Preparing quite a lovely flight of Monte Bello for a tasting later this afternoon. Tasting notes to follow soon, but here’s a lil’ snapshot of what we’ll be tasting:
Archive for August, 2010
A Four-Decade Monte Bello Vertical!
August 16, 2010Paul Draper, Modern Legend! (A Must-See Video!)
August 16, 2010Any interest in watching video of a Masters of Wine Symposium featuring none other than Paul Draper (of Ridge Vineyards, of course!), Peter Gago of Penfolds, Alvaro Palacios of Descendientes de J. Palacios and Paul Pontallier of Château Margaux? Then you must dig this link:
MW Symposium – 27 June 2010 – Session 1 – Modern legends from Masters of Wine on Vimeo.
VineWatch 2010: VI!
August 13, 2010Lovely, lovely morning on the mountain, and a perfect time to go check in on our vine …
Now, while we STILL haven’t seen veraison yet (at least not on our chosen friend here, though we are finally starting to see a bit of color in some blocks …), I will say that it’s looking rather healthy; great canopy, and beautiful berries …
Lastly, just to give a bit of photographic context for the beauty of the morning, here’s the view FROM our vine …
And for a bit of historical context, here’s our lil’ friend from when we first started takin pics back in June …
You’ve come a long way, baby!
Chardonnay Showcase!
August 12, 2010Round Two of our Summer Wine Series touches down on terra firma this coming Saturday, and it affords a literally first-in-a-lifetime tasting opportunity; never before have we offered a flight like this one! In addition to closing with the very highly regarded 2006 Monte Bello (94 points Robert Parker/92 Points Wine & Spirits!) and the very rare 2007 Geyserville Essence (only the 13th Essence in our 50+ year history!), we are pouring not one, not two, not even three, but FOUR different Ridge Chardonnays!
I think it’s probably safe to say that Ridge has built its reputation on a red wine program comprised of world-class zinfandels and international-stature cabernet sauvignons, but did you know we’re also one of the most well-regarded chardonnay producers in California?
As but two examples as regards our Monte Bello Chardonnay, consider Matt Kramer’s words in Wine Spectator,
“If you say “Ridge” the automatic word association is “red.” (Or, alternatively, “Zinfandel.”) But one of Ridge’s greatest wines is white, specifically its Monte Bello Chardonnay.”
Or, consider James Laube’s numerical rating of this wine (also in WS); 95 points! (Joshua Greene has given 90+ point ratings to this wine in Wine & Spirits as well, as has Robert Parker). Or how about our Santa Cruz Mountains Estate Chardonnay? #2 on Wine Spectator’s Top 100 list for the 2005 vintage, a Year’s Best in Wine & Spirits for the 2007 Vintage, and a 93 points from Wine Spectator for the current 2008 vintage? Not so very bad!
Now, add to all that the 2008 Jimsomare (debut vintage!) and the 2008 Mikulaco Chardonnay (only the second vintage!) with all of 700 cases made between them, and you’ve got yourself quite a chardonnay showcase!
You can get the full specs on the event here, but here’s the brass tacks:
The fee for this flight will be $25/person (non-members), and $10/person (members). No reservation is required. (For our guests who opt not to participate in the Summer Wine Series event, we will offer, as always, a Guest-Member flight option for $5/person.) Best of all, if you return on a following Saturday with your receipt from a previous Saturday’s tasting, your flight is complimentary, and we’ll include a 6-bottle Ridge Vineyards eco-tote!
As noted above, our Monte Bello and Santa Cruz Mountains Estate Chardonnays have been nicely well chronicled in the world of wine writing, but given that both the Mikulako and Jimsomare Chards are not only new and extremely limited-production, but not available anywhere else but through us, I thought it might be worth posting some tasting notes, in case you’ve not yet tasted them. So here are some notes for you, should you be so inclined:
2008 Mikulaco Chardonnay
Strong mineral component in the aromatics right out of the gate, accompanied by hints of lemon and raw almond; in the glass, fairly spry legs bespeaking a lighter-side mouthfeel — toasty and viscous on the tip-of-the-tongue at point-of-entry, with crisp mountain fruit acidity lining the side-tongue sensors, and some warmer, toastier layers hovering just between – the cool-climate acidity at side-tongue lingers long into the mid-palate, carrying forward a chalky minerality mitigated by an almost honey’d mouthfeel; the regularly stirred lees lend some weight here, while the (very rare) deployment of french oak adds a rich nutty fleshiness — Overall, mid to high-tone fruit, and while somewhat short of finish, it’s definitely wide of palate, with enough acidity to sip alone in warmer months, enough viscosity to lend this to the summer table with aplomb, and enough minerality to keep things interesting throughout. By comparison to other Ridge chardonnays, it’s lighter and arguably less complexly multi-dimensional, but it’s also fresh, eminently drinkable, and displays a savvy degree of culinary companionabilty for the warm months.
