Archive for November, 2009

Tasting At The California Wine Merchant, November 30th!

November 28, 2009

Just a quick heads up; if you’ll be in the Bay Area on November 30th, be sure to make time in your itinerary for a visit to The California Wine Merchant. Our very own Christina Donley will be hosting a tasting that evening, and there are going to be some wonderful wines poured! (Including a bottle of the 1999 Monte Bello!)

Here are the specs on the tasting:

Ridge Tasting at California Wine Merchant

Monday, November 30, 6-9pm

Cost:  $20

Address:  2113 Chestnut, San Francisco

 

And if you go, please feel free to send me photos and tasting notes! Cheers!

Things I’m Thankful For …

November 23, 2009

I’ll be out for the rest of the week, so in honor of the coming holiday, I’d like to offer a spontaneous list entitled “Things I’m Thankful For …”

The twin loves of my life: my astonishingly wonderful missus Amy, and my magical, beautific daughter Clara Bay

Our parents

Our collective friends and relations

The 1991 Monte Bello

The music of Sleepy John Estes

Coupe glasses, and those that drink champys from them

Rivers

Ireland

Haig’s Hummus

Han-Shan’s Cold Mountain Poems

Single-Vineyard wines

Pocket watches

Pomade

People who know how to shake hands properly

That I don’t own a Kindle

Rock skipping

Son House

The movie “Casablanca”

The novels of John Fante

That I’ll be serving the 2006 Monte Bello Chardonnay on Thanksgiving Day

Duct Tape

Winnie The Pooh

California

The poems of William Matthews

Pre-fusion Miles Davis

Tasting Room Staff that can, when tested, pour perfect 1 0z. pours every time

Capitola

That I’ll be serving the 2005 Lytton West Syrah on Thanksgiving Day

T-Shirts that cleverly deploy swear words

Champys, and the people who drink it out of Coupe glasses

The magnums of 2002 Home Ranch Cabernet that we served at our wedding

Our wedding

The book “Zen Mind, Beginner’s Mind”

Peanut Butter Toast — actually, toast of just about any sort, especially baked beans on toast, next to a peat fire, in the west of Ireland

That I got to know Donn Reisen before he passed

Jumbo Paper Clips and #2 Pencils

Curtis Mayfield’s soundtrack to “Superfly”

That I’ll be serving the 2006 Santa Cruz Mountains Estate Cabernet Sauvignon on Thanksgiving Day

Typewriters made before the 1960s, and especially typewriters from the 20s through the 40s, preferably the ones made by Underwood, Royal, and Remington

My unbelievably wondrous missus Amy, and my heart-achingly stupendous daughter Clara Bay

That Nicole was willing to grant me a phone interview from a truck stop in Wyoming

The surround-sound speakers I hope to have in the tasting room next year

John Coltrane’s album “A Love Supreme”

The 2007 vintage of the Buchignani Carignane

Dice. Especially Boss Dice

Swear words

Ankle boots

Sharpies with sharp points

Ah So Cork Pullers

Hand-harvesting

Haiku

The Clash

Really excellent neckties

People who still call refrigerators “Iceboxes”

People who say “undershirt” instead of “wifebeater”

That I’ll be serving the 2007 Geyserville Essence on Thanksgiving Day

National Steel Resonator Guitars. Specifically, mine

Vertical Tastings of Monte Bello. Specifically, when I’m invited

Red Sauce

The music of Bukka White

Autumn

Every single person who works for Ridge

My job at Ridge

Ridge.

And every thing else I haven’t written down yet, like Fred McDowell, Dylan Thomas, the 2006 Carmichael, brand-new  foil cutters, really well made chopsticks, walking not running, upright bass players that can really swing, kindness, the constellation Orion, Thelonious Monk, the 2002 Lytton Estate Petite Sirah, my daughter’s Ramones t-shirt, that no one I know eats Fudge with any kind of regularity, bicycles that don’t require the wearing of weird footwear, music, literature, the visual arts, beaches, rivers, forests, and WINE!

