is pretty much exactly what it sounds like; grapes are put in a container of sorts, and they’re pressed, in order to squeeze juice out.

Most of the juice that goes into Ridge wines is what you’ll see commonly referred to as “free run”; meaning, no pressing (or “extraction”) is required to obtain it. The juice essentially just makes its way out of the grapes of its own volition over the course of the fermentation process (In one of the video clips below, you’ll hear winemaker Eric Baugher –over the noise of the press! — explaining that about 75% of the available juice from the vineyard emerges as free run, while the remaining quarter continues to reside in the skins; thus, the press).

Free run juice is traditionally considered to be of a most pure, most elegant, most subtle character. That said, to make wines of the ageable and complex sort that Ridge Vineyards always strives to present, structure is very much required. And given that much of what we consider to be the vital structural components of any given wine are to be found in the skins (color and tannin, for example), a bit of extraction can potentially be very helpful in crafting a final assemblage.

For example, let’s say the free run juice of a particular vineyard parcel proves to be delicious, fruit-forward, elegant, beguiling, but just a tad light on the palate. A bit of pressed juice from the same parcel can be introduced to the “blend,” bringing a bit more intensity, and a tad more muscularity as regards tannin architecture. No tricks; it’s still the same vineyard, the same juice, the same personality, but with a modulated handling, different flavors can be obtained.

To complicate matters, we don’t just press. We do “press fractions.” Meaning, we press the same juice at different levels of intensity (i.e. pressure) and capture the results in separate tanks, so that they can be taste-tested in different assemblages with the core free run juice. Again, no tricks, just different handlings. What you’ll taste in the end is still essentially not much more than pure juice, but depending on whether press juice was added (and what “fraction” thereof it was), and in what amount(s), you’ll experience more or less of certain characteristics. To my mind, it’s a beautiful and singular way to work with what Mother Nature delivers, in such a fashion as to honor her, without changing her.

So, back to our primary story: Japanese Film Crew, Pagani Ranch Grapes, and a press.

Here are a few excerpts of me filming the filming. I hope you enjoy!

What’s Up, Lunch? Edition III.5

October 5, 2011

‘Twas time for another edition of “What’s Up, Lunch”, and to shake things up a bit, I decided to bring out a new old friend, my 1923 Remington.

And the dish? Homemade (thanks missus!) Split Pea Soup and Short Grain Brown Rice, under a Tamari Drizzle.

And to pair? The new 2009 Ridge Vineyards Pagani Ranch Zinfandel, and the 2008 Ridge Vineyards Estate Cabernet.

Not the cleanest copy, to say the least, but in true Ginsbergian “First Word-Best Word” form, that’s how it came down. Watch …

Thank you to my missus for making such a lovely lunch, thank you to Ridge Vineyards for making such lovely wine, thank you to John Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones for recording such a lovely version of”Afro Blue,” and thank you to my 1923 Remington for being such a lovely machine.

The Old Patch … (#Harvest2011)

October 3, 2011

To be engaged in the wine production endeavour is to live in many eras; to travel time with impunity, to traverse the Vonnegutian Timequake spectrum with full awareness of all that history has to, and will, offer.

Viticulturist Will Thomas is one such traveler of time. Before the first crowing glory of morning light, his big black boots are already walking; walking through the ghosts of another century; gnarled Hobbity figures in the mist, in perennial enactment of plantings past.

He’s in The Old Patch. It’s a vineyard parcel like no other, a quiet, noble portion of the Geyserville Estate, upon which are planted vines that date to 1885 …

Antonín Dvořák was actively composing then, as were Jean Sibelius, Pyotr Ilyich Tchaikovsky, and more. It was the year Huckleberry Finn was published. Vincent Van Gogh was painting Amsterdam scenes. And The Old Patch was entering the ground.

This is where Will and the vineyard crews are working; half in history, half in today’s damp morning …

In less than a few hours, Will will have left the vineyards for the winery, calling ahead to let them know what to expect of the 2011 Old Patch …

It’s extraordinary fruit, and you may be so lucky as to taste it in … 2013. For this is where Will, and all the production team, are now; their heads have left 1885 far behind, and they are timequaking now into the future. What will 2013 hold? Where will you be? With whom might you be drinking wine?

You may not be thinking about your future yet, but they are.

To be engaged in the wine production endeavour is to live in many eras; to travel time with impunity, to traverse the Vonnegutian Timequake spectrum with full awareness of all that history has to, and will, offer.


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