2008 Ridge Vineyards Jimsomare Chardonnay
Pale straw-yellow tones in the glass, interwoven with warm gold highlights, and exhibiting both great clarity and rich viscosity. Hints of wheat and yeast on the nose, balanced by some citrus, a strong minerality, and a nice spread of multiple strains of pear (Bosc, Anjou, and especially Bartlett). Weighty on the palate, and even warmer and more viscous than the aromatics foreshadow; toasty, but not burnt, with compelling hints of warmed milk and crème fraiche. The finish is long and chest-fillingly pleasant, balancing a savory toasted-honey character with a sparkling re-display of mountain minerality.
And I think that says it all, so please, join us for this very special Chardonnay Showcase!
Happy Birthday Louise Bogan!
August 11, 2010Amongst those of us with an interest in poetry will likely be more than a few who today will be honoring, in a myriad of ways, the birth of poet Louise Bogan.
Her life in letters offered much in the way of distinctions (she passed away in 1970); perhaps the two most notable being her long career as poetry editor for The New Yorker, and her appointment as the fourth Poet Laureate to the Library of Congress.
As but one indicator of the depth and passion of her lyrical mind, I offer the following quote; intensely beautiful, and I think very much applicable to not just the arts, but the art of making wine:
“Innocence of heart and violence of feeling are necessary in any kind of superior achievement: The arts cannot exist without them.”
As an offering of poetry, I present Bogan’s ”To Wine”:
Cup, ignorant and cruel,
Take from the mandate, love,
Its urgency to prove
Unfaith, renewal.
Take from the mind its loss:
The lipless dead that lie
Face upward in the earth,
Strong hand and slender thigh;
Return to the vein
All that is worth
Grief. Give that beat again.
First Friday Blind-Tasting: We Have A Winner!
August 9, 2010For our First Friday event this past weekend, we hosted a rather unusual blind tasting for our guests. We poured three sets of two wines each side-by-side, and in each case, one wine was a Z-List wine, and one was an ATP wine, and there was a link between the two. The job of our tasters was to guess the vintage, the varietal, and the designation of each wine. To assist in this rather challenging task, we provided a hint for each pair. The first hint was “Alexander Valley,” the second was “Sub-Parcel Harvesting,” and the third was “Blend vs. Solo-Varietal.”
The first pair was the 2007 Carmichael Zinfandel and the 2007 Geyserville Zinfandel, with the link being that the vineyards are both located in Alexander Valley. The second pair was the 2006 Lytton Springs Zinfandel and the 2006 Lytton Estate Zinfandel, with the link being that the Lytton Estate offering is made up of just a few parcels from the larger Lytton Springs property (sub-parcel harvesting). The final pair was the 2006 York Creek and the 2006 Dynamite Hill Petite Sirah, with the link being that the York Creek is a blend of zinfandel, and petite sirah from the Dynamite Hill block, and the Dynamite Hill itself is solo-varietal petite sirah (blend vs. solo-varietal).
So how did our guests do? Quite well actually, especially given the overall difficulty of blind tastings in general! There was a total of 21 points available, 1 point for each correct vintage, varietal, and designation, and 1 bonus point for getting both wines in the pair fully correct.
And here are the results:
Third Place: Nancy Hom and John Ronald (tie)
Second Place: Danielle Johnston, John Kirkwood, and David & Tracy McLaughlin (tie)
And all alone in first place, a hearty congratulations to:
Kathleen Dowling!!! You’re our First Friday Blind Tasting Winner!!!
Thanks to all our guests for participating, and to all our winners listed above we say, please come back and see us in the tasting rooms, we’d love the chance to honor you in person!
The Wild & Wacky World of Search Engine Terms, Part II
August 9, 2010I’ve written about this before (here), and I’ll confess, it’s a lil’ topic I just can’t get enough of; search engine terms!
Our blog here tracks any number of things — # of views, for example — but my absolute favorite is the record of search engine terms people have used that (whether intentionally or not!) led them to our blog.
Some of them are quite obvious: “Paul Draper”, or “red wine food pairings”, or “Robert Parker Monte Bello”, things of that nature. And sometimes it’s a little more obtuse, but still reasonably logical. For example, almost everyday someone lands on our blog because they’ve entered “Georgia O’ Keefe” into a search engine. I included an image of one of her paintings in a post once, and for whatever reason, it’s become a popular location. (In the list below, ol’ Georgia makes a rather more unusual appearance …)
The best ones are of course the strangest, and I must say, there are some strange ones here!
I suppose it’s a compliment of sorts; a testament to the variety of content here, but anyhow, here is a new list of some of what I found to be the more entertaining search engine terms that brought you, our readers, here (make sure to read all the way down, I saved the best for last!):
men dressed as women
muppet band members
pirate clip art
route 66 bar
naked in big sur
georgia o’keefe herb salt
burger, goop
japanese wine quotes
p-b-shelley prose
colorless wind
twas the night before the wedding
naked women playing saxophone
kid n play
when was jazz discovered
i have drunken deep of joy
submissive men
fogger for lizards
(— and my personal new favorite—)
sake in vino veritas japan drunk truth
Yes!
Fog/NoFog: What A Difference A Day Makes!
August 8, 2010Essence!