On this lovely holiday, may your hearts be filled with thanks, your rooms filled with loved ones, and your glasses full of wine! Cheers, and Happy Thanksgiving!

Paul Draper Interviewed In The Huffington Post! -or- Natural Winemaking In The News Yet Again!

November 20, 2009

There is a wonderful interview with our very own Paul Draper in yesterday’s The Huffington Post, and given that there has been a lot of talk in the press quite recently about natural winemaking, I think some of Paul’s answers here are particularly noteworthy, so I wanted to call your attention to them. In the article, Paul is interviewed by Sommelier and Restaurateur Brad Haskel.

As but one fine example, when Paul is asked to speak about his most gratifying achievements, he says the following:

“…finding vineyards that give a distinctive, individual and consistent character and high quality. Equally important the way that a traditional, non-industrial approach allows the wines to be in balance when young yet develop greater and greater complexity with years of age…”

To read the full article, click here, and enjoy!

Gang Of Pour Opens The Door On Two+Four! -or- Gang Of Pour Reviews 6 New Ridge Releases! -Or- Donley The Astonishing!

November 18, 2009

Gang of Pour, they of the “Nunquam Spuemus” motto, and guardians of perhaps the deepest arsenal of Ridge tasting notes in existence, have recently weighed in on some new Ridge releases (quite favorably, I might add!), courtesy of a visit from our very own Midwest Regional Sales Manager Christina Donley. I won’t spoil the surprise, but I will tell you that you can find the write-ups here. Cheers to Gang of Pour, and cheers to Christina!

Ridge For Thanksgiving! -or- Ridge Wine In The News! -or- An Admittedly Boastful Post, Full Of Bi-Coastal Toasts!

November 17, 2009

Well, I must say, it’s been a rather nice week in the news for Ridge, and I’m very happy to see that our holiday appeal appears to be bi-coastal, in that both the New York Times and the San Francisco Chronicle recently highlighted Ridge wines for their Thanksgiving Dinner companionability!

The New York times article, written by Eric Asimov, recounts this year’s edition of an annual pre-Thanksgiving tasting:

For six consecutive years, the Dining section’s wine panel has gathered for an early Thanksgiving meal. The mission: to taste potential holiday wines, to determine what works and what does not with a representative feast, and to offer coherent answers to the annual question of what to serve with the bird.

In the red wine category, our 2007 Three Valleys was elected the proverbial Best In Show:

Sam brought our top-rated red, a 2007 Three Valleys zinfandel from Ridge. I always run counter to the Thanksgiving bromide that zinfandel is the perfect American wine for the most American holiday. Zinfandel is often too big and alcoholic. But at 14.3 percent, this zin was well balanced and almost sleek.

On the other coast, Jon Bonné wrote a pair of linked Thanksgiving-theme articles recently; in the first one, from 11.13.09, he gives readers a very helpful general guide to selecting wines for the Thanksgiving table, and in the second, from 11.15.09, he provides tasting notes on some of his personal recommendations. He wrote the following about our 2007 Geyserville:

2007 Ridge Geyserville Sonoma County ($35) A classic Geyserville that shows off why Ridge’s style has endured. Sweet and eloquent, with charred branch, balsam, plump blackberry and a smoky edge. The balance is impeccable. Predominantly Zinfandel, with Carignane, Petite Sirah and Mourvedre.

So, if you’re beginning the process of selecting your wines for Thanksgiving, I am happy to suggest a little something from Ridge!

Marianne Moore, Hart Crane, and The Wine Menagerie

November 16, 2009

Moore

This past Sunday was the birthday of Marianne Moore, a poet of some great stature in American letters. She was born in 1887, and she passed in 1972. In thinking on Marianne Moore, I of course went looking for a wine connection, in order to give myself an excuse to write a post on her. Unfortunately, she has seemingly contributed little to the poetry of wine — as far as I can tell, the only arguably relevant (and this is a stretch, believe me!) work would be a poem entitled “It Makes No Difference To Balbus Whether He Drinks Water Or Wine,” which actually doesn’t appear to be about wine at all, and in fact, in garishly modernistic fashion, it doesn’t even mention wine. It does, however, contain the following rather excellent line:

“…if you are not interested in art,
it is not necessary to say so…”

Amen!

Anyhow, in continuing to think on Ms. Moore, I eventually recalled a story which occurred during her four-year tenure as editor of the very influential literary publication The Dial. While there, she was approached by the poet Hart Crane with a poem entitled “The Wine Menagerie.” She famously (or perhaps infamously, depending on your feelings for Mr. Crane’s poetry) accepted the poem, with the stipulation that she be able to edit it. And edit it she did! Crane in fact reportedly wept for hours when he read the nearly unrecognizable work that Moore had retitled as “Again.” The poem in its original form only finally appeared in the Crane collection “White Buildings.”crane_2

 

Anyhow, here is an excerpt from Crane’s (pardon the pun!) “heady” work:

Invariably when wine redeems the sight,
Narrowing the mustard scansions of the eyes,
A leopard ranging always in the brow
Assets a vision in the slumbering gaze.

 Then glozening decanters that reflect the street
Wear me in crescents on their bellies. Slow
Applause flows into liquid synosures:
—I am conscripted to the shadows’ glow.

I include this excerpt (and in fact, this is probably the true rationale for my post) because of the language, and specifically, the glozening decanters. I just want everyone out there to know that in our tasting room, our decanters most definitely glozen. Just in case you were worried. We’re glozening.

 

2004 Lytton Estate Grenache: New ATP Release, And, An After-Hours Event To Celebrate!

November 13, 2009

A new ATP wine has arrived on shore from the blustery viticultural seas! And yes, I admit that’s a weirdly inappropriate nautical metaphor, but a swashbuckling wine like this deserves … well … an eyepatch!  

CaptainGrenache 

All tomfoolery aside, this really is a wine for the passionate, the daring, the rogueish, the rebel. It’s got fire in its belly, and it recognizes no master but the code of freedom; freedom to live, to laugh, to love! 

Now, of course I highly recommend engaging in all the appropriately oenophilic rituals when experiencing this wine; foil cutter, Ah So, decanter, double-decantation, aeration, consideration of the visual, the olfactory, the first plush dance onto the palate floor … But on the other hand, if you just grabbed this bottle by the neck and jumped into whatever fray awaits you, you’d be fine in my book … I mean, you’d be welcome on my ship! My ship of lost souls, on the seas of the damned! 

PirateDrinkingGrenacheOk, ok, I’m getting a little carried away again. But I’m TELLING you, tasting this wine makes you feel, I don’t know, FREE! It’s emotionally emancipating, and it makes you feel a little dangerous, a little more willing than usual to take that extra step into the sensual unknown …Perhaps it’s the history of the Grenache in our vineyards; they were a discovery. And an unexpected one at that. So really, Ridge was in fact a wild band of explorers! Seriously though, this “discovery: is documented in the winemaker notes for this wine:

Ridge became involved with grenache quite by accident when, in 1972, we first harvested the vines on the eastern hills of Lytton Springs. Though we didn’t know it then, one of the hills—planted in 1902—had a high percentage of grenache, interplanted with small amounts of zinfandel and petite sirah.

Maybe it’s the age of those elder Grenache vines; they date to 1902, an altogether different era. An era when pirates ruled the seas, and tall tales of their adventures captivated the hearts and minds of young readers everywhere, readers who imagined themselves as those brave and daring ruffians flying across the high seas with nothing to think of but the passion on the moment … 

HowardPyle_BookOfPirates

The image above is from Howard Pyle’s Book of Pirates, which was published … you guessed it! 1902. So there! The 2004 Lytton Estate Grenache IS SO a pirate wine.  