August 7, 2010Because we’re pouring Essence in our tasting rooms today, in rather unprecedented fashion (as part of our Summer Wine Series), I thought it appropriate to pull a little behind-the-scenes treat for the staff … palate calibration, you know. I call this “Still-Life With Essence”
On Field Blends
August 6, 2010The subject of field blends tends to come up with some degree of frequency in conversations about wine, and it rather oddly seems to be doing so with a somewhat greater rate just lately. I suspect it has something to do with the seemingly ever-present (and perhaps increasing?) tension between what are oft considered to be competing schools of thought as regards the production of wine, with one side being perceived as (or self-identifying as) “traditionalists” engaging in the practice of “natural” winemaking, and the other side being “modernists” who have embraced technology and its associated contemporary methodologies in pursuit of their winemaking goals, and who have accordingly often abandoned certain other approaches as being outmoded. Numerous practices become subject to judgments of a sort when the debates are framed thusly, and this seems a likely cause for the controversy surrounding field blends.
Put simply, a field blend is a wine comprised of the juice of more than one type of grape (i.e. a “blend”), in which said blended grapes are actually planted together in the same vineyard. In short, they are blended in “the field,” as opposed to being blended in the winery. Many of the older-vine properties in Northern California are planted in this fashion; an archetypal old-vine California vineyard might be planted primarily to zinfandel, with small plantings of carignane and petite sirah inter-planted amongst the zinfandel vines.
I had recent cause to assemble some thoughts on the subject of field blends, courtesy of a very fascinating article that was posted on Tom Wark’s very excellent “Fermentation: The Daily Wine Blog.” Initially, I had planned only to offer a written response to the article (and the ensuing comments) by posting a comment myself, which I did, but in the weeks since, as the question of field blends has continued to come across my radar, it occurred to me to put up a post of my own, based on what I wrote on Tom’s site (if you’re not already reading his blog, I encourage you to do so. In addition to the consistently fine articles, the comment sections are truly a wonder. The article I responded to featured, among others, comments from the likes of Steve Heimoff, Charlie Olken, and Joel Peterson!). What follows is essentially a mini-manifesto of sorts, attempting to explain Ridge’s devotion to, and continued production of, field-blended wines, and offering up our Geyserville and Lytton Springs wines as key examples of type.
The reasons for our dedication to a field-blend model are numerous, and run the gamut from rather more abstract philosophical stances to more tangible factors related to taste and quality. But in the end, I think it’s safest to say that the field-blend model is part-and-parcel with Ridge’s fundamental commitment to honoring the true character of any given vineyard to the best of our ability. Ridge is (save for one exception) a single-vineyard producer, fundamentally dedicated to practicing a (choose your term) non-interventionist/minimum-impact set of methodologies in both the vineyard and the winery, in hopes of capturing all the singularities that make up the full expression of a particular vineyard; the field-blend concept being but one component in an over-arching spread of decisions made to reflect this commitment. Integrated Pest Management, Beneficial Crop Cover, Irrigation Management, Reduced Tillage, Compositing and Recyling, etc. are all examples of this fundamental philosophy in action. The point being is that every vineyard we work with has its own unique set of characteristics — microclimate, soil types, vine age and history, topography, etc. — and by trying to “intervene” as little as possible, we hope to accordingly ultimately craft a wine that is unique to its vineyard. So, by this reasoning, if the vineyard is planted as a field blend, then the wine we make will be a field blend.
There is of course tremendous market pressure out there demanding vintage-to-vintage consistency, but for our purposes, this kind of consistency cannot possibly be honest to the vineyards; Mother Nature does not repeat herself, so neither should her wines. Via the single-vineyard methodology, however, I think a wonderful kind of consistency is more than achievable. For example, Ridge’s Geyserville (a field blend) may change year to year, but it always tastes like Geyserville, and accordingly, unlike any other wine out there. This is, to my way of thinking, a sort of holy grail intersection of terroir and the marketplace; integrity as regards representing the vineyard, integrity as regards representing the brand.
All the concerns raised about field blends (uneven ripening being the most common) are certainly at least arguably valid, but just because something is difficult to manage shouldn’t mean it isn’t pursued, and to suggest that field blends can’t possibly attain greatness would seem to fly in the face of the long-term and fairly legendary success of a great many Californian wines; I like to think of both Geyserville and Lytton Springs being in that category, and it would seem there is at least some degree of support for that faith. Not that the critical intelligentsia working in the world of wine should be seen as be-all/end-all barometers of quality, but if we can take it as a safe assumption that Parker/Laube/Tanzer/Dias Blue/Robinson et al have achieved their prominence via some sort of reputable skill sets, then I think it’s safe to say that the Geyserville and Lytton Springs wines have earned their fair share of accolades from all corners of the critical world, and they’ve done so as field-blends. In addition, I spend every weekend of my life sharing these wines with guests at our Monte Bello Tasting Room, and I know first-hand the pleasure these wines bring to their palates.
In the end, to each their own, of course, but we as a producer believe in field-blends, and I like to think our wines prove the concept; I love the Geyserville and Lytton Springs wines; I love them year after year after year, and I think their singular array of complexities and multi-tiered aromatics and flavors are due in no small part to the performance of those field-blended varietals.