Anyhow, here are some reasonably proper tasting notes:

Appearance:

Deep, deep ruby tones, with a nearly black core, and a subtle magenta limn; substantially viscous glaze in the bowl, that somehow still allow for reasonably narrow and swift legs to do their running …

Aromatics:

Spoonful upon spoonful of cocoa powder, shaken over richly ripe black cherries, on a plate piled high with warmed autumnal nutfruits. Very slightly minty, with a faint trace of rootiness as well. Definitely still a little tight in its youth, awaiting a fuller expression of fruit …

Front:

Black cherry, black grape, warmed strawberries, blueberry, loganberry, just a whole panoply of low-tone fruit notes, but all decidedly low-acid in character, with an emphasis on dense and darkly fleshy opulence, as opposed to overt vivacity.

Mid-Palate:

A certain degree of chalky tannins and granular minerality counter-weighting the tongue-side acidity that begins to emerge. Powerful on the palate, without being particularly weighty; a rather enticing yet somewhat unfamiliar integration of force and restraint …

Finish:

By the time I reach the finish, the true decadent power of this wine has become evident; every portion of my palate is covered with a plush duvet of sweetly ripe, yet muscularly structured weaves that twine together fruit, spice, and minerals. It’s as if I’ve dipped my weary tongue into the soothing reward of an autumnal herb and fruit bath at some secluded vineyard spa …

Summary:

It’s a pirate wine, pure and simple. It’s flamboyant, yet determined. Wild, yet clever. At once aggressively forceful, yet deceptively wily and restrained. It doesn’t trust you right away; rather, it reveals its secrets slowly, only after your palate has proven its mettle. Join its crew, stand by its side through thick and thin, and a treasure chest of rubies is yours …

In closing, both our Lytton Springs and Monte Bello Tasting Rooms are celebrating the release of this wine with the wonderful members of our ATP Program on Saturday night. If you’re an ATP member, and you’re in our respective areas, then we certainly hope you’ll be in attendance. And if you’re in our areas, and not yet an ATP member, this might be a good time to consider membership.  I’m just sayin’ …

So, from the deck of my ship, I extend my hook your way, and ask you, “Are you ready for the adventure of a lifetime?” Then join us! For now is no time to be a drivelswigger! It’s time to climb up Jacob’s Ladder, dodge the Hempen Halter, quit Swinging The Lead, and lift your Black Jack full of wine to the heavens! All Hands Hoay!

Oh, and here’s the specs on the event, just in case!

November After Hours – ATP Members Only
November 14
4pm – 7pm at Lytton Springs (Healdsburg) and Monte Bello (Cupertino)

Can’t make it to First Friday, but still want to pick up your ATP shipment? Our After Hours event is just the ticket. Our 2004 Grenache Lytton Estate is king this month, and we’ll pour this new release alongside the 2006 Santa Cruz Mountains Estate cabernet blend. We’ll also be showcasing the 2006 Monte Bello chardonnay; if you haven’t tasted the 2006 vintage yet, you’ll be delighted by this medium bodied chardonnay with notes of ripe pear. And what better pairing than with cheese? Harley Farms joins us at Monte Bello for the evening with their variety of unique cheeses adorned with toppings from flavorful fruits and herbs to edible flowers grown in the garden behind their goat dairy. The Lytton Springs tasting room welcomes Doralice Handal from the Cheese Shop of Healdsburg with an assortment of local artisanal cheeses paired specifically with our wine line-up for the evening.

This event is complimentary for all Ridge ATP Program Members (+1 guest per membership).

The Chardonnay Chronicles!

November 13, 2009

If you’re a reader of this blog, you may have noticed my penchant for utilizing chardonnay as a primary example of the “blaming the varietal for the method” syndrome. Basically, this is a situation in which a perfectly fine varietal gets unduly denigrated because of a preponderance of poorly crafted offerings.

Chardonnay was certainly getting the bum’s rush in Laurie Daniel’s article in the San Jose Mercury News yesterday; specifically, Californian chardonnay. Here is her opening stanza:

“SOMETHING NEEDS to be done about the sad state of California chardonnay. I sample several dozen of them every month, and I hardly ever find one that’s truly interesting or distinctive. A lot of the wines are downright undrinkable, with noticeable alcoholic “heat,” too much residual sugar and/or oak that’s way too aggressive.”

Certainly no mincing of words afoot here. “The sad state of California chardonnay.” Strong words, to say the least. My interest here, however, is not to lobby either for or against her opinion per se, rather, I’d like to (surprise, surprise) talk Ridge chardonnay for a moment, hopefully with the goal of showcasing how attention to site, and the methodologies that should accordingly and logically follow, are capable of producing everything Daniel says most Californian chardonnays do not exhibit; Daniel writes “that too many California Chardonnays are simply boring. In some cases, one bottle is virtually indistinguishable from the next.” What I hope to show here is that, if growers and producers adopt different methodologies both in the vineyard and in the winery, with primary emphasis being put on issues of site-specificity and micro-climatic sensitivity, the resulting wines can potentially show tremendous complexity and individuality. I believe this is what Ridge does, and I think the results speak for themselves.

As a quick aside, I would like to reference a post by Steve Heimoff, who was writing in response to the Daniels article, and who very astutely pointed out matters related to issues of location and methodology. He wrote,

“Someone or something has to take the blame, but who or what? Well, first of all, there are places Chardonnay simply shouldn’t be grown because it’s too hot. I’ve seldom encountered a great Chardonnay from Paso Robles or Lodi, although there are other factors in those places that limit the wine’s potential. Large tracts of central and northern Napa Valley also are unsuitable, as is Sonoma Valley as you move north from the Carneros.”

As with Daniels, I am not interested in arguing for or against his stand here, but I did appreciate Heimoff’s comments for two reasons; 1. He very quickly focuses in on the issue of location, and 2. Steve is actually a self-avowed chardonnay fan, and as such, I think his commentary is all the more poignant. (“I’ve said many times that I’m a Chardonnay lover. Never have been an ABC guy, never will be. And when I say Chardonnay, I mean Burgundian Chardonnay: barrel fermentation, new oak, sur lies and battonage, the whole works.” –Steve Heimoff)

And one last thing to note; Ridge was not mentioned in either the Daniels article or the Heimoff post. I am simply hoping to spin off their writings as a mechanism for discussing the singular hows and why of Ridge chardonnay, and why I think these methodologies, properly deployed, can potentially serve to avert in some fashion the downward reputational spiral that Californian chardonnay seems to be on.

Before putting my own two cents in, I’d like to begin with a little outside affirmation that what Ridge is doing with the Chardonnay program seems to be of some value in the wine world at large. Not that reviews from the wine media are necessarily any sort of be-all/end-all proof of quality, but again, I do think they constitute a certain degree of external confirmation, and are accordingly of a reasonable degree of merit. So, that said, I am very happy to note the following as regards recent vintages of our chardonnays:

–2007 Ridge Santa Cruz Mountains Estate Chardonnay:
93 points, Wine Spectator
Year’s Best, Wine & Spirits

–2006 Santa Cruz Mountains Estate Chardonnay:
90 points, Wine Spectator
90 points, Wine & Spirits

–2005 Santa Cruz Mountains Estate Chardonnay
#2 on Wine Spectator’s Top 100 of the year, 2007

–2006 Monte Bello Chardonnay
“Best of the West” Sunset Magazine

–2000 Monte Bello Chardonnay
90 points, Robert Parker

More than ratings and awards, however, I’d like to highlight the sorts of descriptors that are used in the tasting notes for all the above:

“…elegant, delicate mouthfeel, showing deep layers of ripe fig and green pear…”
“…balanced, focused, pure and lingering…”
“…a sleek, high-altitude white…”
“…layers of spice, fig, honeysuckle and honeydew melon. Clean and refreshing, with light oak shadings…”
“…plenty of rich, vibrant, smooth and concentrated pear, fig and melon flavors…”
“…pineapple notes intermixed with hazelnuts … with enough underlying acidity to provide delineation…”

And so on. Mainly, no sign of buttery popcorn and the like …

Anyhow, on to my two cents:

First, site-specificity. Our chardonnays are mountain fruit, grown in an ostensibly cool climate milieu, below a fog line. This singular combination of high heat in the days, but cool weather at night, makes for both substantive ripening AND natural retention of acidity. The result? A full-bodied, viscous mouthfeel that nonetheless manages to be vibrant, crisp, and expresses both lively citricity and weightily playful tropicality.

Next, as a sub-factor to site-specificity, soil type. Per winemaker Eric Baugher’s notes, what we have here is “Decomposing Franciscan green stone mixed with clay/loam over fractured limestone sub-soils.” Meaning, our chardonnays express a complex array of mineral components not normally seen in flatland/warm climate chardonnays.

Next again, yeast. Our chardonnays are wild-yeast fermented, relying entirely on natural yeasts present in the vineyards for both primary and secondary fermentation. The result, rather than the predictable mono-dimensionality that can often afflict inoculated chardonnay, is a veritably potpourri of yeast influences that add again to the overall complexity on offer.

And next again, yields. With a fully hand-harvested/primarily dry-farmed model in place, our vineyard yields are down around the 2.5 ton/acre realm; a model that consistently favors quality over quantity; concentration and character over dissipation and dilution.

And on to harvesting; in order to tap the full spectrum of singularities on offer in the peculiar topography of our vineyards, we sub-divide the property into much smaller parcels, each of which is harvested and fermented separately, allowing for the final assemblage of the wines to be a parcel-assemblage. Again, more complexity is the result.

And how about barrel program? All of our barrels are air-dried, with two goals in mind: elimination of the more aggressive tannins, and the absorption of site-specific microbial content. Add to this the deployment of a diverse selection of barrel ages (for example, the 2007 Santa Cruz Mountains Estate Chardonnay aged in the following: 29% new, 43% one and two years, 28% three, four and five years old barrels), and yet again, more opportunities to tap and exploit available complexities.

Lastly, filtration. Or, in the case of our chardonnays, the lack of it. The premise being, if I may be so blunt, is that if you take something OUT of the chardonnay, you’re taking something OUT of the chardonnay!

So there you have it, at least in brief. A short chronicle of site-specific and site-sensitive methodologies designed to naturally tap what is naturally on offer in a property that is a natural for producing complex and singular chardonnay.

Or so I think. One man’s semi-humble opinion, as it were.

And to close, a hearty cheers to chardonnay! I don’t know as I’d go so far as Heimoff does when he writes, “Chardonnay is the world’s greatest white grape …”, but it’s certainly one of the finest!

Oh, and just one last thing to note: as part of our Monte Bello flight, we regularly pour the Santa Cruz Mountains Estate Chardonnay in the Monte Bello Tasting Room, and currently, in honor of its astonishingly culinary companionability with the archetypal autumn table (think Thanksgiving Dinner; root vegetables, starches, poultry, gravy-based dishes, sage, rosemary, etc.) we are pouring the very new and very wonderful 2006 Monte Bello Chardonnay! So come up, come in, and let’s talk chardonnay!

07HSE1-L06HMBfr

A Vinogra-Thanks! -or- Biography Of A Vinography Choreography! -or- How The Wines Were Placed At Vinography.com!

November 10, 2009

Just a quick nod of thanks to Alder Yarrow and Vinography.com for the very positive assessments of our wines at the Wine & Spirits Top 100 Event. I’m particularly happy to see the 2005 Monte Bello receiving such high praise, as I think it’s just an absolutely remarkable offering.

In addition, I have discovered, but way of an equally appreciative nod to Ridge from said wine event, a blog I’d like to recommend. It’s called The Iron Chevsky Wine Blog, and it’s truly a treat to peruse; great pictures, great writing, great perspectives. And of course, Ridge is in good favor here, so I’m doubly impressed! You can check the blog out here, and for a near-exhaustively excellent visual and literary summary of the Wine & Spirits event, you can click here.

Cheers gentlemen!

Eric Asimov & The Pour: Welcome To The Fight! -or- Carignane Wins Again!

November 9, 2009

“Welcome to the fight.” Do you recognize that quote? Actually, the real line was “Welcome back to the fight.” But I don’t know for sure if Asimov was in the fight to begin with, and if he was, I don’t know that he left. Which is all a little obtuse, I realize. Here’s a hint on the quote:

Paul_Henreid_and_Humphrey_Bogart_in_Casablanca_trailer

It’s from “Casablanca.” Unquestionably the best movie ever made.

But what about Carignane? Well, somehow this article slipped under my radar back in October, but Eric Asimov, that highly esteemed member of the wine intelligentsia who writes the wonderful blog The Pour for The New York Times, recently penned an article for his blog about the oft-maligned varietal that is Carignane. And he came out swinging in its defense which, if you’re a reader of this blog, you’ll know is the same side of the fence I plant my big black boots on. The article was titled “Give A Grape A Chance,” and that pretty clearly lays out his mission statement.

In the tasting room, when discussing this varietal, I always concede that Carignane does indeed get a bad rap. But my sense is that this disrespectful summation has long been a case of blaming the grape for the method. A parallel example would be, say, Chardonnay. It too has gotten a bad rap over the years, but again, it’s a case of blaming the grape for the method. Chardonnay didn’t ask to be flabby and over-oaked, and it wasn’t born that way. Flabbiness and over-oakedness get thrust upon it, and when that approach becomes the dominant paradigm, eventually the lines separating the grape and the method blur, and the recriminations begin.

The same can be said of Carignane. Here is the opening salvo fired by Asimov in his article:

To call the carignan grape much maligned doesn’t begin to capture the contempt many people in the wine trade have for this poor grape.

And for what? For centuries of overcropping? For being planted in the wrong places? For making thin, astringent, acidic wines that can vary from inconsequential to brutal? That’s supposed to be the grape’s fault?

Not a dissimilar line of inquiry from a recent post (from June) on this blog, which carried the following title/mission statement:

Carignane Redux -or- Don’t Blame The Varietal For The Method? -or- Finding Time For An Oft-Maligned Vine

So as you can see, Asimov and I are on the same wavelength here. And I believe you should be too. Carignane is capable of producing wines of exquisite complexity, and it structure-forward presentation of vivacious acidity, crisp herbality, and savory fruit makes it an ideal wine for the table; any table, practically. I’ve tried our Carignanes with Indian curries, and come away dazzled. I’ve had them with Thai Green Curry, and loved the pairing. I’ve had our Carignanes with roasted tomatoes and fennel, and nearly fainted from an excess of pleasure. I’ve had our Carignanes with such a wide array of cuisines I’m tempted to go looking for an upscale version of the word “utilitarian” to describe it; upscale because utilitarian, while certainly indicating the wide array of culinary possibility this wine evidences, doesn’t seem to do justice to the grace with which it performs this service. Hmmmm…

Anyhow, the point is that Carignane, when given methodological respect, begets wines worthy of respect. I believe it, and it appears Eric Asimov believes it as well.

Do you? Come taste our 2007 Buchignani Ranch Carignane this weekend, so that I may welcome you to the fight!


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